International
Disney to downsize Miramax staff by January ’10
MUMBAI: Disney is downsizing staff of its Miramax specialty division. This follows Dick Cook‘s resignation as studio chairman a couple of weeks ago.
In all likelihood Rich Ross president of Disney Channels Worldwide will succeed Cook.
By January, about 50 jobs will be downsized that will leave about 20 employees in the unit‘s New York office.
Disney said that Daniel Battsek will remain as Miramax president, overseeing development and production out of New York. The trimmed-down Miramax will release only about three movies per year.
The unit has released four movies so far this year like Adventureland, Cheri, Extract, and The Boys Are Back and has Everybody‘s Fine, starring Robert De Niro, on deck for a Dec. 4 release. Last year, Miramax released eight films, the highest-grossing of which was the drama Doubt.
Next year, Miramax will release The Tempest, the Shakespeare adaptation directed by Julie Taymor; the Helen Mirren thriller The Debt; romantic drama Last Night starring Keira Knightley and the Jennifer Aniston/Jason Bateman rom-com The Baster.
International
Utopai Studios unveils 4K three-minute video generation for PAI platform
New Story Agent and editing tools aim to streamline AI-led filmmaking workflows
MUMBAI: Utopai Studios has announced a major upgrade to its PAI storytelling AI platform, introducing what it claims is an industry-first capability to generate three-minute videos in 4K resolution, alongside enhancements to its Story Agent feature.
The update, rolling out from April 15, expands the platform’s capabilities across the filmmaking process, from early concept development to post-production. The company said the new features are designed to help filmmakers maintain continuity across characters, scenes and visual styles, a key challenge in AI-driven storytelling.
At the heart of the release is a next-generation model that enables more structured narrative development, allowing creators to move more seamlessly from idea to execution. With tools such as multi-shot sequencing and multi-turn editing, the platform aims to give both studios and independent creators greater control over complex storytelling workflows.
Commenting on the launch, Utopai Studios co-founder and CTO Jie Yang said, “The next phase of AI in media will not be defined by isolated tools, but by systems that can carry story, continuity and collaboration across the full creative process.” He added that the update is a step towards enabling more practical, end-to-end narrative development at a professional level.
Echoing this, Utopai Studios co-founder and chief scientific officer Zijian He said, “Generative video is opening the door to a new production model, where creative ambition is less constrained by traditional cost and complexity.” He noted that the platform combines multimodal models with iterative editing to give creators more speed, control and consistency.
The company said PAI is already being used in professional film and television productions, particularly in Hollywood, for tasks such as pre-visualisation, scene design and post-production refinements. The latest update adds features including improved voice options, character consistency, unlimited editing and more flexible asset management.
Utopai also emphasised that its models are not trained on copyrighted material, positioning the platform as a cleaner alternative for creators and rights holders navigating the evolving AI landscape.
As AI continues to reshape content creation, Utopai’s latest push signals a shift from standalone tools to integrated systems, aiming to make high-quality filmmaking faster, more flexible and increasingly accessible.
