Hindi
Akshay Kumar’s versatility saves holiday week from dullness
The flow of new films seems to have tapered down. In the weeks when new films are not meant to be released like during IPL or exams etc, a bunch of small, inconsequential films swarm the cinemas. Even if one or two of them had a merit, they stood no chance because of high admission rates, odd show timings that they were meted out, and the lack of face value of such films.
Now, when the playtime is open and available, the exhibitors were able to get one Bareilly Ki Barfi besides the other release, Partition: 1947 (Hindi-Dubbed), which failed to get the footfalls and faced a no audience, no show situation.
The starving cinema halls had some relief with Akshay Kumar’s Toilet: Ek Prem Katha with an extended Independence Day weekend coinciding. The film raced to the Rs 900 million-figure during these holidays. The film has to meet the target of Rs 1.25 billion and, looking at the weak opposition in the new release, Bareilly Ki Barfi, the Akshay-starrer should sail safe eventually.
*Bareilly Ki Barfi had some renowned names riding with it. The film boasts of Nitesh Tiwari who wrote and directed the recent blockbuster Dangal, as the writer while Ashwini Iyer Tiwary, who made Nil Battey Sannata, as the director. Both the writer and the director failed to live up to their earlier glory as Bareilly Ki Barfi has none of that spontaneity or laughter expected of their work.
The film opened with a low Ra 20 million. The Saturday improvement was fair but still on the lower side while Sunday was much better with double the Friday figures. The film ended its opening weekend with a total of Rs 108 million.
*The other major release, UK-based Gurinder Chadha’s Partition: 1947 (Hindi-Dubbed), an attempt to tell the behind-the-scenes story of the Partition, had little relevance for today’s Indian viewers. A futile attempt, it finds no takers as the film fared poorly at the box office.
*Toilet Ek Prem Katha thrived on the holiday week. The week had a holiday on Monday in many parts being Janmashtami, a national holiday on Tuesday being the Independence Day and the Parsi New Year holiday on Thursday in Maharashtra and Gujarat.
The film had opened with fairly decent collections and picked up steam on Saturday and Sunday with the holidays adding handsomely to take the collections on the verge of Rs one billion, the mark it will easily cross during its second weekend.
With an opening weekend of Rs 511 million, the film added another Rs 415 million to take its first week tally to Rs 936 crore million.
*Jab Harry Met Sejal added Rs 41.5 million in its second week to take its two-week total to Rs 616.5 million.
*Mubarakan is struggling to sustain, despite being a fairly entertaining film, and keeps holding out hope in its subsequent weeks which will help cut down its losses. The film collected a decent Rs 54 million taking its four week total to Rs 553 million.
Hindi
Jio Studios unveils AI-powered Krishna teaser at NAB Show 2026
Global first look of Krishna uses Galleri5 AI pipeline on Azure, Historyverse slate as Jio’s Dhurandhar crosses Rs 3,000cr worldwide.
MUMBAI: Krishna has just dropped a divine teaser and this time the gods are powered by silicon, not just scripture. Jio Studios and Collective Studios’ Historyverse stole the spotlight at the NAB Show 2026 in Las Vegas with the world’s first teaser for their upcoming theatrical feature Krishna, directed by Manu Anand. The big reveal happened during Microsoft’s keynote “Powering Intelligent Media, From AI Experimentation to Real-World Impact,” where the film’s AI-native production pipeline took centre stage alongside Collective Artists Network’s in-house platform, Galleri5.
At the heart of this mythological spectacle lies a fresh cinematic workflow built by Galleri5 on Microsoft Azure’s advanced AI and cloud infrastructure. Forget bolting AI onto traditional VFX or animation, this is an end-to-end, production-grade system woven into every layer: world-building, character creation, shot design and final output. Yet the storytelling remains firmly director-led, emphasising emotional depth, stillness, music and performance rather than pure spectacle. The result? Large-format theatrical cinema rooted in Indian history and culture, but conceived in ways that were simply not possible before.
Collective Artists Network runs Galleri5 natively on Azure, leveraging Microsoft Foundry and cutting-edge AI tools to handle film, episodic and advertising workflows in a secure enterprise environment. Microsoft highlighted Collective as a “Frontier” organisation successfully moving AI from pilot projects to real production-scale deployment in cinema. The technology is also on display at Microsoft’s NAB booth in the West Hall (Booth W1731).
Jio Studios (Media & Content Business, Reliance Industries), president Jyoti Deshpande said the project advances the studio’s mission to take Indian stories global with scale, ambition and authenticity, “With Krishna, we are embracing cutting-edge AI-led filmmaking while democratising these tools to make them more accessible, intuitive and cost-effective for storytellers everywhere.”
Collective Artists Network founder & group CEO Vijay Subramaniam added, “We’re using technology developed in India to carry our culture and history to audiences worldwide at a scale never seen before.”
Microsoft, vice president for telco media & entertainment, gaming Silvia Candiani noted that the media industry has reached an inflection point, “AI is no longer about experimentation but delivering real impact at production scale… By building AI-native creative systems on Microsoft Azure, Collective exemplifies how storytellers can unlock new formats, move faster and realise a true return on intelligence while keeping human creativity at the centre.”
Krishna forms part of Historyverse, Collective Studios’ ambitious slate of history and culture-driven IPs. The slate draws from iconic figures and traditions that shaped the Indian subcontinent, including stories inspired by Kali, Karna and Durga. It builds on the already-released Mahabharat: Ek Dharmayudh series, showing how ancient narratives can be reimagined for modern screens.
Jio Studios, India’s leading content studio and the media and content arm of Reliance Industries, continues its blockbuster run. The studio’s Dhurandhar franchise led by Dhurandhar and Dhurandhar: The Revenge has become the first Indian film series to cross Rs 3,000 crore worldwide. It also delivered three consecutive years of India’s highest-grossing Hindi films: Stree 2 (2024), Dhurandhar (2025) and Dhurandhar: The Revenge (2026). In just eight years, Jio Studios has assembled a library of over 160 films and series, with more than 60 titles winning over 500 awards. Other notable successes include Laapataa Ladies (India’s official Oscar entry 2025), Stree, Article 370, Shaitaan and Mrs.
The NAB unveiling marks another step in Jio Studios and Collective’s push to blend Indian storytelling talent with frontier technology proving that the future of cinema may well be both ancient in spirit and thoroughly modern in execution. For audiences who love epic tales with a fresh twist, Krishna promises to deliver divine drama, this time with a little help from the cloud.
