Hindi
Film industry wants legal powers for film tribunal
MUMBAI: The film industry wants the powers of the Film Certification Appellate Tribunal (FCAT) to be enlarged to hear appeals from persons aggrieved by the decisions of the Central Board of Film Certification (CBFC).
The film industry has demanded amendment to Section 5C of the Cinematograph Act 1952 to include such appeals so that most trial courts could automatically direct petitions to the Tribunal, thus preventing the filing of large number of petitions on frivolous grounds.
However, both the Film Federation of India and the Film and Television Producers Guild of India said this would not mean that the High Courts should surrender their powers to entertain writ petitions.
In his representation to Information and Broadcasting Minister Ambika Soni, FFI President Jitendra Jain referred to individuals, groups of persons or organizations representing narrow, partisan and sectarian and identity interests creating disputes to hold up the screening of films that are cleared for public viewing by the CBFC.
These disputes pertain only to certain portions of the film/song/lyric which may be objectionable to the beliefs of these parties and individuals. But many of them then approached the Courts and acquire injunction orders.
It is unfortunate that though most of these injunctions are withdrawn and the matter decided in favour of the producers, there is no compensation for the resultant loss or the delays in court hearings.
He said this rigmarole leads to producers and exhibitors suffering huge losses as the films are generally sold in advance, thereby committing the exhibitors to the dates of the screening.
Guild President Manmohan Shetty in a separate representation to the Minister said the matter gets compounded when some groups take the law into their own hands and attack cinema halls creating law and order problems, which in turn lead to the police stopping the screenings of the film temporarily or otherwise to restore peace.
Shetty said Dadasaheb Phalke awardee and nominated Member of Parliament Shyam Benegal had been requested by the film industry to liaison with the Ministry on this matter on behalf of the entertainment industry.
Hindi
Jio Studios unveils AI-powered Krishna teaser at NAB Show 2026
Global first look of Krishna uses Galleri5 AI pipeline on Azure, Historyverse slate as Jio’s Dhurandhar crosses Rs 3,000cr worldwide.
MUMBAI: Krishna has just dropped a divine teaser and this time the gods are powered by silicon, not just scripture. Jio Studios and Collective Studios’ Historyverse stole the spotlight at the NAB Show 2026 in Las Vegas with the world’s first teaser for their upcoming theatrical feature Krishna, directed by Manu Anand. The big reveal happened during Microsoft’s keynote “Powering Intelligent Media, From AI Experimentation to Real-World Impact,” where the film’s AI-native production pipeline took centre stage alongside Collective Artists Network’s in-house platform, Galleri5.
At the heart of this mythological spectacle lies a fresh cinematic workflow built by Galleri5 on Microsoft Azure’s advanced AI and cloud infrastructure. Forget bolting AI onto traditional VFX or animation, this is an end-to-end, production-grade system woven into every layer: world-building, character creation, shot design and final output. Yet the storytelling remains firmly director-led, emphasising emotional depth, stillness, music and performance rather than pure spectacle. The result? Large-format theatrical cinema rooted in Indian history and culture, but conceived in ways that were simply not possible before.
Collective Artists Network runs Galleri5 natively on Azure, leveraging Microsoft Foundry and cutting-edge AI tools to handle film, episodic and advertising workflows in a secure enterprise environment. Microsoft highlighted Collective as a “Frontier” organisation successfully moving AI from pilot projects to real production-scale deployment in cinema. The technology is also on display at Microsoft’s NAB booth in the West Hall (Booth W1731).
Jio Studios (Media & Content Business, Reliance Industries), president Jyoti Deshpande said the project advances the studio’s mission to take Indian stories global with scale, ambition and authenticity, “With Krishna, we are embracing cutting-edge AI-led filmmaking while democratising these tools to make them more accessible, intuitive and cost-effective for storytellers everywhere.”
Collective Artists Network founder & group CEO Vijay Subramaniam added, “We’re using technology developed in India to carry our culture and history to audiences worldwide at a scale never seen before.”
Microsoft, vice president for telco media & entertainment, gaming Silvia Candiani noted that the media industry has reached an inflection point, “AI is no longer about experimentation but delivering real impact at production scale… By building AI-native creative systems on Microsoft Azure, Collective exemplifies how storytellers can unlock new formats, move faster and realise a true return on intelligence while keeping human creativity at the centre.”
Krishna forms part of Historyverse, Collective Studios’ ambitious slate of history and culture-driven IPs. The slate draws from iconic figures and traditions that shaped the Indian subcontinent, including stories inspired by Kali, Karna and Durga. It builds on the already-released Mahabharat: Ek Dharmayudh series, showing how ancient narratives can be reimagined for modern screens.
Jio Studios, India’s leading content studio and the media and content arm of Reliance Industries, continues its blockbuster run. The studio’s Dhurandhar franchise led by Dhurandhar and Dhurandhar: The Revenge has become the first Indian film series to cross Rs 3,000 crore worldwide. It also delivered three consecutive years of India’s highest-grossing Hindi films: Stree 2 (2024), Dhurandhar (2025) and Dhurandhar: The Revenge (2026). In just eight years, Jio Studios has assembled a library of over 160 films and series, with more than 60 titles winning over 500 awards. Other notable successes include Laapataa Ladies (India’s official Oscar entry 2025), Stree, Article 370, Shaitaan and Mrs.
The NAB unveiling marks another step in Jio Studios and Collective’s push to blend Indian storytelling talent with frontier technology proving that the future of cinema may well be both ancient in spirit and thoroughly modern in execution. For audiences who love epic tales with a fresh twist, Krishna promises to deliver divine drama, this time with a little help from the cloud.
