Hindi
Karma – Crime, Passion, Reincarnation to show at Shanghai Film Festival
MUMBAI: Even though the film is still to release in India, Karma – Crime, Passion, Reincarnation, a Golden Ticket Films & Picture Perfect production, has been selected as an official entry to the International Panorama of the 12th Shanghai International Film Festival. The event will be held in Shanghai from 13 to 21 June.
Produced by Vivek Singhania, Dhiraj Kotkar and Sanjiv Potnis, the film has been directed by MR Shahjahan and revolves around the theme of reincarnation.
Karma – Crime, Passion, Reincarnation has Indian as well as international star cast comprising Alma Saraci, Carlucci Weyant, Vijayendra S Ghatge, Claudia Ciesla, Shanda Renee, DJ Perry and Smita Hai.
After winning awards in Marbella International Film Festival, Spain and Corinthian International Film Festival, Greece, Karma – Crime, Passion, Reincarnation is ready to release soon in India in both English and Hindi versions.
Hindi
Rashmika Mandanna, Shanaya Kapoor and Naila Grrewal climb IMDb’s Indian celebrity rankings
Upcoming films and returning shows are driving fan interest across Bollywood and streaming
MUMBAI: Bollywood’s popularity contest has a new weekly scorecard, and the numbers are telling. IMDb’s Popular Indian Celebrities list for this week places Shanaya Kapoor at number six, buoyed by buzz around her film Tu Yaa Main. Naila Grrewal slots in at seven on the back of the returning comedy series Maamla Legal Hai, while Rashmika Mandanna climbs to eighth, riding mounting anticipation for Cocktail 2.
The list, available exclusively on the IMDb app for Android and iOS, tracks trending Indian entertainers and filmmakers each week, drawing on data from more than 200m monthly visits to the platform worldwide.
Further down the rankings, Raaka is keeping two of its biggest names in the spotlight. Deepika Padukone holds 11th position, with Allu Arjun close behind at 13th, as the film continues to find traction with audiences.
The list offers fans a weekly pulse on who is breaking through, who is holding steady, and who is fading. It is a barometer as unsparing as the box office itself.
