Hindi
Freaky Ali….A slapstick, forced comedy
We have had some sports films which dealt with the theme of an underdog making it to the victory podium after a lot of struggle and toil besides, of course, the glory and honour of the nation. However, the sport has been the one which our people identify with.
Freaky Ali is a love sports story. The sport is golf, a sport purely the domain of the rich. It is also about an underdog but not of the usual kind. In fact, he is a kind of character one would not even expect to see anywhere near a golf course.
Golf is a sport alien to most common people anywhere in the world as it is in India. But, when a film about an independent sport like this is inspired by a Hollywood film, the sport can’t be changed from golf to cricket, a team sport.
Nawazuddin is a debt collector along with Arbaaz Khan. Nikitin Dheer is their boss. This, Nawaz thinks, is the way to make a fast buck. The duo works for the kind the ‘finance institutions’ that existed not long ago in India to recover monies lent to retail borrowers who were not readily forthcoming with repayments.
Earlier, in the movie, Nawaz had tried his hand at selling undergarments. But, when it came to the girl he loved the most, his proposal was rejected because of his profession.
Nawaz lands up on the golf course during one of his loan recovery rounds. Here his boast leads him to try the sport. And, as the film stories can fit in anything, Nawaz surprises all. His latent talent in noticed by a caddie, Asif Basra, who decides to help him hone his skills.
Abracadabra. Nawaz is now a golf champion of international standards. He is soon doing the professional circuit. He goes on a winning spree much to the discomfiture of his rival Jas Arora. Also, working against Nawaz’s interest is Nikitin, who wants him to lose at any cost.
With success comes love — Amy Jackson.
The film loses the battle when it borrows the idea of the sport of golf and an underdog. The comedy is forced instead of emanating naturally from the situations, and falls flat. Direction in the movie is weak to state the least and editing is slack.
Dialogues in the movie are good at some places, especially the lines written for Nawaz. The cinematography is okay. The songs don’t entertain at all. The qawwali, Ya Ali Murtaza, is the only saving grace.
Nawaz shines even in this mundane comedy. Arbaaz Khan manages with his limited acting skills. Asif Basra is okay. Amy has too little to do to make a mark. Jackie Shroff plays a cameo to no avail.
Freaky Ali lacks appeal even for the growing breed of Nawaz fans.
Hindi
Jio Studios, Sanjay Dutt team up to revive Khal Nayak
Rights acquired for new version, format under wraps as remake plans take shape.
MUMBAI: The villain is back and this time, he’s rewriting his own script. Jio Studios has partnered with Three Dimension Motion Pictures and Aspect Entertainment to revive the 1993 cult classic Khal Nayak, marking a fresh chapter for one of Bollywood’s most iconic anti-hero stories. The original film, directed by Subhash Ghai under Mukta Arts, was a commercial and cultural milestone, with Sanjay Dutt’s portrayal of Ballu becoming one of Hindi cinema’s most memorable performances.
Dutt, along with Aksha Kamboj, has now acquired the rights from the original creators, bringing on board Jio Studios and its President Jyoti Deshpande to steer the project creatively.
While the exact format whether remake, sequel, prequel, or a completely new narrative remains undisclosed, the collaboration aims to reinterpret the story for contemporary audiences while retaining the essence that made the original a defining film of the 1990s.
The move taps into a broader industry trend of reviving legacy intellectual property, particularly characters with strong recall value. “Khal Nayak” was notable for pushing mainstream Hindi cinema into morally grey territory at a time when heroes were largely one-dimensional, making Ballu’s character a standout.
The project also marks the film production debut of Aspect Entertainment, signalling a push towards more technology-led storytelling frameworks. Meanwhile, Jio Studios continues to expand its slate, having built a library of over 200 films and series, with more than 60 titles collectively winning 500-plus awards.
For Dutt, the revival is as much personal as it is strategic, a return to a role that reshaped his career. For the industry, it is another sign that nostalgia, when paired with scale, remains a powerful box-office proposition.
Because in Bollywood, some villains never fade, they just wait for the perfect comeback.
