MAM
Shemaroo does unique marketing stunt around Mughal-E-Azam
MUMBAI: Shemaroo Home Video has released the classic film Mughal-E-Azam in colour.
In a bid to create awareness about the release Shemaroo is doing a unique marketing stunt. It is sending what it has dubbed a talking telegram to a few media outlets and also corporate offices.
The talking telegram comes in the form of a man dressed up as a royal messenger. He carries a ‘farmaan’ or a scroll which is then read out. The DVD is then presented to the person concerned. Regal splendour indeed!
Through the scroll the messenger among other things talks about the menace of piracy. He urges the listener to create awareness about the problem and through his/her publication to encourage readers to only buy the genuine product as the quality is far superior.
Shemaroo says that this marketing initiative is a way for marketers to cut through the advertising clutter. It has described the talking telegram as being a ‘grab you by the eyeballs’ medium. The talking telegram was the means by which messages were sent during the Mughal era.
The film has been digitally mastered from the original film. It has subtitles in five languages including English. The DVD also comes with a booklet that gives out trivia about the film. It also has interviews with film personalities.
AD Agencies
WPP appoints Hephzibah Pathak CEO of WPP Creative India
Ogilvy India chair takes charge of unified creative model in key market
NEW DELHI: WPP has appointed Hephzibah Pathak as chief executive officer of WPP Creative India, putting a local leader at the helm of its newly created creative operating model in one of its most important growth markets.
The move brings clarity to how WPP’s global restructuring will play out in India, weeks after the group unveiled WPP Creative as part of its Elevate28 strategy. The unit sits alongside WPP Media, WPP Production and WPP Enterprise Solutions, and is designed to simplify what the company previously described as an overly complex structure.
Pathak, who continues as executive chairperson of Ogilvy India, will represent all agencies under the WPP Creative umbrella in India. Her role centres on driving integration across brands, expanding capabilities and ensuring clients can tap into the network’s full talent pool without friction.
WPP said Pathak will work closely with agency brand CEOs to “enhance integration, expand capabilities, and ensure seamless client access”, while maintaining the distinct identities of its agencies.
The portfolio under WPP Creative includes leading networks such as VML, Landor, AKQA and Grey, along with Burson and its affiliated firms. Leaders across these agencies will now report into Pathak, even as each brand continues to operate independently within a unified system.
The appointment also formalises a dual-track strategy in India, preserving agency identities while accelerating collaboration. Pathak is expected to work closely with media leadership to align creative and media capabilities, reflecting growing client demand for integrated, multi-market solutions.
WPP Creative global CEO Jon Cook has described the unit as “not an agency” but an operating system that helps creative, design and PR brands work together more effectively. The group has been clear that it is not merging or phasing out legacy agency brands, instead aiming to reduce complexity on the client side.
Pathak brings nearly three decades of experience within the network, having joined in 1997 and held roles ranging from Mumbai office head to chief client officer. She made history in 2024 as the first woman to lead Ogilvy India in its 95-year presence in the country.
Her expanded mandate positions India at the centre of WPP’s Asia-Pacific strategy, with a focus on strengthening brand presence, deepening client relationships and unlocking growth in a fast-evolving market.
The appointment signals WPP’s intent to move beyond the traditional holding company model towards a more integrated, AI-enabled structure. With Pathak now steering WPP Creative India, the group appears set to test whether simpler structures can indeed deliver sharper creative outcomes.
