MAM
Sony back at no four; Star continues to lead the pack
MUMBAI: The war for ‘the best among the rest‘ continues even as the top three positions see no change in week 36 of TAM TV ratings. In week 36, reality shows have worked wonders for most of the GECs.
The best example is Sony‘s new reality show Kaun Banega Croreprati that has garnered 8,950 TVTs on a Friday and 8,460 TVTs on a Saturday. Sony which was at the fifth position last week has propped up to fourth position and witnessed a huge growth, recording 346,122 GVTs (291,074). Zee TV was the next highest gainer as it witnessed 410,774 GVTs (395,024) and occupies the number three slot.
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Star Plus continues to lead the pack by maintaining its stability and reported 494,732 GVTs (495,509). Not quite far is Colors which continues to maintain its number two position recording 452,851 GVTs (452,921).
Sab, a sister channel of Sony goes back to the number five position as it rated 322,392 GVTs (319,158). Life OK is at sixth position this week with 276,290 GVTs (269,927).
Back to the chart topper, Star Plus channel‘s popular show Diya aur Baati Hum saw a drop in its ratings and rated 9,765 TVTs (10,175). Another prime time show, Yeh Rishta Kya Kehlata Hai saw a slight rise taking its score to 7,261 TVTs (7,024). Pyar Ka Dard Hai reported 6,840 TVTs (6,515) and Saathiya registered 6,079 TVTs (6,127). Reality show Junior Master Chef lost its audiences witnessing a drop 2,370 TVTs (2,671).
Colors‘ popular celebrity dance reality show Jhalak Dikhhla Jaa has grabbed attention of the viewers this week generating a huge growth 6,482 TVTs (5,979) on a Saturday and 7,568 TVTs (5,730) on a Sunday. Long running fiction series Balika Vadhu registered 5,912 TVTs (6,127), Madhubala – Ek Ishq Ek Junoon scored 4,847 TVTs (5,329) and Uttaran rated 4,450 TVTs (5,069). The comedy show Comedy Nights with Kapil is enjoying good attention of viewers generating 7,983 TVTs (7,072).
Zee TV‘s reality dance show DID Super Moms witnessed drop in its viewership and rated 3,257 TVTs (4,653) on Saturday and 4,012 TVTs (4,490) on a Sunday. Its fictional offering Qubool Hai scored 6,380 TVTs (6,492). Pavitra Rishta generated 5,163 TVTs (5,078). It‘s long running series Sapne Suhane Ladakpan Ke scored 5,362 TVTs (4,785). The channel‘s historical show Jodha Akbar seems to attract audiences by its interesting track taking its tally to 7,259 TVTs (6,824). Drama series Do Dil Bandhe Ek Dori Se registered 5,946 TVTs (5,188).
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Fourth placed, Sony‘s long running crime series CID saw a healthy rise recording 5,941 TVTs (4,758) and Crime Petrol scored 3,418 TVTs (4,783). The channel‘s historical show Maharana Pratap generated 3,354 TVTs (2,993). Sony‘s Indian Idol Junior aired its grand finale on 8 September and reported 6,290 TVTs. Other fiction shows either held on to their viewership or dipped marginally during the week.
Fifth placed Sab‘s fiction show Taarak Mehta Ka Ooltah Chashmah continues to be the channel leader with 6,751 TVTs (7,094). Chidiya Ghar gets active this week when it scored 3,064 TVTs (2,777). Lapataganj reported 2,062 TVTs (2,093). Other fictional shows witnessed marginal rise and fall as well.
Sixth placed, Life OK‘s top series Mahadev rated 2,511 TVTs (2,995). Do Dil Ek Jaan stood at 1,462 TVTs (1,721), Savdhan India rated 2,651 TVTs (2,271), whereas Shapath generated 3,339 TVTs (2,455) and Gustakh Dil rated 1,333 TVTs (1,372).
Sahara One continues to be at the bottom scoring 28,742 GVTs (29,645).
In the movie channel‘s genre: Zee Cinema reported 206,038 GVTs (246,750); Star Gold witnessed a fall with 176,904 GVTs (194,992) and Movies OK rated 105,357 GVTs (118,643). On the other hand, Max witnessed a drop with 179,760 GVTs (223,692).
Well, it seems the GECs are having a good roller coaster ride. Let‘s see what is instore for the GECs in the coming weeks.
MAM
Raymond Lifestyle unveils ‘Homecoming’ in ‘The Complete Man’ series
New ad film celebrates modern fatherhood with emotional presence, rolls out on OTT, cinemas and OOH.
MUMBAI: Raymond just reminded every dad that the real suit of armour isn’t wool, it’s choosing family over the next email ping. Raymond Lifestyle has launched the latest chapter in its iconic “The Complete Man” campaign with a heartfelt ad film titled “Homecoming”, spotlighting the shift from the always-busy provider to an emotionally present, empathetic father. The creative, conceptualised by Omnicom, captures a man returning home after a long day, still tethered to work, but making one decisive choice: he disconnects, steps away from his phone, and dives wholeheartedly into his children’s game spreading warmth and cheer that money can’t buy.
The film gently reframes modern masculinity, showing that true completeness lies not just in professional success but in knowing when to pause and for whom. It taps into the quiet luxury of time in an era of endless notifications and shrinking attention spans.
The campaign debuts during the final 10 matches of the T20 World Cup on JioHotstar, capturing peak national viewership, before transitioning to a massive theatrical rollout across 1,300 plus cinema screens nationwide. The push is timed with anticipated blockbuster releases Toxic (19 March) and Dhurandhar 2 (8 March), supported by high-frequency digital CTV ads and close to 100 outdoor sites for sustained visibility.
Raymond Lifestyle Ltd, CEO Satyaki Ghosh said, “In India, the notion of being a man is undergoing a profound shift and ‘The Complete Man’ campaigns have always held a mirror to the changing norms within society. Our latest ad film is an ode to simple gestures that showcase the affectionate dimension of his personality.”
Omnicom president & managing partner for growth & strategy Saad Khan added, “The Complete Man has always evolved with the world, yet at the core he has held the same fundamental principle that success is built on empathy, compassion and taking care of family. This campaign is the next step in redefining what it means to be complete in today’s time.”
In a world racing against notifications, Raymond’s latest creative quietly asks, when the day ends, who really wins the inbox or the people waiting at home? With warmth, humour and emotional precision, “Homecoming” answers that question in a way that lingers long after the credits roll.
