International
Dreamworks to make The Good Luck Trolls
MUMBAI: In an agreement with Denmark‘s Dam Things, DreamWorks Animation (DWA) will develop an animated feature The Good Luck Trolls.
In 1959, the troll doll was created by Danish fisherman and woodcutter Thomas Dam, when he carved a doll based on Scandinavian trolls for his daughter Lajla. The toy line gained popularity in Europe and the US during the early ‘60s thus becoming a fad embraced by kids and the counter-culture.
Because Dam Things lost control of its copyright after failing to comply with US laws, imitators flooded the market in the ‘70s and ‘80s. But soon after a 1994 Congressional law that restored copyright protection to a number of foreign works, the Dam family regained authority.
In striking the deal with DWA, Niels Dam, the dollmaker‘s son said, “My father would have been very happy to know that his Troll has found its dream partner in DreamWorks Animation.”
Said DWA head of development Alex Schwartz, “We look forward to working alongside Dam Things to build on the mythology of the Good Luck Trolls while delivering the sense of adventure, heart and comedy that DreamWorks Animation is known for.”
International
Utopai Studios unveils 4K three-minute video generation for PAI platform
New Story Agent and editing tools aim to streamline AI-led filmmaking workflows
MUMBAI: Utopai Studios has announced a major upgrade to its PAI storytelling AI platform, introducing what it claims is an industry-first capability to generate three-minute videos in 4K resolution, alongside enhancements to its Story Agent feature.
The update, rolling out from April 15, expands the platform’s capabilities across the filmmaking process, from early concept development to post-production. The company said the new features are designed to help filmmakers maintain continuity across characters, scenes and visual styles, a key challenge in AI-driven storytelling.
At the heart of the release is a next-generation model that enables more structured narrative development, allowing creators to move more seamlessly from idea to execution. With tools such as multi-shot sequencing and multi-turn editing, the platform aims to give both studios and independent creators greater control over complex storytelling workflows.
Commenting on the launch, Utopai Studios co-founder and CTO Jie Yang said, “The next phase of AI in media will not be defined by isolated tools, but by systems that can carry story, continuity and collaboration across the full creative process.” He added that the update is a step towards enabling more practical, end-to-end narrative development at a professional level.
Echoing this, Utopai Studios co-founder and chief scientific officer Zijian He said, “Generative video is opening the door to a new production model, where creative ambition is less constrained by traditional cost and complexity.” He noted that the platform combines multimodal models with iterative editing to give creators more speed, control and consistency.
The company said PAI is already being used in professional film and television productions, particularly in Hollywood, for tasks such as pre-visualisation, scene design and post-production refinements. The latest update adds features including improved voice options, character consistency, unlimited editing and more flexible asset management.
Utopai also emphasised that its models are not trained on copyrighted material, positioning the platform as a cleaner alternative for creators and rights holders navigating the evolving AI landscape.
As AI continues to reshape content creation, Utopai’s latest push signals a shift from standalone tools to integrated systems, aiming to make high-quality filmmaking faster, more flexible and increasingly accessible.
