MAM
Third Content Marketing Summit Asia announced list of speakers
MUMBAI: CMS Asia 2016 continues its tradition of delivering great content through a very unique set of experts & speakers year on year. As the event gets ready for its 3rdedition, the event organizers have released first list of speakers. This year experts from Facebook, Flipkart, Google, ScoopWhoop, ESPNCricinfo, Yashraj Films, Panasonic, Craftsvilla, Reliance, Autocar, GroupM, HCL, VML among others will be seen at the grand stage. The detailed first line up is as following
Brands
Senjam Raj Sekhar, Head of Corporate Communications, Flipkart
Sandeep Bhushan, Business Head – India & South Asia, Facebook
Amarjit Singh Batra, CEO, OLX
Pankaj Khushani, Head – Media Technology Solutions: SEA, India & Korea, Google
Naveen Malhotra, Head – Marketing & Product Planning, Mahindra Two Wheelers
Sarthak Seth, Head – Brand & Marketing Communications, Panasonic
Sandep Walunj, CMO, Reliance Nippon Life Insurance
Bianca Ghose, Chief Content Officer, HCL
Manish Kalra, Chief Business Officer, Craftsvilla
Publishers
Ashish Patil, Vice President, Yashraj Films
Sambit Bal, Editor-in-Chief, ESPNCricinfo
Sattvik Mishra, CEO, ScoopWhoop
Hormazd Sorabjee, Managing Director, Autocar India
Pradyuman Maheshwari, CEO, MXM India
Gautam Bhimani, Cricket Commentator
Marketing Partners & Agencies
Samir Bangara, Managing Director, Qyuki
Roopak Saluja, CEO, The 120 Media Collective
Mallikarjun Das, Group CEO, Starcom Mediavest Group
Tushar Vyas, Chief Strategy Officer, GroupM South Asia
Tripti Lochan, CEO, South East Asia & India, VML
As always, the largest content marketing conference in APAC brings together many C-Level experts to share their experience with delegates. The speakers are a good mix of advertisers, publishers, agency partners, technology providers & celebrities from Cricket & Bollywood. CMS Asia 2016 plans to have 30+ speakers for the 3rdedition.
The 3rd edition of annual Content Marketing Summit Asia plans to strike the right balance between Ground Reality & Virtual Reality which has always been the challenge for new age marketers but will be crucial as we step into the future of marketing. Content promises to be the bridge but is always looked at as a short-term tactic to win quickly. Scale & ROI have always been relatively unanswered questions when it comes to content marketing. While everyone tries to figure out wherein lies the future of marketing, CMS Asia 2016 provides a platform to explore it collectively. It also touches upon softer aspects like Quality of Content and Art of Storytelling for consumers today who are flirting with multiple platforms simultaneously. With content marketing practitioners in the house from leading brands & technology companies, the platform is all set this year to take Content Marketing discussion to its next level.
According to RP Singh, Conference Producer & Chairperson, “We are thrilled to have a great set of speakers this year too and I am grateful to all the experts for taking out time from their busy schedules to help create & spread the ecosystem of content marketing in India. With a joint effort like this, I have no doubts that the discipline is only set to grow from here in this part of the world”
He informs further that for this year, CMS Asia has started getting registrations quite well in advance as compared to previous editions, which signifies the importance, & expectations people have from this event.
CMS Asia as an event caters to Marketing professionals, PR professionals, Content Creators, Agency Partners & Technology companies in this space.
Digital
Content India 2026 opens with a copro pitch, a spice evangelist and a £10,000 prize for Indian storytelling
Dish TV and C21Media’s three-day summit puts seven ambitious projects before an international jury, and two walk away with serious development money
MUMBAI: India’s content industry gathered in Mumbai this March for Content India 2026, a three-day summit organised by Dish TV in partnership with C21Media, and it wasted no time making a statement. The event opened with a Copro Pitch that put seven scripted and unscripted television concepts before an international panel of judges, and by the end of it, two projects had walked away with £10,000 each in marketing prize money from C21Media to support development and international promotion.
The jury, comprising Frank Spotnitz, Fiona Campbell, Rashmi Bajpai, Bal Samra and Rachel Glaister, evaluated a shortlist that ranged from a dark Mumbai comedy-drama about mental health (Dirty Minds, created by Sundar Aaron) to a Delhi coming-of-age mystery (Djinn Patrol, by Neha Sharma and Kilian Irwin), a techno-thriller about a teenage gaming prodigy (Kanpur X Satori, by Suchita Bhatia), an investigative crime drama blending mythology and modern thriller (The Age of Kali, by Shivani Bhatija), a documentary on India’s spice heritage (The Masala Quest, hosted by Sarina Kamini), a documentary on competitive gaming (Respawn: India’s Esports Revolution, by George Mangala Thomas and Sangram Mawari), and a reality-horror competition merging gaming and immersive fear (Scary Goose, by Samar Iqbal).
The session was hosted by Mayank Shekhar.
The two winners were Djinn Patrol, backed by Miura Kite, formerly of Participant Media and known for Chinatown and Keep Sweet: Pray & Obey, with Jaya Entertainment, producers of Real Kashmir Football Club, also attached; and The Masala Quest, created and hosted by Sarina Kamini, an Indian-Australian cook, author and self-described “spice evangelist.”
The summit also unveiled the Content India Trends Report, whose findings made for bracing reading. Daoud Jackson, senior analyst at OMDIA, set the tone: “By 2030, online video in India will nearly double the revenue of traditional TV, becoming the main driver of growth.” He noted that in 2025, India produced a quarter of all YouTube videos globally, overtaking the United States, while Indians collectively spend 117 years daily on YouTube and 72 years on Instagram. Traditional subscription TV is declining as free TV and connected TV gain ground, forcing broadcasters to innovate. “AI-generated content is just 2 per cent of engagement,” Jackson added, “highlighting the dominance of high-quality human content. The key for Indian media companies is scaling while monetising effectively from day one.”
Hannah Walsh, principal analyst at Ampere Analysis, added hard numbers to the picture. India produced over 24,000 titles in January 2026 alone, with 19,000 available internationally. The country now accounts for 12 per cent of Asia-Pacific content spend, up from 8 per cent in 2021, outpacing both Japan and China. Key exporters include JioStar, Zee Entertainment, Sony India, Amazon and Netflix, delivering over 7,500 Indian-produced titles abroad each year. The top importing markets are Saudi Arabia, the UAE, Egypt, the United States and the Philippines. Scripted content dominates globally at 88 per cent, with crime dramas and children’s and family titles performing particularly strongly.
Manoj Dobhal, chief executive and executive director of Dish TV India, framed the summit’s ambition squarely. “Stories don’t need translation. They need a platform, discovery, and reach, local or global,” he said. “India produces more movies than any country, our streaming platforms compete globally, and our tech and creators win international awards. Yet fragmentation slows growth. Producers, platforms, and tech move in different lanes. We need shared spaces, collaboration, and an ecosystem where ideas, technology, and people meet. That is why we built Content India.”
The data, the pitches and the prize money all pointed to the same conclusion: India is not waiting for the world to discover its stories. It is building the infrastructure to sell them.
