Hindi
Aamir Khan plans film with all in family involved
MUMBAI: Wanting to make the most of the filmmaking talent in his family, Aamir Khan is mulling with the idea of making a film with all in the family involved.
While his wife Kiran Rao would helm the project, the film will be penned by his sister Nuzhat, his cousin Mansoor and him. Earlier, Khan had penned the story for one of his early film Qayamat Se Qayamat Tak and also written the screenplay for Hum Hai Rahi Pyar Ke.
About his role as a writer, Khan said, “I intend to work once again as a writer. I have been co-writing a script with Kiran, Mansoor and Nuzhat. We are hoping that the script turns out well.”
It is understood that Khan had approached Mansoor to wield the megaphone but since he wasn’t interested, the mantle fell on Kiran. Khan managed to get him on board as a director.
Mansoor had earlier directed Qaymat Se Qaymat Tak, Jo Jeeta Wohi Sikander and Akele Hum Akele Tum. He has also directed Jaane Tu Ya Jaane Na.
Hindi
Rashmika Mandanna, Shanaya Kapoor and Naila Grrewal climb IMDb’s Indian celebrity rankings
Upcoming films and returning shows are driving fan interest across Bollywood and streaming
MUMBAI: Bollywood’s popularity contest has a new weekly scorecard, and the numbers are telling. IMDb’s Popular Indian Celebrities list for this week places Shanaya Kapoor at number six, buoyed by buzz around her film Tu Yaa Main. Naila Grrewal slots in at seven on the back of the returning comedy series Maamla Legal Hai, while Rashmika Mandanna climbs to eighth, riding mounting anticipation for Cocktail 2.
The list, available exclusively on the IMDb app for Android and iOS, tracks trending Indian entertainers and filmmakers each week, drawing on data from more than 200m monthly visits to the platform worldwide.
Further down the rankings, Raaka is keeping two of its biggest names in the spotlight. Deepika Padukone holds 11th position, with Allu Arjun close behind at 13th, as the film continues to find traction with audiences.
The list offers fans a weekly pulse on who is breaking through, who is holding steady, and who is fading. It is a barometer as unsparing as the box office itself.
