International
Comedian Lou Jacobi no more
MUMBAI: Lou Jacobi, to play comic roles and winning praise in dramatic ones too in his long career in theatre and films expired at the age of 95 last Friday. The death was confirmed by Leonie Nowitz, a social worker who had been taking care of him.
Jacobi made his Broadway debut in 1955 in The Diary of Anne Frank in which he played one of the occupants of the Amsterdam attic where the Franks were hiding. He played the same role in the 1959 film version.
Nine other Broadway plays that featured Jacobi include Paddy Chayefsky‘s Tenth Man in 1959 and Neil Simon‘s Come Blow Your Horn in 1961.
Jacobi was also seen in other films like the Dudley Moore comedy Arthur, Woody Allen‘s Everything You Always Wanted to Know About Sex and Barry Levinson‘s Avalon.
His last film was the 1994 film I.Q. in which he played the logician Kurt Godel, one of Albert Einstein‘s professor friends at Princeton.
International
Utopai Studios unveils 4K three-minute video generation for PAI platform
New Story Agent and editing tools aim to streamline AI-led filmmaking workflows
MUMBAI: Utopai Studios has announced a major upgrade to its PAI storytelling AI platform, introducing what it claims is an industry-first capability to generate three-minute videos in 4K resolution, alongside enhancements to its Story Agent feature.
The update, rolling out from April 15, expands the platform’s capabilities across the filmmaking process, from early concept development to post-production. The company said the new features are designed to help filmmakers maintain continuity across characters, scenes and visual styles, a key challenge in AI-driven storytelling.
At the heart of the release is a next-generation model that enables more structured narrative development, allowing creators to move more seamlessly from idea to execution. With tools such as multi-shot sequencing and multi-turn editing, the platform aims to give both studios and independent creators greater control over complex storytelling workflows.
Commenting on the launch, Utopai Studios co-founder and CTO Jie Yang said, “The next phase of AI in media will not be defined by isolated tools, but by systems that can carry story, continuity and collaboration across the full creative process.” He added that the update is a step towards enabling more practical, end-to-end narrative development at a professional level.
Echoing this, Utopai Studios co-founder and chief scientific officer Zijian He said, “Generative video is opening the door to a new production model, where creative ambition is less constrained by traditional cost and complexity.” He noted that the platform combines multimodal models with iterative editing to give creators more speed, control and consistency.
The company said PAI is already being used in professional film and television productions, particularly in Hollywood, for tasks such as pre-visualisation, scene design and post-production refinements. The latest update adds features including improved voice options, character consistency, unlimited editing and more flexible asset management.
Utopai also emphasised that its models are not trained on copyrighted material, positioning the platform as a cleaner alternative for creators and rights holders navigating the evolving AI landscape.
As AI continues to reshape content creation, Utopai’s latest push signals a shift from standalone tools to integrated systems, aiming to make high-quality filmmaking faster, more flexible and increasingly accessible.
