International
John Forsythe dies at 92
MUMBAI: The unseen boss of Charlie‘s Angels, the put-upon plutocrat of Dynasty, John Forsythe is no more. The TV and film star expired on Thursday at the age of 92.
Born in 1918 in Penns Grove, N.J., as John Lincoln Freund, the son of a Wall Street stockbroker, Forsythe married and divorced early, joined the Army and, as a soldier, appeared in the Broadway play Winged Victory and the war movie Destination Tokyo, both in 1943. (On Broadway he met his second wife, actress Julie Warren; they were married for 51 years, until her death in 1994.) Forsythe returned to Hollywood after the war and, except for a starring role in the 1953 Broadway hit The Teahouse of the August Moon, remained out West.
Forsythe‘s uncomplicated manliness appealed to Alfred Hitchcock who cast the young man as the lead in the grindingly whimsical 1955 comedy The Trouble With Harry. Later Hitchcock signed Forsytheto play the role of a man accused of murder in the 1962 TV drama I Saw the Whole Thing. Seven years later, Forsytheto essayed the role of a government agent in Topaz.
The small screen later allured Forsythe. He began his series work with Bachelor Father that ran from 1957 to 1962 on CBS, then NBC and finally ABC. Over the next three decades, the actor anchored three other sitcoms: in 1965 The John Forsythe Show (an Air Force major inherits a San Francisco girls‘ school), in 1969 To Rome With Love (a widower moves his three daughters from Iowa to the Eternal City for a teaching position) and, as he was nearing 75, The Powers That Be, about an inept U.S. Senator whose wife (Holland Taylor) runs the show. Imagine the James Gregory-Angela Lansbury couple from The Manchurian Candidate.
In Richard Brooks‘ 1967 movie of Truman Capote‘s In Cold Blood. Robert Blake and Scott Wilson got the emoting headlines as the real-life Kansas killers, while Forsythe, as FBI agent Alvin Dewey, had the job of explaining their crimes to the audience.
If an actor is someone who sells the script without making it sound like a carny‘s come-on, then John Forsythe was him.
International
Utopai Studios unveils 4K three-minute video generation for PAI platform
New Story Agent and editing tools aim to streamline AI-led filmmaking workflows
MUMBAI: Utopai Studios has announced a major upgrade to its PAI storytelling AI platform, introducing what it claims is an industry-first capability to generate three-minute videos in 4K resolution, alongside enhancements to its Story Agent feature.
The update, rolling out from April 15, expands the platform’s capabilities across the filmmaking process, from early concept development to post-production. The company said the new features are designed to help filmmakers maintain continuity across characters, scenes and visual styles, a key challenge in AI-driven storytelling.
At the heart of the release is a next-generation model that enables more structured narrative development, allowing creators to move more seamlessly from idea to execution. With tools such as multi-shot sequencing and multi-turn editing, the platform aims to give both studios and independent creators greater control over complex storytelling workflows.
Commenting on the launch, Utopai Studios co-founder and CTO Jie Yang said, “The next phase of AI in media will not be defined by isolated tools, but by systems that can carry story, continuity and collaboration across the full creative process.” He added that the update is a step towards enabling more practical, end-to-end narrative development at a professional level.
Echoing this, Utopai Studios co-founder and chief scientific officer Zijian He said, “Generative video is opening the door to a new production model, where creative ambition is less constrained by traditional cost and complexity.” He noted that the platform combines multimodal models with iterative editing to give creators more speed, control and consistency.
The company said PAI is already being used in professional film and television productions, particularly in Hollywood, for tasks such as pre-visualisation, scene design and post-production refinements. The latest update adds features including improved voice options, character consistency, unlimited editing and more flexible asset management.
Utopai also emphasised that its models are not trained on copyrighted material, positioning the platform as a cleaner alternative for creators and rights holders navigating the evolving AI landscape.
As AI continues to reshape content creation, Utopai’s latest push signals a shift from standalone tools to integrated systems, aiming to make high-quality filmmaking faster, more flexible and increasingly accessible.
