MAM
Luxury gets a table at Bangalore’s new Sobé Decor store
MUMBAI: Bangalore just set the table for luxury, and it’s looking absolutely exquisite. Sobé Decor, the coveted name in premium home decor and tableware, has unveiled its latest store in Indiranagar, giving the city’s design aficionados a fresh reason to indulge. Nestled in the iconic Falaknuma building, this upscale destination promises an unparalleled shopping experience, blending elegance with world-class craftsmanship.
Previously an exclusive Noritake showroom, the space has now been reimagined as Sobé Decor, expanding its repertoire to include a handpicked selection of premium brands. From the timeless charm of Chabby Chic to the refined aesthetics of Gloss from Norway, Copacabana, and Christina Oliver, the store offers a symphony of styles that elevate interiors to new heights.
Bangalore, often celebrated for its cosmopolitan tastes, makes for the perfect setting for Sobé Decor’s expansion, says Sobé Decor founder, Nivedita Jegadeesh, further adding, “This city has always embraced a seamless blend of tradition and modernity. With our new store, we aim to provide a space where elegance meets functionality, offering homeowners an opportunity to curate interiors that reflect their unique personality.”
The store is more than just a retail space; it’s a destination designed to inspire. With India’s widest collection of Noritake under one roof, alongside other international luxury brands, it caters to those who appreciate the finer things in life. Whether you’re refreshing your dining space, adding a touch of sophistication to your living room, or seeking statement pieces for a personal retreat, Sobé Decor ensures every home tells a story of refinement and taste.
MAM
VML India lands two finalist spots at Cairns Hatchlings 2026
The Mumbai agency is back in Australia with two teams, a UN brief and 24 hours to impress
MUMBAI: VML India is heading to Australia again. The Mumbai-based creative agency has secured two finalist spots at the Cairns Hatchlings 2026 competition, one in the Audio category and one in Design, making it the only Indian agency to have reached the finals in both editions of the contest since its launch in 2025.
Four people will make the trip. Senior copywriter Shilpi Dey and senior art director Raj Thakkar will compete in Audio. Art directors Shabbir and Shruti Negi will go head-to-head with the world’s best in Design. The finals take place at the Cairns Convention Centre from 13th May, culminating in an awards ceremony on 15th May.
The work that got them there is worth examining. For the Audio category, Dey and Thakkar tackled a brief for LIVE LIKE MMAD with a campaign called Inner Voice, Interrupted. Using spatial audio techniques, the campaign recreates the overwhelming self-doubt that descends after a long workday, physically panning negative thoughts left and right before cutting the noise entirely to reveal a confident inner voice. Strategically targeted at commuters via Spotify during evening rush hours, the campaign reframes the hours after work as an opportunity for personal growth and charitable action.

For the Design category, Shabbir and Negi worked on a brief for Canteen’s Bandanna Day, a campaign highlighting how cancer pushes teenagers out of their own defining moments. Using a pixelated design language to create stark contrast between a blurred world of isolation and a focused world of connection, the campaign, titled The Flipside of Cancer, shows teenagers fading into the background of birthdays, skateparks and school proms. As a Canteen bandanna appears, the blur flips and the teenager snaps back into sharp focus.

Kalpesh Patankar, group chief creative officer of VML India, made no attempt to disguise his satisfaction. “We are immensely proud to see our teams consistently excel on the Cairns Hatchlings platform since its inception,” he said. “They have masterfully tackled challenging briefs across diverse categories, demonstrating both layered storytelling and a unique creative approach. This exceptional teamwork is truly inspiring.”
Dey and Thakkar, returning to the finals after last year’s run, were candid about the demands of the audio medium. “It’s one of the most demanding mediums, where we only have a few seconds to capture a listener’s world with sound alone, so absolute clarity is essential,” they said. “The true measure of creative work is its ability to create positive change, and our audio submission was made to help those who need it most while encouraging people to silence the inner voices that hold them back.”
Shabbir and Negi, competing in Design for the first time, described the experience as “a completely different beast.” “We see it as an opportunity to showcase our expertise, raise the bar, and challenge ourselves in new ways, while also learning from creative minds from across the globe,” they said.
In Australia, the four finalists will face a live 24-hour brief from the United Nations before presenting in a live pitch session. Twenty-four hours, one brief, one shot. VML India has been here before. It knows exactly what is at stake.







