International
Nicolas Cage’s ‘Knowing’ to show in China
MUMBAI: DMG, a Chinese-American media company and Summit have got the Nicolas Cage thriller Knowing into one of the 20 annual theatrical film slots for foreign-made movies that is controlled by the China Film Group (CFG).
The move is a coup for both DMG and Summit, as the quota system in the country favours films coming out of the big Hollywood studios like Transformers, Terminator Salvation, Ice Age and Harry Potter.
Though Summit does not have offices in China but its partner DMG — an advertising firm with 16 years‘ experience in China and offices in Beijing, Shanghai and Los Angeles — used its knowledge of the Chinese marketplace and bureaucracy to position the film in one of the coveted spots.
For most U.S. movies released in China, their distributors receive a flat fee between $10,000 and $75,000. Under the CFG, studios receive a percentage of the gross, usually about 13%. With the Chinese box-office growing at a speedy clip.
DMG hopes Knowing will be released on 1,000-plus screens in the fall. Industry observers in Beijing are uncertain, however, as the Communist Party will celebrate 60 years in power on 1 October.
International
Utopai Studios unveils 4K three-minute video generation for PAI platform
New Story Agent and editing tools aim to streamline AI-led filmmaking workflows
MUMBAI: Utopai Studios has announced a major upgrade to its PAI storytelling AI platform, introducing what it claims is an industry-first capability to generate three-minute videos in 4K resolution, alongside enhancements to its Story Agent feature.
The update, rolling out from April 15, expands the platform’s capabilities across the filmmaking process, from early concept development to post-production. The company said the new features are designed to help filmmakers maintain continuity across characters, scenes and visual styles, a key challenge in AI-driven storytelling.
At the heart of the release is a next-generation model that enables more structured narrative development, allowing creators to move more seamlessly from idea to execution. With tools such as multi-shot sequencing and multi-turn editing, the platform aims to give both studios and independent creators greater control over complex storytelling workflows.
Commenting on the launch, Utopai Studios co-founder and CTO Jie Yang said, “The next phase of AI in media will not be defined by isolated tools, but by systems that can carry story, continuity and collaboration across the full creative process.” He added that the update is a step towards enabling more practical, end-to-end narrative development at a professional level.
Echoing this, Utopai Studios co-founder and chief scientific officer Zijian He said, “Generative video is opening the door to a new production model, where creative ambition is less constrained by traditional cost and complexity.” He noted that the platform combines multimodal models with iterative editing to give creators more speed, control and consistency.
The company said PAI is already being used in professional film and television productions, particularly in Hollywood, for tasks such as pre-visualisation, scene design and post-production refinements. The latest update adds features including improved voice options, character consistency, unlimited editing and more flexible asset management.
Utopai also emphasised that its models are not trained on copyrighted material, positioning the platform as a cleaner alternative for creators and rights holders navigating the evolving AI landscape.
As AI continues to reshape content creation, Utopai’s latest push signals a shift from standalone tools to integrated systems, aiming to make high-quality filmmaking faster, more flexible and increasingly accessible.
