AD Agencies
Crayons wins 2 golds, 1 silver, and 3 bronzes as India’s largest independent agency at ABBYs
Mumbai: In a triumph for independent spirit and creativity, Crayons Advertising won across categories and campaigns. The independent agency competed against big international names from the industry, relying not on the strength of numbers but on passion and dedication.
The Delhi-headquartered agency’s team took home 2 golds and a silver for a campaign advertising themselves called Creatively Independent Since 1986, 2 bronzes for Woodpecker Beer’s Legally Mandated Glassware campaign and 1 bronze for Clove Dental’s Teeth Have Feelings Too.
Crayon’s chief strategy officer Samir Datar reflected on the wins, saying: “Last year, we took home one bronze ABBY. This year, we proved it wasn’t a fluke, but the start of something bigger. To win for our very own Crayons campaign is especially sweet. We truly believe in what we do, and to win as an independent agency in a field full of massive names felt special. It was an emotional time for each and every team member present, which says a lot about the passion and pride we take in our work. Watch out for us next year!”
Crayons executive creative director Manoj Jacob added, “Crayons, yeah we’re different. We don’t have 100 people ideating with the specific intention of picking up metal, just a handful of damn good people doing damn good work. And these awards are testament to what a small team like ours, can do with just good old day-to-day advertising.”
AD Agencies
Fevicol releases its last ad campaign by the late Piyush Pandey
The adhesive brand’s last campaign by the late advertising legend Piyush Pandey turns an everyday Indian obsession into a quietly powerful metaphor
MUMBAI: Fevicol has never needed much of a plot. A sticky bond, a wry observation, a truth that every Indian instantly recognises — that has always been enough. “Kursi Pe Nazar,” the brand’s latest television commercial, is no different. And yet it carries a weight that no previous Fevicol film has had to bear: it is the last one its creator, the advertising legend Piyush Pandey, will ever make.
The film, released on Tuesday by Pidilite Industries, fixes its gaze on the kursi — the chair — and what it means in Indian life. Not just as a piece of furniture, but as a currency of ambition, a vessel of authority, and a source of quiet social drama that plays out in every home, office and institution across the country. Who sits in the chair, who waits for it, and who eyes it hungrily from across the room: the film transforms this sharply observed cultural truth into a narrative that is, in the best Fevicol tradition, funny, warm and instantly familiar.
The campaign was Pandey’s idea. He discussed it in detail with the team before his death, but did not live to see it shot. Prasoon Pandey, director at Corcoise Films who helmed the commercial, said the team needed five months to find its footing before they felt ready to shoot. “This was the toughest film ever for all of us,” he said. “It was Piyush’s idea, magical as always.”
The emotional weight of that responsibility was not lost on the team at Ogilvy India, which created the campaign. Kainaz Karmakar and Harshad Rajadhyaksha, group chief creative officers at Ogilvy India, described the process as “a pilgrimage of sorts, on the path that Piyush created not just for Ogilvy, but for our entire profession.”
Sudhanshu Vats, managing director of Pidilite Industries, said the film was rooted in a distinctly Indian insight. “The ‘kursi’ symbolises aspiration, transition, and ambition,” he said. “Piyush Pandey had an extraordinary ability to elevate such everyday observations into iconic storytelling for Fevicol. This film carries that legacy forward.”
That legacy is considerable. Over several decades, Pandey’s partnership with Fevicol produced some of the most beloved advertising in Indian history, building the brand into something rare: a household name that people actively enjoy watching sell to them.
“Kursi Pe Nazar” does not try to be a tribute. It simply tries to be a great Fevicol film. By most measures, it succeeds — which is, in the end, the most fitting send-off of all.
