AD Agencies
Cannes gets a WIN-dow to the future of creativity and inclusion
MUMBAI: The Women Inspiring Network (WIN) turned up the volume at Cannes 2025 with its buzzing #WINLounge, a high-energy hub at Hotel Martinez that celebrated diversity, daring ideas and disruptive conversations. With over 50 speakers from more than 20 countries, the event proved WIN isn’t here to whisper—it’s here to roar.
WIN’s golden moment? Anupama Ramaswamy, chief creative officer at Havas Worldwide India CCO Anupama Ramaswamy and a #WINLounge speaker, clinched India’s first Gold Cannes Lions of 2025 for Ink of Democracy. Cue the standing ovation, and a thousand proud hearts back home.
The day-long creative jam on 18 June opened with a keynote from Bridget Evans, global head of business marketing at Spotify, and segued into 10 powerhouse panels, interactive workshops, and fireside chats featuring everyone from Snap AR’s Resh Sidhu to Vevo’s Natalie Gabathuler-Scully and TikTok-famous changemakers from across continents.
If the agenda felt like a mixtape of the future—it was. Panels tackled themes like inclusive innovation, philanthropy 2.0, emotional branding, and the metamorphosis of marketing with AI and AR thrown into the blender. Highlights included ‘The 21st-Century Blueprint for Purpose-Driven Brand-Building’, ‘Culture is Capital’, and ‘Disrupting the Default’—each one as punchy as its title.
WIN also turned up the heat at Spotify Beach, where its podcast platform WIN Voices spotlighted a rising tribe of African storytellers including South African media dynamo Kim Jayde, UK-Nigerian director Meji Alabi, and Kojo Marfo of My Runway Group. From Afrobeats to blockchain, these voices brought cultural currency to the Croisette.
Speaking about Cannes 2025, Women Inspiring Network (WIN) founder Stuti Jalan remarked, “Cannes was raw, electric, and unforgettable—a melting pot of ideas, creativity, and global change makers. It was incredible to see WIN in the middle of it all. Riding this momentum, we are now gearing up for our next chapters across New York, Davos, India and other global stages.I would like to acknowledge and express gratitude for the support from our partners—Dasra, Camphouse, Masimo, and Vevo. Their belief in our mission made this powerful exchange of ideas and inspiration possible.
Workshops kept the spark alive. Bonnie Wan’s The Life Brief helped guests craft purpose-driven roadmaps, while Leading Beyond Imposter Syndrome by Trust Your Creative was an emotional tune-up for leaders navigating uncertain terrain. In a special fireside chat, Jalan went tête-à-tête with Caspar Lee, former YouTube star turned co-founder of Influencer.com, who shared his $65 million journey from creator to VC.
With New York, Davos and India in its crosshairs.
AD Agencies
Abhay Duggal joins JioStar as director of Hindi GEC ad sales
The streaming giant brings in a seasoned revenue hand as the battle for Hindi television advertising heats up
MUMBAI: Abhay Duggal has a new desk, and JioStar has a new weapon. The media and entertainment veteran has joined JioStar as director of entertainment ad sales for Hindi general entertainment channels, adding 17 years of hard-won revenue experience to one of India’s most powerful broadcasting operations.
Duggal is no stranger to big portfolios or bruising markets. Before joining JioStar, he spent a brief stint at Republic World as deputy general manager and north regional head for ad sales. Before that, he put in three years at Enterr10 Television, where he ran the north region for Dangal TV and Dangal 2, two of India’s leading free-to-air Hindi channels. The north alone accounted for more than 50 per cent of total channel revenue on his watch, a number that tends to get attention in any sales meeting.
His longest stint was at Zee Entertainment Enterprises, where he spent over six years rising to associate director of sales. There he commanded the Hindi movies cluster across seven channels, owned more than half of north India’s revenue across flagship properties including Zee TV and &TV, and closed marquee sponsorships across the Indian Premier League, Zee Rishtey Awards and Dance India Dance. He also handled monetisation for the English movies and entertainment cluster and the global news channel WION, a portfolio that would stretch most sales teams twice his size.
Earlier in his career Duggal closed what was then a Rs 3 crore single deal at Reliance Broadcast Network, one of the largest in Indian radio at the time, before that he helped launch and monetise JAINHITS, India’s first HITS-based cable and satellite platform.
His edge, by his own account, lies in marrying data and instinct: translating audience trends, inventory signals and client demands into long-term partnerships built on cost-per-rating-point discipline rather than short-term deal chasing. In a media landscape being reshaped by streaming, fragmented attention and AI-driven advertising, that kind of rigour is increasingly rare and increasingly valuable.
JioStar, which blends the scale of Reliance’s Jio platform with the content firepower of Star, is doubling down on its advertising business at precisely the moment the Hindi GEC market is getting more competitive. Bringing in someone who has spent nearly two decades doing exactly this, across some of India’s most watched channels, is a pointed statement of intent. Duggal has spent his career turning audiences into revenue. JioStar is clearly betting he can do it again, and bigger.
