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Hiking ad rates a tough task for music channels
MUMBAI: MTV India has decided to hike its ad rates even as it has readied international format show launches, something the youth-music genre has found it difficult to enforce in a cluttered environment.
The change in positioning of music channels has followed a market logic – that non-music content can command higher ad rates. Channel [V] had launched some big-ticket shows in the past for the same reason and has recently started airing a fiction show. UTV Bindass also has a mix of non-fiction and fiction shows where they claim to charge a premium.
While the youth-music channels do have shows where they can ask for a premium, making them profitable has not been easy as content costs are higher.
Can pure play music channels up ad rates?
Says 9X Media EVP network sales Pawan Jailkhani, “9XM time and again has got rate hikes from the market because the channel is most stable and dependable in terms of deliveries and it is one of the most cost efficient and relevant channels in the client’s plan.”
So does the industry, which is marred with high competition, similar or no exclusive content, and high cost of non-fiction, have to increase its ad rates to survive? Media executives believe that they have to. Jailkhani says, “The music genre has to have rate hikes as it is still undervalued in terms of rates vis-?-vis deliveries.”
But some media pundits feel players need to understand that there has to be consistency in their performance.
A media buyer said it will be hard for youth and music channels to ask for higher rates. “Advertisers have already put in money on Cricket World Cup and now IPL. They may not be interested on spending more money on these channels this year.”
The existing players can be broadly categorised under three categories. The youth channels consist of MTV, Channel [V] and UTV Bindass; the pure play music channels are 9XM, Mastiii, Music India, B4U Music and Zing; and the Bollywood entertainment/trade channels include Zoom, ETC, E24 and Big Magic (earlier known as Imagine Showbiz).
So will MTV‘s decision lead to an ad rate hike in the youth channel category? Channel [V] has no such plans. EVP and GM Prem Kamath believes that whenever advertisers see value in the offering, they do pay premium. “Advertisers look for fair value,” he says.
UTV Software Communications‘ Bindass did not want to participate in this story.
For the pure play music channels, the game will get tougher.
How will players like Zing and ETC be impacted? Says Zee Entertainment Enterprises Ltd (Zeel) chief revenue officer and head, niche channels Joy Chakraborthy, “Increasing the ad rates is a continuous process. In the new fiscal, we are signing deals on incremental price.”
MAM
Barista partners Ginny Weds Sunny 2 with mango campaign
Cafe chain blends cinema buzz with summer menu and 20 per cent offer.
MUMBAI: Love may brew slowly, but marketing clearly doesn’t especially when coffee meets cinema and mangoes steal the spotlight. Barista Coffee Company has partnered with the upcoming hindi film Ginny Weds Sunny 2 as its official beverage partner, in a move aimed at tapping into youth culture through entertainment-led engagement. The collaboration is not just a logo placement exercise. Instead, Barista is translating the film’s high-energy vibe into its cafés with a themed summer menu titled “Main Hoon Mango”, accompanied by a limited-period 20 per cent discount on combo offerings across outlets.
Actors Medha Shankr and Avinash Tiwary feature in the campaign, seen engaging with the mango-themed menu inside Barista cafés, a visual cue designed to blur the lines between reel and real-life consumption moments.
The strategy reflects a broader shift in how consumer brands are leveraging hindi film industry not just for visibility, but for immersive, on-ground engagement. By embedding the film’s narrative into its product experience, Barista is aiming to drive footfall, especially among younger audiences who increasingly seek experiential touchpoints over traditional advertising.
Barista Coffee Company CEO Rajat Agrawal described the partnership as both a branding and growth play, focused on expanding reach beyond the existing customer base and aligning with evolving consumer preferences.
The emphasis on a seasonal, flavour-led hook mango, one of India’s most culturally resonant ingredients adds a timely layer to the campaign, aligning with summer consumption trends while riding on the film’s promotional momentum.
For Barista, the move is part of a larger positioning shift. Rather than operating purely as a coffee retail chain, the brand is increasingly framing itself as a lifestyle destination, one that intersects with entertainment, conversation and shared experiences. By integrating cinema into its physical spaces, Barista is effectively turning cafés into micro-extensions of the film’s universe, where consumers do not just watch a story unfold but participate in it sip by sip.
The 20 per cent offer further nudges trial, lowering the barrier for consumers to engage with the themed menu while amplifying recall through a tangible incentive.
Brand-film collaborations are hardly new, but their execution is evolving. Where earlier partnerships relied on co-branded ads or product placements, the current playbook leans towards immersive storytelling and retail integration.
In that sense, Barista’s “Main Hoon Mango” push is less about promotion and more about participation inviting consumers to experience a slice of the film within a familiar, everyday setting. As the film industry continues to act as a cultural amplifier, such partnerships underline a growing truth, in today’s attention economy, it is not enough to be seen brands must be experienced.
And if that experience comes with a mango twist and a cinematic backdrop, all the better.
