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Former iStream CEO launches regional video network, Studio Mojo

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MUMBAI: The former CEO of iStream.com, Radhakrishnan Ramachandran has set up Studio Mojo, to tap into the fast-growing regional video entertainment market.

The online video market is growing at a frenzied pace in India with over 25 OTT platforms with global majors like Netflix and Amazon leading the pack. And many of them are planning an aggressive foray into regional language programming.

Over the next 4 years, more than a third of the Internet users in India are expected to be from regional languages like Tamil, Telugu, Malayalam, Bengali and Marathi. Until four years back most of the videos consumed digitally in India were in Hinglish. But that is the not the case anymore. The top four languages on platforms today are Tamil and Telugu along with Hindi and English.

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iStream was India’s leading OTT platform in 2011, after raising 5 M USD from marquee VC investor SAIF. Though iStream had to shut down operations in 2013, Ramachandran is making a come back in the OTT space setting up Studio Mojo.

“ A lot of people have asked me over the past 12 months whether there are plans to relaunch iStream. The product game is over for me. Now it is time to play the content game. Hence Studio Mojo. The goal is to build one of the largest video networks for regional language programming,” says Ramachandran.

Studio Mojo will persue a multi-prong approach to cater to both long and short format content. The company is working with OTT platforms to create original programming in South Indian languages currently. Plans are to get into other regional languages like Marathi, Bengali, Bhojpuri by end of the year. Studio Mojo will also create short format content for platforms such as YouTube,Facebook, Twitter, and Instagram. Apart from that, it will also be licensing regional language content to Telcos, IPTV players and OTT players in markets such as Middle East and North Africa region and Southeast Asia where there is huge appetite for regional content. 

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“ We call ourselves a network because the objective is not just to create content but also identify talent with whom we will produce content. The idea is not to just work with the top names in the industry. We need to build the whole content ecosystem – spotting talent and giving them opportunities is equally important. If you look at some of the most creative movie industries like Malayalam the best content is being created by young scriptwriters and directors with lot of new faces,” adds Ramachandran. 

To aid this network, Studio Mojo will set up studios in key markets like Chennai, Hyderabad and Cochin.

This is Ramachandran’s third video venture after iStream and Pepper Media which is amongst the leading MCN’s (multi-channel network) for YouTube in the country with over 10 million subscribers.

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Publicis posts €4.19bn Q1 revenue, 6.4 per cent growth; backs FY outlook

Ad giant signals Q2 acceleration as AI and new deals power momentum

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PARIS: Publicis Groupe continues to outperform the industry, delivering a strong start to 2026 under Chairman and CEO Arthur Sadoun. Despite a volatile global macro environment, the company has now outpaced the industry for nearly 20 consecutive quarters.

For Q1 2026, total revenue reached €4,191 million, up from €4,161 million last year, with organic growth of 6.4 per cent. Net revenue, which excludes pass-through costs, stood at €3,460 million, reflecting organic growth of 4.5 per cent.

Exchange rates had a negative impact of €268 million, mainly due to a weaker US dollar and pound sterling. Acquisitions, including Adge.AI and 160over90, contributed an additional €46 million.

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Performance across regions was largely positive, with some variation:

  • North America, accounting for 59 per cent of net revenue, grew 4.7 per cent
  • Europe recorded growth of 3.9 per cent, led by the UK at 6.2 per cent, while France grew 1.6 per cent
  • Asia Pacific posted 5.9 per cent growth, driven by China at 11.7 per cent
  • Latin America grew 13.3 per cent
  • Middle East and Africa declined 5.1 per cent due to geopolitical challenges

AI-powered marketing services, which now make up 86 per cent of the business, grew 5.6 per cent. However, the technology segment, representing 14 per cent of revenue, declined slightly as clients reduced spending on large-scale transformation projects.

Sharing his outlook, Publicis Groupe chairman and CEO Arthur Sadoun said, “Publicis had a very strong start to the year, outperforming the industry for almost 20 quarters in a row despite the volatile macro environment. Organic revenue growth reached 6.4%, leading to 4.5% in net and further increasing the gap with our peers.” He added that the company remains confident of delivering industry-leading performance. “We are confirming our industry-leading organic growth guidance of 4 to 5%, with the 4% rock solid, and a sequential organic growth acceleration in Q2 despite a higher comparable.”

Publicis continued its expansion with the acquisition of Adge.AI in March, followed by 160over90 in April to strengthen its sports and culture marketing capabilities.

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Net financial debt stood at €1,156 million at the end of March, reflecting a seasonal shift from the net cash position at the end of 2025. Average net debt over the past twelve months was €1,035 million.

The company has reaffirmed its full-year guidance, expecting net revenue organic growth of 4 to 5 per cent in 2026. It also anticipates an operating margin slightly above 18.2 per cent and free cash flow of approximately €2.1 billion.

With expectations of stronger performance in the second quarter, Publicis remains well positioned to sustain its growth momentum.

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