International
Change to 3D will hit films shot on 3D: Cameron
MUMBAI: First it was Avatar then Alice In Wonderland. The success of these two 3D animated films has resulted in a craze among Hollywood studios to convert big films from 2D to 3D.
Director James Cameron believes that the studios are rushing to take advantage of the public‘s appetite for 3D films, but using computers to convert standard 2D films to 3D, instead of filming in 3D “gives audiences a cheaper-looking film and could do more harm than good if audiences get turned off.”
“The problem is these decisions should be made by filmmakers, they shouldn‘t be made by studios, because if it was up to studios they‘re going to sacrifice quality for lower cost,” Cameron has reportedly said.
Shot in 3D, Avatar has gone on to become the top-grossing movie of all-time with a gross of $2.7 billion at the box-office.
Cameron is not the only filmmaker questioning studios‘ headlong rush to convert films to 3D,Transformers maker Michael Bay has questioned the move too.
Studios are rapidly converting now that Walt Disney Co has seen its 3-D conversion “Alice in Wonderland” sell more than $570 million in tickets since its March 5 debut.
On April 2, Warner Bros, a division of Time Warner Inc, will release its action movie Clash of the Titans as another 2D to 3D conversion.
International
Utopai Studios unveils 4K three-minute video generation for PAI platform
New Story Agent and editing tools aim to streamline AI-led filmmaking workflows
MUMBAI: Utopai Studios has announced a major upgrade to its PAI storytelling AI platform, introducing what it claims is an industry-first capability to generate three-minute videos in 4K resolution, alongside enhancements to its Story Agent feature.
The update, rolling out from April 15, expands the platform’s capabilities across the filmmaking process, from early concept development to post-production. The company said the new features are designed to help filmmakers maintain continuity across characters, scenes and visual styles, a key challenge in AI-driven storytelling.
At the heart of the release is a next-generation model that enables more structured narrative development, allowing creators to move more seamlessly from idea to execution. With tools such as multi-shot sequencing and multi-turn editing, the platform aims to give both studios and independent creators greater control over complex storytelling workflows.
Commenting on the launch, Utopai Studios co-founder and CTO Jie Yang said, “The next phase of AI in media will not be defined by isolated tools, but by systems that can carry story, continuity and collaboration across the full creative process.” He added that the update is a step towards enabling more practical, end-to-end narrative development at a professional level.
Echoing this, Utopai Studios co-founder and chief scientific officer Zijian He said, “Generative video is opening the door to a new production model, where creative ambition is less constrained by traditional cost and complexity.” He noted that the platform combines multimodal models with iterative editing to give creators more speed, control and consistency.
The company said PAI is already being used in professional film and television productions, particularly in Hollywood, for tasks such as pre-visualisation, scene design and post-production refinements. The latest update adds features including improved voice options, character consistency, unlimited editing and more flexible asset management.
Utopai also emphasised that its models are not trained on copyrighted material, positioning the platform as a cleaner alternative for creators and rights holders navigating the evolving AI landscape.
As AI continues to reshape content creation, Utopai’s latest push signals a shift from standalone tools to integrated systems, aiming to make high-quality filmmaking faster, more flexible and increasingly accessible.
