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Fremantle, Fluid Audio ink online deal on ‘American Idol Underground’

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MUMBAI: FremantleMedia Licensing Worldwide, Americas (FLW, Americas), the US licensing division of FremantleMedia, co-producer and licensor of American Idol, and Fluid Audio Networks, has announced the launch of the first ever online incarnation of American Idol — American Idol Underground.
American Idol Underground will bring American Idol to an Internet audience by offering talent competitions in a number of different music genres, including pop, rock, country, R&B, classical, jazz, spoken word and rap. The announcement was made at Licensing Show 2005 in New York, states the press release.

The American Idol Underground website, which will launch later this year, will be powered by Fluid Audio’s proprietary self-publishing software. The musicians will directly upload their music to one of thirteen genre specific music channels for review by internet listeners and celebrity judges.

 

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Fluid Audio Networks CEO and founder Justin Beckett says, “After developing the technology our main objective was partnering with the premier entertainment brands; American Idol represents the holy grail of entertainment brands and FremantleMedia’s support has been fantastic. Whether they’re looking for a recording contract or just to get their music heard, this service will give musicians from every genre the platform to reach the masses like only American Idol can.”

FLW Americas VP, Integrated Marketing and Interactive Keith Hindle said, “Fluid Audio is providing an entirely new format for aspiring American Idols to make their dream a reality. We anticipate that American Idol Underground will become one of the most talked-about online services and a highly trafficked site in the coming year.”

FremantleMedia, the co-producer and licensor of American Idol, would be announcing that the details of developing the American Idol as a lifestyle brand.
The annual Licensing show, — Licensing 2005 International, which gets underway at the Jacob K. Javits Convention Center in New York City, will see leading retailers, consumer product manufacturers, promotions and marketing strategists will congregate to discover the latest trend-setting properties.

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International Licensing Industry Merchandisers’ Association (LIMA) president Charles Riotto said, “In today’s competitive marketplace, the value of licensing cannot be measured in just actual dollars and cents. Enhanced brand awareness is a bonus to its impact on the bottom line as a lucrative source of revenue.

“The continually growing roster of properties featured at the Licensing Show demonstrates the strength of licensing as a powerful, cost effective and profitable tool in the marketing mix.”

According to a media release, an exhibitor roster featuring the biggest names in entertainment, including four kids entertainment, Disney, MGM, New Line Cinema, DreamWorks SKG, Nickelodeon, Sesame Workshop, Sony Pictures Consumer Products, Universal Studios Consumer Products, Warner Bros. Consumer Products and more.

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Other, high-profile consumer brands such as Lysol, LEGO, Procter & Gamble, Jeep, McDonald’s, H.J. Heinz, Kellogg’s, Ford, Mattel, Hasbro, Campbell Soup Company, Time Inc., The New York Times, Timex, Crayola, Pepsi, Rubbermaid, The Stanley Works, Harley-Davidson and more.

 
 
Entertainment, being the largest category in licensing, the release adds that the latest blockbusters, much has been made in the last few years of the franchising of the movie business with such multiple successes as Shrek, Spiderman, and Lord of the Rings, the trend continues. With the newest installments of Batman and Superman movies, another trend capitalizes on such retro classics as Archie (Miramax), Pink Panther (MGM), King Kong, Curious George (Universal Studios) and Bewitched (Sony Pictures). All of the major film studios are returning this year to showcase their hottest new and classic properties.

In the sports category, beyond the major leagues, some of today’s fastest growing sports are represented on the show floor including soccer’s AC Milan and the Fifa World Cup 2006, represented by Warner Bros. Consumer Products; Tour de France, represented by Amaury Sport Oganisation; and two of the nation’s fastest growing sports, NASCAR and Professional Bull Riders; as well as the 500 Home Run Club representing baseball’s elite including Hank Aaron, Reggie Jackson, Ernie Banks and more.

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New to dealing with the licensing industry and represented at the show are the World Series of Poker and the World Poker Tour. And in the area of sports entertainment World Wrestling Entertainment makes a return engagement.

Licensing 2005 International is sponsored by the International Licensing Industry Merchandisers’ Association, the worldwide trade association for the licensing industry, serving as the global advocate for the business of licensing.

The trade show kicked off on 21 June 2005 and concludes tomorrow 23 June 2005.

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MAM

Barista partners Ginny Weds Sunny 2 with mango campaign

Cafe chain blends cinema buzz with summer menu and 20 per cent offer.

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Medha Shankr and Avinash Tiwary

MUMBAI: Love may brew slowly, but marketing clearly doesn’t especially when coffee meets cinema and mangoes steal the spotlight. Barista Coffee Company has partnered with the upcoming hindi film Ginny Weds Sunny 2 as its official beverage partner, in a move aimed at tapping into youth culture through entertainment-led engagement. The collaboration is not just a logo placement exercise. Instead, Barista is translating the film’s high-energy vibe into its cafés with a themed summer menu titled “Main Hoon Mango”, accompanied by a limited-period 20 per cent discount on combo offerings across outlets.

Actors Medha Shankr and Avinash Tiwary feature in the campaign, seen engaging with the mango-themed menu inside Barista cafés, a visual cue designed to blur the lines between reel and real-life consumption moments.

The strategy reflects a broader shift in how consumer brands are leveraging hindi film industry not just for visibility, but for immersive, on-ground engagement. By embedding the film’s narrative into its product experience, Barista is aiming to drive footfall, especially among younger audiences who increasingly seek experiential touchpoints over traditional advertising.

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Barista Coffee Company CEO Rajat Agrawal described the partnership as both a branding and growth play, focused on expanding reach beyond the existing customer base and aligning with evolving consumer preferences.

The emphasis on a seasonal, flavour-led hook mango, one of India’s most culturally resonant ingredients adds a timely layer to the campaign, aligning with summer consumption trends while riding on the film’s promotional momentum.

For Barista, the move is part of a larger positioning shift. Rather than operating purely as a coffee retail chain, the brand is increasingly framing itself as a lifestyle destination, one that intersects with entertainment, conversation and shared experiences. By integrating cinema into its physical spaces, Barista is effectively turning cafés into micro-extensions of the film’s universe, where consumers do not just watch a story unfold but participate in it sip by sip.

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The 20 per cent offer further nudges trial, lowering the barrier for consumers to engage with the themed menu while amplifying recall through a tangible incentive.

Brand-film collaborations are hardly new, but their execution is evolving. Where earlier partnerships relied on co-branded ads or product placements, the current playbook leans towards immersive storytelling and retail integration.

In that sense, Barista’s “Main Hoon Mango” push is less about promotion and more about participation inviting consumers to experience a slice of the film within a familiar, everyday setting. As the film industry continues to act as a cultural amplifier, such partnerships underline a growing truth, in today’s attention economy, it is not enough to be seen brands must be experienced.

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And if that experience comes with a mango twist and a cinematic backdrop, all the better.

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