International
New Year’s Eve stumbles on opening
MUMBAI: As every year, December started on a sluggish note with Garry Marshall‘s star-studded film New Year‘s Eve failing to gather enough footfalls. The film grossed a poor $13.7 million.
Though they knew of the sluggish period, Warner Bros. and New Line still expected New Year‘s Eve to earn $20 million or more in the film‘s opening.
“The box office was just in really bad shape. While we had the No. 1 movie, we were No. 1 in a very soft market,” Warner Bros. president of domestic distribution Dan Fellman has reportedly said.
Overall box revenues for the weekend reached an estimated $78 million, the lowest since early September 2008, when revenues only reached $68 million over the Sept. 5-7 weekend.
This weekend was down 15 per cent from the same period a year ago and 4 per cent from last weekend.
In the US, New Year‘s Eve scored better than Marshall‘s Valentine‘s Day that opened to a massive $72 million over the four-day Valentine‘s Day/President‘s Day weekend in 2010.
International
Utopai Studios unveils 4K three-minute video generation for PAI platform
New Story Agent and editing tools aim to streamline AI-led filmmaking workflows
MUMBAI: Utopai Studios has announced a major upgrade to its PAI storytelling AI platform, introducing what it claims is an industry-first capability to generate three-minute videos in 4K resolution, alongside enhancements to its Story Agent feature.
The update, rolling out from April 15, expands the platform’s capabilities across the filmmaking process, from early concept development to post-production. The company said the new features are designed to help filmmakers maintain continuity across characters, scenes and visual styles, a key challenge in AI-driven storytelling.
At the heart of the release is a next-generation model that enables more structured narrative development, allowing creators to move more seamlessly from idea to execution. With tools such as multi-shot sequencing and multi-turn editing, the platform aims to give both studios and independent creators greater control over complex storytelling workflows.
Commenting on the launch, Utopai Studios co-founder and CTO Jie Yang said, “The next phase of AI in media will not be defined by isolated tools, but by systems that can carry story, continuity and collaboration across the full creative process.” He added that the update is a step towards enabling more practical, end-to-end narrative development at a professional level.
Echoing this, Utopai Studios co-founder and chief scientific officer Zijian He said, “Generative video is opening the door to a new production model, where creative ambition is less constrained by traditional cost and complexity.” He noted that the platform combines multimodal models with iterative editing to give creators more speed, control and consistency.
The company said PAI is already being used in professional film and television productions, particularly in Hollywood, for tasks such as pre-visualisation, scene design and post-production refinements. The latest update adds features including improved voice options, character consistency, unlimited editing and more flexible asset management.
Utopai also emphasised that its models are not trained on copyrighted material, positioning the platform as a cleaner alternative for creators and rights holders navigating the evolving AI landscape.
As AI continues to reshape content creation, Utopai’s latest push signals a shift from standalone tools to integrated systems, aiming to make high-quality filmmaking faster, more flexible and increasingly accessible.
