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Cannes Lions 2013 launches special app, online game
Mumbai: The 60th Cannes Lions International Festival of Creativity- 2013 is here and with full fan fare. One of the most prestigious advertising festivals of the world, Cannes Lion has launched a special pre-festival app for iPhone and Android users.
The international festival is also launching an online contest which will be PHD’s multi-player online game. The lucky winner stands a chance to return to Cannes 2014 as a VIP delegate.
Each year, around 11,000 members of the global creative communications industries come together to be inspired and educated at Cannes Lions. Cannes Lion 2013 can be downloaded for free on the iPhone or any 4.0 and up Android phones and will take 16 mb of space. What’s more? The app has a high rating of 4.6 on the Android platform.
This is where you can find out everything about attending the festival as a delegate, from the registration packages available and where you can stay, to the latest news about the world-class seven day learning programme. This year’s festival will be held during 16 – 22 June in Cannes, France.
Some of the key features of this app are listed below:
*Full Festival programme with calendar and sharing options
* Social feeds, news, photos and videos
* Insider tips on locating ‘the best place in Cannes to…’
* The last 60 years of the Film Lions Grand Prix winners
* A massively multi-player online game
* iPad version coming soon
Social media and digital platforms are increasingly becoming an indispensable aspect of marketing. How could Cannes 2013 be left untouched by this phenomenon.
MAM
Reed Hastings to exit Netflix board as company posts steady growth
Shares dip 8 per cent as cofounder exits; revenue up 16 per cent to $12.25 billion.
MUMBAI- When the man who taught the world to binge decides to log off, the credits don’t just roll, they reset the script. Reed Hastings is set to step away from Netflix, marking the end of a defining chapter for a company that reshaped global entertainment even as its latest numbers suggest a business finding firmer footing.
Hastings, who co-founded Netflix nearly three decades ago and transformed it from a DVD-by-mail service into a streaming powerhouse, will not stand for re-election at the company’s annual meeting in June. While the company offered little detail on his next move beyond philanthropy and personal pursuits, the symbolic weight of his departure was immediate. Shares fell around 8 per cent following the announcement, underlining how closely Hastings remains tied to investor confidence and the company’s long-term vision.
The exit comes at a moment of recalibration. Netflix has been working to stabilise growth after a period of strategic turbulence, including the loss of a high-profile $72 billion deal involving Warner Bros. Discovery to Paramount Skydance, a setback that raised fresh questions about its ambitions in large-scale content consolidation. Yet, if the deal slipped, the fundamentals appear to be holding.
For the first quarter, Netflix reported revenue growth of 16 per cent to $12.25 billion, slightly ahead of expectations, while earnings per share nearly doubled to $1.23 from 66 cents a year ago. The company reaffirmed its full-year outlook, projecting double-digit revenue growth, expanding margins and strong free cash flow signals aimed squarely at calming post-announcement jitters.
In its shareholder communication, Netflix struck a careful balance between legacy and continuity. Its mission, it reiterated, remains unchanged: to serve a global audience with diverse storytelling across languages and cultures. The message was clear—while a founder may exit, the playbook stays in motion.
At the same time, the company is quietly redrawing that playbook. Netflix is leaning into newer formats such as video podcasts and live programming, including events like the World Baseball Classic in Japan, reflecting a broader industry shift where streaming, television and live experiences increasingly overlap. Advertising, once an afterthought in its subscription-first model, is now moving centre stage, with the company projecting ad revenues of $3 billion in 2026 roughly double current levels.
Still, some questions linger in the wings. Chief among them is how Netflix plans to deploy the $2.8 billion termination fee from the collapsed Warner Bros deal. With competition for premium content intensifying, capital allocation decisions in the coming quarters could prove as consequential as the leadership transition itself.
For now, Netflix finds itself in a familiar paradox: a company built on disruption navigating continuity. Hastings may be stepping off the stage, but the show by design goes on.
