Hindi
Badrinath Ki Dulhania: Part fun, part dull
Director Shashank Khaitan seems to be creating a franchise of his own as he comes back with ‘Badrinath Ki Dulhania’ after his earlier film, Humpty Sharma Ki Dulhania. This film too starts off in Hindi belt but later traverses to Singapore to break the monotony.
In the process, Badrinath Ki Dulhania also heavily promotes the woman’s cause, her independence and right to choose.
Varun Dhawan’s character is a barely educated lad from Jhansi working as a recovery man for his well-off but steadfast and old-fashioned father played by Rituraj Singh. Singh’s character considers himself lucky. Since he has sired two sons, daughters, according to him, are a liability. He does not care if his sons love some girl, they have to marry according to his wishes and the dowry that the girl brings is his prime consideration.
Accordingly, his elder son, Yash Sinha’s character had to sacrifice his love and marry Shweta Basu Prasad’s character who brought along a car showroom besides cash as dowry. She is well-educated but a working woman is no-no for Rituraj.
Varun joins the baraat of his friend headed for Kota. There, he spots Alia Bhatt, also a guest, and instantly falls for her. It is a one-sided love as Alia is a headstrong and independent girl who wants to work to bring her middle-class family out of a tight financial situation. Also, Alia has an elder sister, played by Aakanksha Singh, who, according to tradition, has to marry first.
Nice guy that he is, Varun decides to help Alia and her family find a suitor for Aakanksha on the condition that Alia will marry him in the same mandap. Varun does manage to find a match for Aakanksha and the wedding day is decided.
Things don’t go as planned, however, and Varun has to chase Alia all over again.
Enjoyable so far, the film loses pace as the location shifts to Singapore where Alia has taken up a career in an airline. Varun is left to do a Devdas act, slipping into a bout of self-pity. This part slows down the film considerably for a while before it comes back into some fun and songs. The climax is interesting while it also delivering a message.
The script is penned keeping in mind that the theme is youth-oriented and romance, with light moments aplenty, especially in the first part. The second half needed to be spruced up. Direction is competent and the songs are well placed.
The film has a popular musical score with Humsafar…..,Rokenaruke…. Tenutakiyabina…. being hummable while the title song has a sectional appeal. The remixed Tammatamma… is already popular number from the film Thanedaar (1989). Cinematography is good.
Varun plays his carefree character with élan. Alia makes a good pair with him, and acts well. Sahil Vaid makes a mark. Rituraj is impressive. Yash, Shweta and Aakanksha land good support.
Otherwise a plus film, Badri Ki Dulhania will have to contend with pre-Holi weekend which affects collections, especially in the Hindi belt, board exams and election results aftereffects for next few days.
Producers: Hiroo Johar, Karan Johar.
Director: Shashank Khaitan.
Cast: Varun Dhawan, Alia Bhatt, Gauahar Khan, Mohit Marwah, Aakanksha Singh.
Hindi
Jio Studios, Sanjay Dutt team up to revive Khal Nayak
Rights acquired for new version, format under wraps as remake plans take shape.
MUMBAI: The villain is back and this time, he’s rewriting his own script. Jio Studios has partnered with Three Dimension Motion Pictures and Aspect Entertainment to revive the 1993 cult classic Khal Nayak, marking a fresh chapter for one of Bollywood’s most iconic anti-hero stories. The original film, directed by Subhash Ghai under Mukta Arts, was a commercial and cultural milestone, with Sanjay Dutt’s portrayal of Ballu becoming one of Hindi cinema’s most memorable performances.
Dutt, along with Aksha Kamboj, has now acquired the rights from the original creators, bringing on board Jio Studios and its President Jyoti Deshpande to steer the project creatively.
While the exact format whether remake, sequel, prequel, or a completely new narrative remains undisclosed, the collaboration aims to reinterpret the story for contemporary audiences while retaining the essence that made the original a defining film of the 1990s.
The move taps into a broader industry trend of reviving legacy intellectual property, particularly characters with strong recall value. “Khal Nayak” was notable for pushing mainstream Hindi cinema into morally grey territory at a time when heroes were largely one-dimensional, making Ballu’s character a standout.
The project also marks the film production debut of Aspect Entertainment, signalling a push towards more technology-led storytelling frameworks. Meanwhile, Jio Studios continues to expand its slate, having built a library of over 200 films and series, with more than 60 titles collectively winning 500-plus awards.
For Dutt, the revival is as much personal as it is strategic, a return to a role that reshaped his career. For the industry, it is another sign that nostalgia, when paired with scale, remains a powerful box-office proposition.
Because in Bollywood, some villains never fade, they just wait for the perfect comeback.
