MAM
Asci pulls up three HUL ads in December
MUMBAI: The Advertising Standards Council of India (Asci) has pulled up three ads from fast moving consumer goods (FMCG) manufacturer and marketer Hindustan Unilever. In its new update, the advertising watchdog has named the ads of New Rin, New Clear anti-dandruff shampoo and Comfort Fabric Conditioner as erring.
For the month of December, Asci‘s Consumer Complaints Council (CCC) upheld complaints against 43 out of 50 ads.
Of the 43 complaints upheld, 17 belong to the healthcare category while seven are from the home and personal care category. Five ads from education and four from consumer durables category have been pulled up. Other categories where ads have been found misleading include one each from telecom, real estate, food and beverage and surrogate ads.
The New Rin TVC had claimed that it is the “only detergent powder in India which gives freedom from yellowness and gives shining whiteness”. This claim is qualified by a super stating “Perception of yellowness removed through patented technology”. The use of “patented technology” does not mean that the same benefit of “giving freedom from yellowness” cannot be claimed by using any other technology. The super does not provide the details of the independent agency which conducted the tests.
Asci has said that in absence of independent technical data, this claim is false and misleading. The advertisement promoting the New Rin is based on the concept that “After repeated washing, clothes turn dull and yellow”. The said concept is not completely correct and is in fact misleading consumers. The visual showing the comparison between New Rin and other detergent powder is qualified by a super which states “creative representation of yellowness removal”. This in effect means that the shots showing the shirt washed with the other detergent and the shirt washed with New Rin cannot be replicated into reality. This is incorrect and misleads the consumers.
The Fast Track Consumer Council (FTCC) considered the technical data provided by the advertiser and the complainant. The FTCC concluded that the use of “patented technology” does not mean that the same benefit of “giving freedom from yellowness” cannot be claimed by using any other technology.
The advertiser provided data of products removing yellowness in various degrees of efficacy. Hence the claim of being the only product to remove yellowness was not substantiated. The claim, “New Rin is the only detergent powder in India which gives freedom from yellowness and gives shining whiteness”, is false and misleading as it is not the only detergent to do so. The advertisement contravened Chapters I.1 and I.4 of the Code. The complaint was upheld. At the request of the advertiser, the CCC reviewed the decision after HUL provided additional data and upheld the decision of the FTCC.
In case of the New Clear anti-dandruff shampoo advertisement, the TVC claims that New Clear “Is the best anti-dandruff shampoo in the country”, with a super “Based on clinical studies, microkill & ZOI data”. This superiority claim needs to be substantiated with technical and comparative data, and with details of tests/trials reports from an independent recognised testing institution. The claim, “Preferred choice of 9 out of 10 users”, is ambiguous. Where on one hand the claim does not clarify the parameters for which the Clear shampoo is preferred, the claim on the other hand is being used by Clear in its TVC. This claim is qualified by a super stating, “Based on consumer study”. This super does not state the source of the study and nor does it state the date on which the said study was conducted. The super, “Based on consumer study”, is not of adequate size and duration, and blurred so as to mislead the consumers.
The FTCC examined the technical substantiations of both the advertiser and the complainant with respect to clinical studies like BoSS (Bio-availability on stimulated scalp), ZOI (Zone of Inhibition) data, etc, and concluded that the claim of New Clear being the “best anti-dandruff shampoo in the country” is false and misleading. The CCC considered the additional data provided by the advertiser and concluded that the earlier decision of the FTCC stands and the complaint was upheld.
Other advertisers to be pulled up include Dabur India, Nature Health Care, SBS Biotech, Keya Seths Aromatherapy, Clintech Medical and Aesthetic Center, Kangra Herb Pvt Ltd, Rediscover – Laser, Skin, Slimming and Ayurvedic Clinic, Ego Wellness Pvt Ltd, Dr. Jains Zero Figure Clinic, Medinn Elle Herbal Care Pvt Ltd, Asian Institute Of Infertility Management, Naturoveda Health World, Niramay Consultancy, Maruti Herbal, Cure Spects Laser Ltd, G K Health Care, Maharshi Skin Centre, Rana Yog Chikitsa Kendra, Sareen Hair Clinic, Cocoona Cosmetic Surgery, Eleganza Skin And Cosmetic Surgery Clinic, Pernod Ricard India (P) Limited, Luminous Water Technologies Pvt Ltd, Megha Associates, Secured Engineers, Padmini Impex Pvt Ltd, Natraj Atta Chakki, Ark Prem Constructions, Education Express, Focus Educare Pvt Ltd, Global Institute Of Fire And Industrial Safety, Vivekanand Classes, Prestige Institute Of Engineering and Science and Aircel.
