International
Harry Potter makes $7.44 mn in Australia in 24 hours
MUMBAI: The last film in the Harry Potter franchise, Harry Potter And The Deathly Hallows: Part 2 had the biggest opening day in Australia. The country was one of the first markets in the world in which the film opened.
The box office figures of the film that have started rolling in have gladdened Warner Bros. Harry Potter And The Deathly Hallows: Part 2 smashed opening day figures for the Australian box office when the film took AUS$7.02 million ($7.44 million) in 24 hours, eclipsing previous record holder, Lord Of The Rings: Return Of The King by nearly $1.8 million.
“We‘re thrilled to see this powerful response from such a broad range of moviegoers. These incredible results are a testament to the incredible achievement of the filmmakers, cast, and, of course, J.K. Rowling, and should ensure the film series’ place in history for years to come,” said distributor Roadshow Films‘s managing director Joel Pearlman.
Pearlman indicated that the result should help cement the Harry Potter series as the top-grossing film franchise of all time.
International
Utopai Studios unveils 4K three-minute video generation for PAI platform
New Story Agent and editing tools aim to streamline AI-led filmmaking workflows
MUMBAI: Utopai Studios has announced a major upgrade to its PAI storytelling AI platform, introducing what it claims is an industry-first capability to generate three-minute videos in 4K resolution, alongside enhancements to its Story Agent feature.
The update, rolling out from April 15, expands the platform’s capabilities across the filmmaking process, from early concept development to post-production. The company said the new features are designed to help filmmakers maintain continuity across characters, scenes and visual styles, a key challenge in AI-driven storytelling.
At the heart of the release is a next-generation model that enables more structured narrative development, allowing creators to move more seamlessly from idea to execution. With tools such as multi-shot sequencing and multi-turn editing, the platform aims to give both studios and independent creators greater control over complex storytelling workflows.
Commenting on the launch, Utopai Studios co-founder and CTO Jie Yang said, “The next phase of AI in media will not be defined by isolated tools, but by systems that can carry story, continuity and collaboration across the full creative process.” He added that the update is a step towards enabling more practical, end-to-end narrative development at a professional level.
Echoing this, Utopai Studios co-founder and chief scientific officer Zijian He said, “Generative video is opening the door to a new production model, where creative ambition is less constrained by traditional cost and complexity.” He noted that the platform combines multimodal models with iterative editing to give creators more speed, control and consistency.
The company said PAI is already being used in professional film and television productions, particularly in Hollywood, for tasks such as pre-visualisation, scene design and post-production refinements. The latest update adds features including improved voice options, character consistency, unlimited editing and more flexible asset management.
Utopai also emphasised that its models are not trained on copyrighted material, positioning the platform as a cleaner alternative for creators and rights holders navigating the evolving AI landscape.
As AI continues to reshape content creation, Utopai’s latest push signals a shift from standalone tools to integrated systems, aiming to make high-quality filmmaking faster, more flexible and increasingly accessible.
