International
Chinese film bags top nomination honour at Asia Pacific awards
MUMBAI: A Chinese film Tangshan dadizheng (Aftershock) about a family‘s struggle to deal with a devastating earthquake came out tops among 31 films that participated from 15 countries at the fourth annual 2010 Asia Pacific Screen Awards.
The highest-grossing domestic film of all time in China, Tangshan dadizheng received six nominations including one for the best feature film.
The second most nominated film with four nominations was Shi (Poetry) by South Korean director Lee Chang-dong that his brother, Lee Joon-dong produced. The film, which took the best screenplay award at Cannes this year, deals with the story of a grandmother searching for meaning as she confronts the aftermath of a child‘s death.
Rounding out the five films nominated for best feature were, Mengjia (Monga), a gangster movie from Taiwan, a Turkish film Bal (Honey), the third film in director Semih Kaplanoglu‘s Yusuf trilogy and Paju from South Korea.
“As the Asia Pacific Screen Awards grow in stature and recognition across our vast region, we are delighted to have in the competition some of the most high profile films and filmmakers of contemporary cinema,” said APSA Chairman Des Power in a statement.
International
Utopai Studios unveils 4K three-minute video generation for PAI platform
New Story Agent and editing tools aim to streamline AI-led filmmaking workflows
MUMBAI: Utopai Studios has announced a major upgrade to its PAI storytelling AI platform, introducing what it claims is an industry-first capability to generate three-minute videos in 4K resolution, alongside enhancements to its Story Agent feature.
The update, rolling out from April 15, expands the platform’s capabilities across the filmmaking process, from early concept development to post-production. The company said the new features are designed to help filmmakers maintain continuity across characters, scenes and visual styles, a key challenge in AI-driven storytelling.
At the heart of the release is a next-generation model that enables more structured narrative development, allowing creators to move more seamlessly from idea to execution. With tools such as multi-shot sequencing and multi-turn editing, the platform aims to give both studios and independent creators greater control over complex storytelling workflows.
Commenting on the launch, Utopai Studios co-founder and CTO Jie Yang said, “The next phase of AI in media will not be defined by isolated tools, but by systems that can carry story, continuity and collaboration across the full creative process.” He added that the update is a step towards enabling more practical, end-to-end narrative development at a professional level.
Echoing this, Utopai Studios co-founder and chief scientific officer Zijian He said, “Generative video is opening the door to a new production model, where creative ambition is less constrained by traditional cost and complexity.” He noted that the platform combines multimodal models with iterative editing to give creators more speed, control and consistency.
The company said PAI is already being used in professional film and television productions, particularly in Hollywood, for tasks such as pre-visualisation, scene design and post-production refinements. The latest update adds features including improved voice options, character consistency, unlimited editing and more flexible asset management.
Utopai also emphasised that its models are not trained on copyrighted material, positioning the platform as a cleaner alternative for creators and rights holders navigating the evolving AI landscape.
As AI continues to reshape content creation, Utopai’s latest push signals a shift from standalone tools to integrated systems, aiming to make high-quality filmmaking faster, more flexible and increasingly accessible.