The advertisement of Step Up and its claim is under judgment in the High Court of Bombay. Hence there was no decision taken on this complaint by the CCC
During the month of December, the CCC also received complaints against six ads. The complaints were received against the advertisements of Ceat Ltd’s ‘Ceat Tyres’, Skin Alive’s ‘Forever Young’, Kovai Medical Center and Hospital’s ‘Effective Treatment for Thyroid Disorders & Cancer’, Gillette India LTD’s ‘Oral-B Cross Action Pro-Health toothbrush’, Clinic Dermatech’s ‘Beauty Solutions for Skin Problems’, Procter & Gamble Home Products Ltd’s ‘Pantene Pro-V shampoo’. However, as these advertisements did not contravene Asci’s codes or guidelines, the complaints were not upheld.
Digital
Content India 2026 opens with a copro pitch, a spice evangelist and a £10,000 prize for Indian storytelling
Dish TV and C21Media’s three-day summit puts seven ambitious projects before an international jury, and two walk away with serious development money
MUMBAI: India’s content industry gathered in Mumbai this March for Content India 2026, a three-day summit organised by Dish TV in partnership with C21Media, and it wasted no time making a statement. The event opened with a Copro Pitch that put seven scripted and unscripted television concepts before an international panel of judges, and by the end of it, two projects had walked away with £10,000 each in marketing prize money from C21Media to support development and international promotion.
The jury, comprising Frank Spotnitz, Fiona Campbell, Rashmi Bajpai, Bal Samra and Rachel Glaister, evaluated a shortlist that ranged from a dark Mumbai comedy-drama about mental health (Dirty Minds, created by Sundar Aaron) to a Delhi coming-of-age mystery (Djinn Patrol, by Neha Sharma and Kilian Irwin), a techno-thriller about a teenage gaming prodigy (Kanpur X Satori, by Suchita Bhatia), an investigative crime drama blending mythology and modern thriller (The Age of Kali, by Shivani Bhatija), a documentary on India’s spice heritage (The Masala Quest, hosted by Sarina Kamini), a documentary on competitive gaming (Respawn: India’s Esports Revolution, by George Mangala Thomas and Sangram Mawari), and a reality-horror competition merging gaming and immersive fear (Scary Goose, by Samar Iqbal).
The session was hosted by Mayank Shekhar.
The two winners were Djinn Patrol, backed by Miura Kite, formerly of Participant Media and known for Chinatown and Keep Sweet: Pray & Obey, with Jaya Entertainment, producers of Real Kashmir Football Club, also attached; and The Masala Quest, created and hosted by Sarina Kamini, an Indian-Australian cook, author and self-described “spice evangelist.”
The summit also unveiled the Content India Trends Report, whose findings made for bracing reading. Daoud Jackson, senior analyst at OMDIA, set the tone: “By 2030, online video in India will nearly double the revenue of traditional TV, becoming the main driver of growth.” He noted that in 2025, India produced a quarter of all YouTube videos globally, overtaking the United States, while Indians collectively spend 117 years daily on YouTube and 72 years on Instagram. Traditional subscription TV is declining as free TV and connected TV gain ground, forcing broadcasters to innovate. “AI-generated content is just 2 per cent of engagement,” Jackson added, “highlighting the dominance of high-quality human content. The key for Indian media companies is scaling while monetising effectively from day one.”
Hannah Walsh, principal analyst at Ampere Analysis, added hard numbers to the picture. India produced over 24,000 titles in January 2026 alone, with 19,000 available internationally. The country now accounts for 12 per cent of Asia-Pacific content spend, up from 8 per cent in 2021, outpacing both Japan and China. Key exporters include JioStar, Zee Entertainment, Sony India, Amazon and Netflix, delivering over 7,500 Indian-produced titles abroad each year. The top importing markets are Saudi Arabia, the UAE, Egypt, the United States and the Philippines. Scripted content dominates globally at 88 per cent, with crime dramas and children’s and family titles performing particularly strongly.
Manoj Dobhal, chief executive and executive director of Dish TV India, framed the summit’s ambition squarely. “Stories don’t need translation. They need a platform, discovery, and reach, local or global,” he said. “India produces more movies than any country, our streaming platforms compete globally, and our tech and creators win international awards. Yet fragmentation slows growth. Producers, platforms, and tech move in different lanes. We need shared spaces, collaboration, and an ecosystem where ideas, technology, and people meet. That is why we built Content India.”
The data, the pitches and the prize money all pointed to the same conclusion: India is not waiting for the world to discover its stories. It is building the infrastructure to sell them.
