MAM
Delhi’s popular RJ Sarthak gets asked “If he is original?”
Mumbai: People who don’t appreciate English music are subhumans. They shouldn’t be allowed to wear clothes. They should be made to sing ullullu like the aboriginal tribes,” said RJ Sarthak, trying to drive home his point about the appeal of music. Sarthak, Delhi’s loved and listened-to radio jockey went ballistic about Vidya Balan’s portrayal of an RJ in Munna Bhai MBBS and Karthik Aryan in Dhamaka as unrealistic portrayals of RJs. He was baring his soul to Sumedha on her popular podcast “Bluntly Streaming” where she grilled the RJ on various counts.
In a two-part series, the volatile guest even ends up demanding that Sumedha NOT call him an RJ, but a radio host or radio presenter. “Radio jockey” is the wrong phrase. It should be Radio Disc jockey,” he snorts. Sumedha Bluntly Streaming dives deep into the vibrant life of RJ Sarthak, a personality with a beard as colourful as his journey. The RJ is known to be one of the most loved ones on radio waves. Also considered original for his content. He quotes a famous saying that states that “There are only three original ideas in the world and the rest are interpretations,” to which Sumedha, with a straight face, asks him, “Are you original?” Offended by her blunt question (what else do you expect from Bluntly Streaming?), he mocks her for her question, but not before attacking her with, “What do you think is being original” Are you an original?” The conversation takes amusing turns as both end up making peace with each other about whether or not radio jockeys are loyal to the Jockey, a popular lingerie and innerwear brand.
“Everything begins with my hunger for attention,” Sarthak confesses to Sumedha. What about your hunger for auditions, asks Sumedha who called the chair he was sitting on a “casting couch”. The conversation veered towards other topics such as his relief package for later risers who missed out on his early morning show, the beauty of sunrises and sunsets, his tryst with MK’s Gandhi’s book, “My Experiments with Truth” and more.
The RJ also gets grilled on why he chose French or Sanskrit, his stint on TV with Headlines Today and about his most memorable callers on the show. The RJ who is into his 25 year on the radio waves shared a heart-touching anecdote about a caller who would be the first one to call his show every fortnight. “We even had special music for the first caller. Later, I got to know, after about a year of radio interactions, that he, his wife and disabled child committed suicide after he faced losses in his business and could not recover from it financially.
Sumedha also explores the intriguing world of RJ Sarthak’s nepotism and under-the-table dealings. “If you want to win me over, get me food,” he states. The conversation then touches on some uncomfortable chords. Sarthak then blows off the lid on sex, drugs and rock n roll by decoding the concept of choreographed music. “These days, music is not straight from the heart. Rather is researched and designed to give a music spike every 30 seconds. No wonder that the old-timers like Metallica could still beat the Taylor Swifts of this era,” he states. The Rolling Stones and U2 are still on the top and headlining shows in venues like Sphere in Las Vegas because they are not into the nonsense called template music.
He then reveals his fondness for underground music, citing bands like Gogo Penguin, Coco Roco, and Fyah, whose audience may be limited to around 25 people. He appreciates music that emanates from the heart, emphasizing the connection it creates.
As the conversation shifts to streaming, CDs, and vintage vinyl records, Sarthak highlights the significant effort required not only to create music but also to delve into its nuances. He expresses frustration that, in the present era, there seems to be no premium placed on knowledge. Recalling his past, he vividly remembers taking a bus to the British Library, borrowing books, and immersing himself in reading about Eric Clapton. He laments the contrast with today’s easy access to information, stating that the effort he invested in acquiring knowledge in the 90s is now condensed into the first line of Clapton’s Wikipedia page. He concludes his episode of Bluntly Streaming with a stern reminder, “Don’t mistake information for knowledge,” before Sumedha concludes the conversation.
Brands
YES Bank hands the keys to SBI veteran Vinay Tonse as it bets on a new era
Former SBI managing director appointed as YES Bank’s new MD and CEO
MUMBAI: YES Bank is done rebuilding. Now it wants to grow. The private sector lender has appointed Vinay Muralidhar Tonse as managing director and chief executive officer-designate, with RBI approval secured and a start date of April 6, 2026 confirmed. The three-year term signals the bank’s intent to shift gears from crisis recovery to full-throttle expansion.
Tonse, 60, is no stranger to scale. Most recently managing director at State Bank of India, he oversaw a retail book of roughly $800bn in deposits and advances, one of the largest in the country. Before that, he ran SBI Mutual Fund from August 2020 to December 2022, a stint that saw assets under management surge from Rs 4.32 lakh crore to Rs 7.32 lakh crore across market cycles. Add stints in Singapore and four years leading SBI’s overseas operations in Osaka, and the incoming chief arrives with a genuinely global CV.
His academic grounding is equally solid: a commerce degree from St Joseph’s College of Commerce, Bengaluru, and a master’s in commerce from Bangalore University.
The appointment follows an extensive search and evaluation process by the bank’s Nomination and Remuneration Committee. NRC chairperson Nandita Gurjar said the committee unanimously backed Tonse, citing his leadership track record, governance credentials and ability to drive the bank’s next phase of transformation.
Non-executive chairman Rama Subramaniam Gandhi was unequivocal. “I am certain that Vinay Tonse, with his vast experience as a senior banker, will propel YES Bank to its next phase of growth,” Gandhi said, adding that the bank remains focused on strengthening its retail and corporate banking franchises and expanding its branch network.
Rajeev Kannan, non-executive director and senior executive at Sumitomo Mitsui Banking Corporation, the bank’s largest shareholder, said Tonse’s experience across retail, corporate banking, global markets and asset management positioned him well to lead the lender. SMBC said it looks forward to working with Tonse and the board as YES Bank pursues its ambition of becoming a top-tier private sector lender anchored in strong governance and sustainable growth.
Tonse succeeds Prashant Kumar, who took the helm in March 2020 when YES Bank was in freefall following a severe financial crisis, and spent six years painstakingly stabilising the institution, rebuilding governance and restoring operational scale. Gandhi was generous: “The bank remains indebted to Prashant Kumar, who is responsible for much of what a strong financial powerhouse YES Bank is today.”
Tonse, for his part, struck a purposeful note. “Together with the board and my colleagues, I remain deeply committed to creating long-term value for all our stakeholders,” he said, pledging to build on Kumar’s foundation guided by his personal motto: Make A Difference.
Beyond the balance sheet, Tonse played cricket at college and club level and represented Karnataka in archery at the national championships — sports he credits with teaching him teamwork, situational leadership, discipline and focus. In quieter moments, he reaches for retro Kannada music, classic Hindi songs, and the crooning of Engelbert Humperdinck, Mukesh and Kishore Kumar.
YES Bank has its steady-handed rebuilder in Kumar to thank for survival. Now it has a scale-obsessed growth banker at the wheel. The next chapter starts April 6.
