Hindi
‘Kick’ …Get a kick out of it!
MUMBAI: Other films may have done more business at the box office but 2009’sWanted created a new slot for Salman Khan; that of a walking talking killing machine, a Superman (but without his sartorial taste of wearing his underwear over his pants). Being a Hindi film hero, he also has to simultaneously carry out the tougher job of maintaining and placating a girlfriend, and sing and dance with her in garish club sets. Ever since Wanted, films are made for Salman to fit in that same mold which assures success. The planned Eid release, something which now seems like a fixed slot for Salman starrer, adding hugely to the film’s prospects.
Salman is on a mission; he needs to find a person who, he thinks, is responsible for a certain crime despite being in high position in politics. Meanwhile, he notices Jacqueline Fernandez, a psychiatrist, when she is wearing horn-rimmed glasses and looks like a nerd—though she changes to tiny dresses when she is ready to romance and dance the jig with the hero.
Impressed with Salman and very much in love with him, Jacqueline ‘s love story with Salman is not quite convincing and uses up most of the first half offering nothing except a few songs on the viewer. Then, Salman is taunted by Jacqueline about his monetary status. He vows to spend his time on making money and turns into a contemporary Robin Hood. It is another matter that a little later his cause for raising money is a small kid suffering from cancer. He makes raising monies for children needing medical attention his life’s mission.
There is a little girl who is dying of cancer and, unable to meet the expenses of her operation, her parents commit suicide. Salman takes up the cause of that child and approaches the big shots of the town for help. One of the big shots (and a minister), Nawazuddin Siddiqi, along with a bunch of his sycophants, makes the mistake of insulting him by donating Rs 100 while he needs Rs 11 lakh for the child’s survival. That is a reason enough for Salman to eliminate the gang of Nawazuddin one after the other.
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Director: Sajid Nadiadwala. Cast: Salman Khan, Jacqueline Fernandez, Randeep Hooda, Nawazuddin Siddiqi, Mithun Chakraborty, Saurabh Shukla, Vipin Sharma, Sanjay Mishra, Archana Puran Singh, Kavin Dave, Sumona Chakravarti and an item number by Nargis Fakhri. |
Producer: Sajid Nadiadwala.
Meanwhile, the action has shifted to Poland and an Indian cop, Randeep Hooda, is following Salman’s tracks. He is willing and ready to shoot Salman but never does so when Salman is around him because he comes in the guise of a friend, Devi Lal while the thief Hooda is chasing is called Devil (al)!. While Salman and Hooda play cops and robbers, a lot of Nawazuddin henchman millionaires back in India are being robbed. Nawazuddin is exasperated and desperate to find the culprit and add his death to his reputation.
The film turns into a caper as Salman carries out a number of heists in varied ways maintaining his humour all the while. These missions are serious business for Salman and his romance with Jacqueline has been called off, while Hooda, who has come to Warsaw chasing Salman, happens to be her family friend and it is left to her to look after him. A sort of triangle is formed. Though predictable and seen earlier, now the sequence is such that Salman is hunting for Nawazuddin and Hooda is hunting for Salman the Devil. These are the parts that make Kick interesting as would be expected from a Salman action thriller.
The script, as should be apparent, is a bit messy .There is nothing solid happening in the first half except a romance without chemistry. All the action is in the second half where there are some sudden jumps and locations unexplained. You don’t know whether you are in Delhi or Europe, whether one is in past or in present as the things unwind. Sajid Nadiadwala’s foray into direction considering these glitches in the script is satisfactory. What matters is that it will go down in the record books as ‘A super hit on debut’ for him. The film has competent cinematography by Ayananka Bose. The film’s music is not up to the mark and adds to the tedium of the first part. The one song which has popular appeal is ‘Jumme ki raat…’ Dialogue has the usual Salman one liners laced with humour.
The film belongs to Salman Khan all the way and he is in full form. Randeep Hooda comes in a different role and justifies it. Nawazuddin as a maniacal villain, the kind you see in a Bond film or a super hero film, may not come across as strong enough against Salman but looks sinister enough to be slayed. Jacqueline is okay. Mithun Chakraborty as Salman’s father complements him well. Kavin Dave and Sumona Chakravarti lead the supporting cast of able actors like Saurabh Shukla, Vipin Sharma, Sanjay Mishra and Archana Puran Singh.
Kick has taken a thundering opening despite coming on the last Friday of Ramzan and Kavad processions in the North as a Maha Shivratri ritual. The film is expected to break first day records and enjoy a ‘10 day weekend’ at the box office and creating more records.
Hindi
Shekhar Suman opens acting academy in Mumbai
The veteran actor-presenter launches SSFA, promising immersive, mentorship-led training for aspiring actors and storytellers
Mumbai: Forty years in front of the camera, and Shekhar Suman still isn’t done. The actor, host, writer and director, one of Indian entertainment’s most restless polymaths, is now training his sights on the next generation, launching the Shekhar Suman Film Academy (SSFA) in Mumbai on 22nd April 2026. Registrations for the inaugural batch are already open.
SSFA pitches itself squarely against formula-driven acting schools, leading with an intensive three-month programme that Suman says he personally designed and will largely conduct himself. The curriculum blends voice and speech work, emotional access, body awareness and camera technique with the Linklater Voice Method, film language and on-set discipline, and rounds off with a student film, giving trainees their first taste of a real set.
Masterclasses with actors, casting directors and filmmakers sit alongside the core course. The academy is conceived as a platform that will eventually sprawl into screenwriting, direction, cinematography, music production and post-production: a full creative ecosystem rather than a single acting school.
“For me, this academy is not just an institution. It is a very personal way of giving back to the craft that has given me everything,” said Suman. “Over the years, acting has taught me discipline, imagination, resilience, and the importance of truth in performance. Through this academy, I hope to create something that goes beyond training and becomes a true creative journey for every student who walks in.”
Behind the scenes, the academy is backed by GBM Studios. Dharmesh Sangani, founder and visionary, is the driving force, bringing what the academy describes as “a focused approach to creating meaningful opportunities within the industry.” Adhyayan Suman, founder and director and Shekhar’s son, adds a performer’s perspective honed across acting, music and direction. Ekant Babani, partner and chief operating officer, handles strategy and operations.
Entry is deliberately low-barrier. No prior training is needed: applicants sit a basic self-audition test, shifting the focus firmly to potential rather than polish. The academy says it aims to stay accessible while delivering a premium, hands-on experience.
In a country where acting schools multiply almost as fast as OTT platforms, Suman’s personal stamp and his willingness to stand in the room and teach may be the sharpest edge SSFA has. For those ready to test that promise, the curtain is already up. Apply at shekharsumanfilmacademy.com
