International
Brad Pitt & Paramount get the last laugh as ‘World War Z’ cracks $500 mn
MUMBAI: Paramount Pictures reports that World War Z had passed the $500 million worldwide gross mark, surpassing Troy‘s $497.3 million to become Brad Pitt‘s highest grossing film ever. One could argue that WWZ received the benefit of a higher ticket price particularly because of its 3D numbers. But considering how badly maligned this film was in the weeks before it bowed, hitting the half billion dollar plateau seems something to brag about, even for a movie that cost in the $220 million range.
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According to Paramount (which co-financed with Skydance), WWZ has set several records for Pitt, whose Plan B produced. It set a personal best with a $66 million opening on 21 June, and a total of $197.4 million in US, both of which exceeded Mr. & Mrs. Smith‘s total domestic gross of $186.3 million and $50.3 million opening weekend. The film has earned $305.2 million at the international box office, to date.
This pales in comparison to the numbers put up by Johnny Depp and his Alice in Wonderland and Pirates of the Caribbean franchises, but Pitt has done a lot of cool movies that were never meant to be blockbusters, and this was his most mainstream film since Troy and Mr. & Mrs. Smith. Passing the half billion dollar mark begs the question of whether Pitt returns for an encore.
International
Utopai Studios unveils 4K three-minute video generation for PAI platform
New Story Agent and editing tools aim to streamline AI-led filmmaking workflows
MUMBAI: Utopai Studios has announced a major upgrade to its PAI storytelling AI platform, introducing what it claims is an industry-first capability to generate three-minute videos in 4K resolution, alongside enhancements to its Story Agent feature.
The update, rolling out from April 15, expands the platform’s capabilities across the filmmaking process, from early concept development to post-production. The company said the new features are designed to help filmmakers maintain continuity across characters, scenes and visual styles, a key challenge in AI-driven storytelling.
At the heart of the release is a next-generation model that enables more structured narrative development, allowing creators to move more seamlessly from idea to execution. With tools such as multi-shot sequencing and multi-turn editing, the platform aims to give both studios and independent creators greater control over complex storytelling workflows.
Commenting on the launch, Utopai Studios co-founder and CTO Jie Yang said, “The next phase of AI in media will not be defined by isolated tools, but by systems that can carry story, continuity and collaboration across the full creative process.” He added that the update is a step towards enabling more practical, end-to-end narrative development at a professional level.
Echoing this, Utopai Studios co-founder and chief scientific officer Zijian He said, “Generative video is opening the door to a new production model, where creative ambition is less constrained by traditional cost and complexity.” He noted that the platform combines multimodal models with iterative editing to give creators more speed, control and consistency.
The company said PAI is already being used in professional film and television productions, particularly in Hollywood, for tasks such as pre-visualisation, scene design and post-production refinements. The latest update adds features including improved voice options, character consistency, unlimited editing and more flexible asset management.
Utopai also emphasised that its models are not trained on copyrighted material, positioning the platform as a cleaner alternative for creators and rights holders navigating the evolving AI landscape.
As AI continues to reshape content creation, Utopai’s latest push signals a shift from standalone tools to integrated systems, aiming to make high-quality filmmaking faster, more flexible and increasingly accessible.









