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Get ready to laugh, cry and cringe!

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MUMBAI: Today, Netflix unveils the premiere date and the first images of Sex Education, a distinctively honest and witty look at the universally awkward coming-of-age experience. Launching globally with eight, one-hour episodes on January 11, 2019, the dramedy delivers a healthy dose of nostalgia, taking you back to your high school days, with a fresh postmodern take on young adult life, friendships, and attitudes towards sex, identity, love and everything in between.

Set in the fictional English town of Moordale and shot entirely in Wales, UK, Sex Education is a contemporary British love-letter to the classic American high-school story starring Asa Butterfield ("Ender's Game," "Miss Peregrine's Home For Peculiar Children" and Martin Scorsese's "Hugo") as Otis Milburn, the only child of two sex therapists, and award-winning actress Gillian Anderson ("The X-Files," "American Gods," "The Spy Who Dumped Me") as Jean Milburn, his mother, a larger-than-life sex therapist with no filter. Newcomers Ncuti Gatwa and Emma Mackey star in key roles throughout the series — Gatwa as Otis’ best friend "Eric" and Mackey as "Maeve," the mastermind behind Otis’ underground sex therapy clinic. The series also features Kedar Williams-Stirling ("Jackson Monroe"), Aimee-Lou Wood ("Aimee Gibbs") and Connor Swindells ("Adam Groff") as Otis, Maeve and Eric’s Moordale classmates.

SEX EDUCATION SYNOPSIS:

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Meet Otis Milburn – an inexperienced, socially awkward high school student who lives with his mother, a sex therapist. Surrounded by manuals, videos and tediously open conversations about sex, Otis is a reluctant expert on the subject. When his home life is revealed at school, Otis realizes that he can use his specialist knowledge to gain status. He teams up with Maeve, a whip-smart bad-girl, and together they set up an underground sex therapy clinic to deal with their fellow students’ weird and wonderful problems. Through his analysis of teenage sexuality, Otis realises he may need some therapy of his own.

Sex Education is created and written by Laurie Nunn and executive produced by Jamie Campbell, and co-executive produced by Sian Robins-Grace. The series is a production of Eleven Film for Netflix, and was directed by Ben Taylor ("Catastrophe") and Kate Herron.

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iWorld

Meta signs multiyear AI deal with News Corp

Agreement worth up to $50 million annually covers WSJ, New York Post and UK titles.

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MUMBAI: Meta just bought itself a front-row seat to the newsroom because when AI needs facts, even Zuckerberg is willing to pay the subscription fee. Meta Platforms has signed a multiyear artificial intelligence content licensing agreement with News Corp that could be worth up to $50 million (£39 million) a year, The Wall Street Journal reported on 25 February 2026. The deal, expected to run for at least three years, grants Meta access to News Corp’s US and UK content including The Wall Street Journal and New York Post for training AI models and powering real-time information retrieval in its products.

Australian mastheads such as the Daily Telegraph and Herald Sun are not included. News Corp CEO Robert Thomson revealed the arrangement during a Morgan Stanley technology conference in San Francisco, describing news organisations as a vital “input company” in the AI ecosystem. “We’re essentially an input company,” he said. “The great threat in the age of AI is going to be to what you might call output companies.”

Thomson emphasised the value of reliable journalism as foundational infrastructure for AI systems, noting regular conversations with Meta CEO Mark Zuckerberg via Whatsapp and ongoing talks with OpenAI’s Sam Altman. He added that News Corp is in “advanced stage” negotiations for additional deals, promising further announcements soon.

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The agreement follows News Corp’s 2024 five-year partnership with OpenAI (reportedly worth more than $250 million) and reflects Meta’s broader push to secure content licences. The company has already confirmed deals with People Inc, USA Today, CNN and Fox News, though financial terms remain undisclosed.

Publishers remain divided, some pursue partnerships for revenue, while others litigate. News Corp subsidiaries have sued Perplexity over copyright infringement, The New York Times is suing OpenAI and Microsoft, yet the same NYT struck a separate AI licensing deal with Amazon reportedly worth $20–25 million annually.

Thomson summed up the dual strategy as “woo or sue” seeking commercial agreements where possible, legal action when content is used without permission.

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In an AI race where data is oxygen, Meta isn’t just training models, it’s buying the raw material for tomorrow’s answers, one headline at a time.

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