MAM
Ideas took the stand as Goafest jury Anupama Ramaswamy championed storytelling that stirred minds and movements
MUMBAI: Havas Creative India CCO & JMD Anupama Ramaswamy took the Goafest 2025 day three stage with a fiery address that tore through apathy and spotlighted the ideas that truly set the jury room ablaze. Speaking at the session titled ‘What Ignited the Jury Room?’ under the theme ‘Ignite Your Mind’, Ramaswamy walked the audience through a curated list of campaigns that, in her words, “didn’t just tick boxes but flipped the narrative”.
The Jury leaned into creativity not as an embellishment but as a battering ram against social inertia. Among the campaigns highlighted was the Lays x UNA collaboration – ‘Farm Equal’, which reframed the lens on gender equality by spotlighting female farmers. The storytelling was more than empathetic; it was revolutionary in the way it reclaimed space for women in India’s agricultural narrative.
Reliance’s ‘Pink Star Rating’ received a nod as the world’s first global safety app dedicated to women travellers, turning safety from a concern into a creative proposition. The app served both function and form, giving users the tools to stay informed while providing marketers with an inspiring brief: build tech that protects.
Football found a new pitch in Mahindra’s ‘Nanhi Kali’ campaign, which shattered traditional ideas about girlhood by encouraging girls to embrace ambition through sport. The ad steered away from stereotypical portrayals and celebrated freedom, focus, and the fierce footwork of aspiration.
In the same breath, Navneet’s Colour Blindness Book tackled the overlooked needs of children with colour vision deficiency. The campaign aimed to help one crore Indian students, merging design thinking with inclusive education policy.
Sabhyata’s Diwali ad, made in collaboration with Motherhood Hospitals, shifted the spotlight to working mothers, balancing duty and desire with poise. Meanwhile, Vaseline’s initiative for the transgender community offered skincare designed specifically for their needs—a product-led campaign built on the foundation of visibility and respect.
Beyond India, a Japanese campaign supporting surname reform for women questioned why marriage should erase identity. By giving voice to choice, the work opened a broader conversation on equality through culture.
Wrapping up, Ramaswamy reminded the room that it wasn’t causes but creativity that clinched the win. “Big ideas lead—causes follow”, she asserted, adding, “Creativity is the catalyst, not the charity”.
MAM
VML India lands two finalist spots at Cairns Hatchlings 2026
The Mumbai agency is back in Australia with two teams, a UN brief and 24 hours to impress
MUMBAI: VML India is heading to Australia again. The Mumbai-based creative agency has secured two finalist spots at the Cairns Hatchlings 2026 competition, one in the Audio category and one in Design, making it the only Indian agency to have reached the finals in both editions of the contest since its launch in 2025.
Four people will make the trip. Senior copywriter Shilpi Dey and senior art director Raj Thakkar will compete in Audio. Art directors Shabbir and Shruti Negi will go head-to-head with the world’s best in Design. The finals take place at the Cairns Convention Centre from 13th May, culminating in an awards ceremony on 15th May.
The work that got them there is worth examining. For the Audio category, Dey and Thakkar tackled a brief for LIVE LIKE MMAD with a campaign called Inner Voice, Interrupted. Using spatial audio techniques, the campaign recreates the overwhelming self-doubt that descends after a long workday, physically panning negative thoughts left and right before cutting the noise entirely to reveal a confident inner voice. Strategically targeted at commuters via Spotify during evening rush hours, the campaign reframes the hours after work as an opportunity for personal growth and charitable action.
For the Design category, Shabbir and Negi worked on a brief for Canteen’s Bandanna Day, a campaign highlighting how cancer pushes teenagers out of their own defining moments. Using a pixelated design language to create stark contrast between a blurred world of isolation and a focused world of connection, the campaign, titled The Flipside of Cancer, shows teenagers fading into the background of birthdays, skateparks and school proms. As a Canteen bandanna appears, the blur flips and the teenager snaps back into sharp focus.
Kalpesh Patankar, group chief creative officer of VML India, made no attempt to disguise his satisfaction. “We are immensely proud to see our teams consistently excel on the Cairns Hatchlings platform since its inception,” he said. “They have masterfully tackled challenging briefs across diverse categories, demonstrating both layered storytelling and a unique creative approach. This exceptional teamwork is truly inspiring.”
Dey and Thakkar, returning to the finals after last year’s run, were candid about the demands of the audio medium. “It’s one of the most demanding mediums, where we only have a few seconds to capture a listener’s world with sound alone, so absolute clarity is essential,” they said. “The true measure of creative work is its ability to create positive change, and our audio submission was made to help those who need it most while encouraging people to silence the inner voices that hold them back.”
Shabbir and Negi, competing in Design for the first time, described the experience as “a completely different beast.” “We see it as an opportunity to showcase our expertise, raise the bar, and challenge ourselves in new ways, while also learning from creative minds from across the globe,” they said.
In Australia, the four finalists will face a live 24-hour brief from the United Nations before presenting in a live pitch session. Twenty-four hours, one brief, one shot. VML India has been here before. It knows exactly what is at stake.
