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SonyLiv to present Piyush Mishra starrer ‘Kathakaar’
MUMBAI: Sony Pictures Networks’ (SPN) digital entertainment platform SonyLiv, is known to stay at the forefront with its rich and exclusive content offering to its viewers. The platform is now presenting the movie- Kathakaar to its audiences on 19 December.
The film is in line with SonyLiv’s association with the film division of Whistling Woods International (WWI), Connect1. Renowned actor and lyricist Piyush Mishra plays the lead in the short film.
“We are delighted to showcase Kathakaar exclusively on our platform. The narrative is powerfully evocative and we hope our viewers will enjoy watching it.Through our association with the film division of Whistling Woods International, we aim to present more exclusive and riveting entertainment to our viewers in the near future,” said SPN EVP and head digital business Uday Sodhi.
Conceptualised by the students from WWI, the movie was also one of the semi-finalists in the Foreign Narrative Category at 43rd Annual Student Academy Awards. The film is directed by Abhimanyu Kanodia, produced by Shraddha Singh and Naveed M, captured by Mitesh Parvatneni, edited by Pavi Trehan and sound designed by Kunal Lolsure.
Kathakaar is the story of Prakash, an old theatre projectionist who loses his job owing to changing technology and goes back to his native village. Depressed with this sudden loss of job, he struggles to figure out what to do with his life. After he succeeds in making a crying child laugh with his storytelling skills, he gathers his confidence, takes a chance to become a storyteller for the entire village, thereby rediscovering his passion. The narrative of Kathakaar, welcomes this new beginning in the life of Prakash.
Mishra added, “With Kathakaar, I went purely with my gut feeling. I reject a lot of scripts, but there was an X Factor about this one. I also had a question in mind as to how so much could be projected in such a short time span of 10 minutes. As an actor, the character I play grabbed my interest. Having said that, I had no clue that the film would be so well made, and would go on to do so well.”
The film has so far won 13 awards, including 3 international awards and has been officially selected at 26 film festivals across the globe. Amongst international honours, the film has bagged awards at renowned film festivals such as the 5th Vancouver International South Asian Film Festival, 5th Washington D.C. South Asian Film Festival, Washington D.C., II International Motivational Film Festival, Russia and 6th Jagran Film Festival, Mumbai.
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Prime Video bets big on India with global originals, films and franchise expansion
Execs highlight scale, travelability and new IP bets as India anchors global strategy
MUMBAI: At Prime Video Presents 2026, the message was clear and confident. India is not just part of the plan, it is central to it.
In a lively fireside chat hosted by filmmaker Karan Johar, Kelly Day, vice president of prime video and amazon mgm studios international, Nicole Clemens, vice president of international originals, and Gaurav Gandhi, vice president for Apac and Anz, laid out an ambitious roadmap. Think bigger stories, wider reach and a sharper focus on building franchises that travel.
Kelly Day, a regular visitor to India, set the tone early. Calling the country “one of the most important markets globally”, she pointed to the sheer scale and diversity of audiences as a driving force behind Prime Video’s growth. Indian Originals, she said, are not just local hits but global engines powering subscriptions and engagement.
That global appeal is already visible. According to Clemens, around 25 percent of viewership for Indian content now comes from outside the country. Shows rooted deeply in local culture are finding fans worldwide, proving that specificity, when paired with universal themes, travels well. From gritty dramas to sharp thrillers, Indian storytelling is increasingly crossing borders with ease.
Clemens, who joined recently to lead international originals, was particularly upbeat about India’s creative range. She highlighted a growing slate of over 100 shows in development and production, with more than 60 percent returning for multiple seasons. For her, the formula is simple. Authentic stories, told well, resonate everywhere.
Adding to the buzz, she teased new and returning titles, alongside a fresh superhero universe, the Kalyug Warriors. It signals a push into new genres while doubling down on familiar fan favourites.
If content is king, distribution is the clever courtier. Day outlined Prime Video’s layered business model in India, which blends subscription, rentals, add on channels and ad supported viewing through Amazon MX Player. The idea is straightforward. Give viewers choice, whether they want premium, free or pay per view.
India, she noted, has also become a testing ground for innovation. Tiered pricing, mobile only plans and language diversity have all been sharpened here before being exported to other markets. In many ways, the India playbook is now influencing global strategy.
For Gaurav Gandhi, the next chapter is about scale with intent. He outlined four priorities. Making Prime Video more accessible, pushing Indian content globally, building stronger franchises and supercharging the films business.
On films, the platform is moving beyond licensing into co productions and now theatrical releases in partnership with amazon mgm studios. These films will eventually stream on Prime Video, creating a full circle from cinema halls to living rooms across 240 countries.
Franchise building remains another key pillar. With hits like The Family Man, Mirzapur and Panchayat already enjoying multi season success, the focus is now on creating the next wave of enduring IP. Newer titles are already lining up for second seasons, signalling a steady pipeline.
What stood out through the conversation was a shared belief. Streaming in India is still in its early innings, and the runway is long. With a mix of local flavour and global ambition, Prime Video is betting that stories from India will not just stay at home, but travel far and wide.
Or as the executives seemed to suggest, the world is watching and India has plenty more to show.
