MAM
Pandit hits the write note with memoir on adland, music and more
MUMBAI: From the buzz of boardrooms to the rhythm of raag, Bipin R. Pandit’s journey finally finds its hardcover harmony. At Goafest 2025, amidst Abby cheers and industry nostalgia, The Advertising Club’s beloved COO Bipin R. Pandit launched his long-anticipated biography titled Impassioned. The launch wasn’t just ceremonial, it marked the culmination of 28 years spent scripting not just award shows, but a legacy in Indian advertising’s cultural corridors.
Released by Ad Club President and Havas India group CEO for SEA & North Asia, Rana Barua, the book dropped during the 58th edition of the Abby Awards, a fitting venue, given Pandit has helmed 28 editions himself.
But Impassioned is no dry professional recollection. Co-authored by Gokul Krishnamoorthy and supported by Gour Gupta’s Tribes, the book oscillates between Pandit’s rise from Castrol’s data division to becoming the backbone of India’s most prominent advertising secretariat and his other passions: cricket, Kishore Kumar and Khumaar, the live music IP he founded.
It also swings into his personal innings, including a rooftop romance in Dadar that turned into a lifelong partnership. Reflections from industry stalwarts Piyush Pandey, Prasoon Joshi, Ramesh Narayan and Barua himself add emotional resonance to a story that’s both deeply personal and distinctly adland.
The book also traces the birth of now-iconic properties like the Effies and Emvies, first conceptualised under Pandit’s watch in 2001 as part of a three-day Mumbai festival alongside the Abbys. Today, these awards stand as pillars of the Indian advertising industry.
“Writing started with a LinkedIn blog post post-Abbys,” Pandit shared. “Rana called me and said ‘You need to make this a book’. The rest, as they say, got written.”
Barua added, “Bipin’s been the pulse of the Club steady, smiling and always switched on. This book lets us meet the man behind the magic.”
Adding heart to history, Pandit has pledged 10 per cent of all proceeds from Impassioned to the Light of Life Foundation, which supports underprivileged communities.
From overseeing award ceremonies to belting out old classics, from managing committees to cricket trivia debates Bipin R. Pandit hasn’t just worked in adland, he’s lived it. And now, finally, it’s all on record with rhythm, recall and a whole lot of raag.
MAM
Navi releases new ‘Hurrypur’ film focused on speed and simplicity
Auto breakdown turns F1-style pit stop in campaign film set to Baalti’s track
MUMBAI: When life’s in the fast lane, Navi wants even your breakdowns to be over in a blink. Navi has rolled out a new film under its ongoing ‘Hurrypur’ campaign, doubling down on its core pitch speed and simplicity in everyday transactions.
The film opens on a familiar hiccup, an autorickshaw breaking down mid-ride. But what follows is anything but ordinary. The repair unfolds like a Formula 1 pit stop swift, precise, almost cinematic. Within seconds, the tyre is replaced, the vehicle is back on the road, and even the fare negotiation wraps up in record time.
Set to US-based musical act Baalti’s track “123”, the film uses rhythm and pacing to mirror its central idea, in a world that moves fast, everything around it must keep up.
The narrative builds on Hurrypur, a fictional world where time is treated as currency and delay is almost obsolete. Through exaggerated yet relatable scenarios, the campaign reflects a broader behavioural shift consumers increasingly expect instant responses, whether from people, platforms or payments.
Navi Limited MD and CEO Rajiv Naresh said the Hurrypur universe is designed to highlight the company’s focus on delivering seamless, time-efficient experiences. Meanwhile, creative agency Sideways and director Ayappa KM leaned into humour and visual energy to push the story beyond a typical product-led narrative.
Instead of listing features, the campaign sticks to storytelling turning a routine inconvenience into a high-speed spectacle.
Because in Navi’s world, even a pit stop refuses to slow things down.
