DTH
Sun Direct may add 20 HD, 100 SD channels
MUMBAI: Sun Direct, the DTH service from Sun Network, is likely to add 20 new high definition (HD) and 100 new standard definition (SD) channels and has been allocated 144 MHz of spectrum on the recently launched Measat-3B satellite.
A social media user by the name of ‘Raja Chennai‘ shared a screenshot of the application made by the company informing the Department of Telecommunications (DoT) about the allocation of the new satellite capacity, according to an article on Ultra News.
Once these channels find a home on the new Measat satellite, Sun Direct will be able to add an extra 20 HD channels to take its total HD channel count to 80 while increasing total SD channel list to 320.
The company was forced to halt its HD channel expansion on GSAT 15 two months ago due to the termination of its channel-sharing deal with Reliance Digital TV and divert some of the HD capacity to handle the fallout.
In the application, the company is shown informing the DoT that four new transponders of 36 MHz each have been allocated to it by the Department of Space for use on its DTH service.
Sun Direct has been facing a severe spectrum crunch due to a fire on an ISRO satellite that knocked out most of its satellite capacity in 2010. The fire forced the company to move satellite to Malaysian-owned Measat 3A, and manually realign the dish antennae of millions of its customers.
Some relief was in sight when Measat launched a second satellite at the same location in 2014, boosting capacity.
Sun Direct was widely expected to book extra capacity on the new satellite, particularly after it lost a sharing deal two months ago with Reliance Digital TV. Reliance Digital TV changed hands when the Anil Ambani Group sold it to another group as part of a fire sale.
The DTH service is expected to start adding new channels in a matter of days.
The new capacity is expected to lead to the addition of around 100 new SD channels while another 50 channels are expected to be moved to it from GSAT 15—the HD satellite for Sun Direct.
Also Read:
DTH
Prasar Bharati’s WAVES earns Rs 2.9 crore in first year
Platform scales content, users but monetisation gaps limit revenue growth.
MUMBAI: Big waves, small ripples at least for now. When Prasar Bharati launched its OTT platform WAVES at the 55th International Film Festival of India in November 2024, it pitched a bold vision: a homegrown rival to global and domestic streaming giants, blending video, audio, gaming and commerce into a single digital ecosystem. Five months into FY2024–25, however, the platform’s revenue stands at just Rs 2.90 crore, a figure that underscores the gap between ambition and monetisation.
On paper, WAVES looks anything but modest. The platform has ingested 13,608 titles, totalling 9,495 hours of content, with over 13,000 titles already live. It has streamed more than 575 live events from the Mahakumbh Amrit Snan and the 76th Republic Day parade to the Hockey India League, Kabaddi World Cup and Mann Ki Baat while offering 74 live TV channels and 12 radio channels. With over 10 lakh registered users and more than 200 content partners onboarded, the scale resembles that of a fully operational streaming service rather than a pilot project.
The architecture supporting this scale is equally robust. Built under Prasar Bharati’s Central Archives vertical, WAVES runs on a cloud-based infrastructure with DRM, encryption and an integrated analytics dashboard. It includes dedicated units for content ingestion, quality control, publishing, graphics, marketing and billing, and is distributed across platforms such as OTTplay, Tata Play and BSNL. The offering extends beyond video to include audio-on-demand, e-games and even e-commerce via ONDC integration.
Yet, the numbers reveal a core disconnect. Despite its scale, WAVES generated just Rs 2.90 crore in a market where India’s OTT industry crossed Rs 23,000 crore in 2024. A key bottleneck lies in monetisation infrastructure: subscriptions cannot currently be purchased within the app and must be completed via an external website. In a mobile-first country where over 95 per cent of OTT consumption happens on smartphones, this extra step creates friction that most users are unlikely to overcome.
Ironically, content is not the problem, it is the platform’s biggest strength. Prasar Bharati holds one of the world’s richest broadcast archives, including 45,154 hours of digitised Akashvani programming and 35,723 hours from Doordarshan. For WAVES alone, over 3,800 hours of archival content have been made OTT-ready, including classics such as Ramayan and Shaktimaan, alongside rare cultural recordings and historical broadcasts.
There are early signs that this library holds commercial potential. Revenue from archival content licensing rose sharply to Rs 3.38 crore in FY24, up from Rs 67 lakh the previous year. Meanwhile, free digital platforms continue to drive massive reach, the PB Archives Youtube channel clocked 119.78 million views and added 4,02,000 subscribers in FY2024–25, crossing 1.7 million in total, while DD News has over 5.84 million subscribers.
That, however, presents a strategic dilemma. While free distribution builds scale, it also conditions audiences to expect content at zero cost making it harder to transition to paid models. WAVES, designed as a hybrid AVOD-SVOD platform with advertising and subscription layers, is yet to fully crack this balance.
The broader challenge is not technological but strategic. In an ecosystem dominated by platforms offering seamless payments, aggressive pricing and high-budget originals, WAVES is still bridging the gap between being a content repository and a commercially viable product.
For now, the platform reflects both promise and paradox. It has the scale, the content and the infrastructure but until monetisation catches up, WAVES remains less a revenue engine and more a digital showcase of what India’s public broadcaster could become.
