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Disney-Pixar’s 3D animation flick to inaugurate Festival de Cannes

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MUMBAI: UP, the new animation film from the Disney-Pixar Studios, is set to inaugurate the 62nd Festival de Cannes this season. The festival will run from 13 May to 24 May.

This is the first time that a 3D animation film will serve as the opening ceremony film at the Festival de Cannes.








Produced under the supervision of Walt Disney and Pixar Animation Studios chief creative officer John Lasseter, UP will be premiered on Disney Digital 3D on 13 May.


Directed by Pete Docter, UP is a comedy adventure. The film is about 78-year-old Carl Fredricksen who fulfils his dream of a great adventure when he ties thousands of balloons to his house and flies away to the wilds of South America, only to discover that he has brought with him his biggest nightmare, a 9-year-old Wilderness Explorer stowaway.


UP will be released in the United States on 29 May while in France it will hit the screens on 29 July.

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Hindi

Rashmika Mandanna, Shanaya Kapoor and Naila Grrewal climb IMDb’s Indian celebrity rankings

Upcoming films and returning shows are driving fan interest across Bollywood and streaming

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MUMBAI: Bollywood’s popularity contest has a new weekly scorecard, and the numbers are telling. IMDb’s Popular Indian Celebrities list for this week places Shanaya Kapoor at number six, buoyed by buzz around her film Tu Yaa Main. Naila Grrewal slots in at seven on the back of the returning comedy series Maamla Legal Hai, while Rashmika Mandanna climbs to eighth, riding mounting anticipation for Cocktail 2.

The list, available exclusively on the IMDb app for Android and iOS, tracks trending Indian entertainers and filmmakers each week, drawing on data from more than 200m monthly visits to the platform worldwide.

Further down the rankings, Raaka is keeping two of its biggest names in the spotlight. Deepika Padukone holds 11th position, with Allu Arjun close behind at 13th, as the film continues to find traction with audiences.

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The list offers fans a weekly pulse on who is breaking through, who is holding steady, and who is fading. It is a barometer as unsparing as the box office itself.

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