MAM
Fringe festival finally hits Mumbai stage in March
60 plus shows from 10–15 March 2026 at NCPA plus Bandra venues.
MUMBAI: The Fringe is no longer on the fringe, it’s centre stage in Mumbai, ready to turn the city into a creative playground. After nearly 80 years of shaking up global performance culture from Edinburgh to Prague and Adelaide, the world’s largest open-access arts movement makes its India debut with the Mumbai Fringe Festival from 10 to 15 March 2026.
Kicking off at the iconic Tata Theatre, NCPA, the six-day celebration will spill across Bandra’s buzzing creative circuit, Khar Comedy Club, 3 Art House and indifferent @ Gharonda delivering nearly 60 performances in comedy, theatre, poetry, storytelling and experimental work. This isn’t a sit-down spectacle; it’s a city on the move, with audiences hopping between venues to catch new voices and bold ideas in their rawest form.
The lineup mixes homegrown stars with international heavyweights. Rohan Joshi, Kanan Gill, Varun Grover, Aakash Gupta, Priya Malik, Amandeep Khayal, Urooj Ashfaq and Amit Tandon bring the Indian edge, while global gems include Nigel Miles Thomas’s award-winning solo Sherlock Holmes: The Last Act, The Shakespeare Edit’s striking Macbeth adaptation and David Hoskin’s genre-blending Haunted House (mime, comedy, storytelling mash-up). True to Fringe spirit, the programme thrives on intimacy, invention and fearless creative risks.
Tickets are already live on Bookmyshow, with several shows sold out, signalling strong early buzz. Co-founders Steve Gove (of the 25-year-old Prague Fringe) and Simar Singh (UnErase Poetry) are steering the ship, united by the belief that Mumbai and India is primed for the Fringe model.
Steve Gove said, “Bringing Fringe to Mumbai has been a long-held dream. Cities around the world have embraced this model and watched it reshape their creative landscapes. Mumbai has the energy, the appetite and the talent to make this extraordinary.”
Simar Singh added, “The Fringe model gives artists complete freedom. It creates space for new voices and unexpected ideas to meet audiences directly. Mumbai deserves a platform like this.”
Edinburgh Festival Fringe Society chief executive Tony Lankester chimed in, “Born in Scotland nearly 80 years ago, the Fringe has always stood for joy, openness and giving everyone a platform with minimal gatekeeping… We are delighted to see the Mumbai Fringe carry this same spirit forward.”
In a country bursting with artistic tradition, the Fringe’s arrival feels both overdue and electric, a chance for audiences to experience unfiltered, up-close performance that has quietly shaped modern theatre worldwide. Grab tickets on Bookmyshow before the best spots vanish. Mumbai’s creative margins just got a whole lot louder.
MAM
Lego brings Messi, Ronaldo, Mbappé, Vinicius together
Campaign clocks 314 million views ahead of FIFA World Cup 2026 buzz.
MUMBAI: Four legends, one frame and not a single tackle in sight. Lego has pulled off a crossover few thought possible, uniting Lionel Messi, Cristiano Ronaldo, Kylian Mbappé and Vinícius Júnior in a single campaign ahead of the FIFA World Cup 2026 only this time, they’re building dreams brick by brick.
Titled “Everyone wants a piece”, the campaign features the quartet assembling a Lego version of the World Cup trophy, before placing miniature versions of themselves atop it, a playful nod to football’s ultimate prize. Shared widely across social media, the ad carries a pointed disclaimer: it is not AI-generated, a subtle but telling signal in an era where even reality is often questioned.
The numbers tell their own story. The campaign has already crossed 314 million views on Instagram across the players’ accounts, with fans hailing it as a rare, almost nostalgic moment particularly for the reunion of Messi and Ronaldo, whose last shared campaign ahead of the 2022 World Cup became one of the platform’s most-liked posts.
Beyond the film, Lego is extending the play with exclusive, player-themed sets tied to each of the four stars, part of a broader football-led programme designed to ride the global momentum building towards 2026. The idea, as echoed by the players themselves, leans into the parallels between football and play experimentation, creativity, failure, and triumph.
Messi described the sets as a way to bring on-pitch moments into an imaginative, hands-on world, while Ronaldo called the transformation into a Lego figure a rare honour, blending sport with storytelling. Vinícius, meanwhile, struck a more personal note, recalling childhood moments of building with Lego and framing creativity as a universal language that transcends borders.
The timing is no accident. With the 2026 World Cup set to run from June 11 to July 19 across the United States, Canada and Mexico, and featuring an expanded 48-team format, global anticipation is already building. Argentina, led by Messi, will enter as defending champions, adding another layer of intrigue.
For Lego, the campaign does more than celebrate football, it taps into its mythology. Because when icons become figurines and rivalries turn into play, the beautiful game finds a new kind of pitch. one built, quite literally, by hand.
