MAM
The rise of young execs in agencies
MUMBAI: When you walk into a government office or a bank, chances are you will find over half the employees above the age of 35 years. The office environment is dull, boring and serious. On the contrary, if you were to visit an advertising agency, you would be surprised to see young executives driving the growth for the company and donning the executive hat. Today, agencies don’t blink an eye before appointing exes who are as young as 25 years and oh boy, they run the company!
Generation-Y is the first generation that grew up with the internet, and these youngsters, also termed as millennials, are used to having everything at their fingertips. They are pragmatic, connected, bold, and eclectic. Millennials also have a heightened social consciousness compared to previous generations. They believe they can change the world and are not afraid to take risks and challenge the status quo. They are forthright and fearless, insist that their voices are heard, keen to share their ideas, opinions and views on a subject, not afraid of hierarchies to ask questions. This obviously leads to a positive business impact and makes them a great asset for companies.
Big brands hop onto campus placements to source the next wave of fresh talent for their businesses or offer internships that turn into fully fledged employment. The world’s largest advertising media company, GroupM, hires close to 30 leadership trainees from the top B-schools and they undergo a six-month training before they are assigned to their roles. GroupM also hires lateral talent from premier B-schools due to which they are able to assign bigger roles to them fairly early in their careers.
iProspect India CEO Rubeena Singh notes that we are currently in the digital age of disruption and millennials are better equipped to navigate it. They are usually more abreast with the latest in technology and are comfortable in using it for seeking solutions. In many ways, they are making agencies more tech-savvy, helping them meet complex client needs in a fast-changing digital economy.
Mentioning that this generation has led to breaking silos and more collaboration, which is good for clients and agencies, Singh believes this is because millennials tend to work across departments, tapping into broader expertise rather than struggling on their own in the hope of claiming the glory. She adds that they are quick learners and are willing to go the extra mile, not limited to a hierarchy or an insular structure and the focus is on getting the job done.
Having internal employee mobility programmes is the core of ensuring talent retention and elevating the younger lot to explore various roles early in their career. GroupM chief HR and talent officer of South Asia Rohit Suri mentions that the group runs an extensive employee mobility program which provides its employees the opportunity to apply for various roles within the organisation in India and across the region and GroupM India is the largest exporter of talent to the APAC region.
Agencies are also increasingly investing in employee training programmes which help them in updating their skills and talent. Media agency Vizeum appoints its star performers to a program called Route 500 every year wherein such candidates are accorded disproportionate training and development opportunities and a fast track growth path within the network.
India’s largest integrated communications agency Ogilvy undertakes leadership sessions to enhance the younger generation’s skills through workshops and training sessions. Ogilvy India national head of talent and HR Monty Bharali believes that learning interventions potentially accelerate a professional’s capability and possibly, growth and these days that’s very welcome.
The people and teams are usually the backbone of a company. Without them, it’s impossible to run a business, especially one involving servicing. Investing in talent is extremely crucial for companies as it’s now almost a prerequisite for organisations to have development programmes for their employees. iProspect has a number of programmes to nurture talent and give its employees scope to move forward. A program such as NEXTGEN is designed for individuals to identify their calibre and accelerate their career to a higher / leadership level, employee exchange programs providing them with the opportunity for knowledge sharing and collaboration across global markets, iProspect University which is a central learning platform, Certified iProspect Learning Series that is crafted for employees to be informed on every aspect of digital marketing, national and international conferences, employee of the month title and fun Fridays.
The millennial employee group is extraordinarily creative, believes in excellence and is impatient to be shown in all of its capabilities. In an organisation built around creativity and excellence, its human capital will always be the greatest strength. Bharali opines that it’s essential to retain great young talent today as agility and adaptability are the need of the hour.
Young talent is probably the most expensive asset for agencies and Vizeum media associate general manager Saumya Agarwal points that talent retention continues to gain more importance as the availability of right talent remains a big challenge and it takes far more time, energy and money to replace than to groom an existing talent.
On a different note, The Glitch co-founder and content chief Varun Duggirala thinks that the idea should not be talent retention but talent farming. “Companies need to build great talent, nurture them and if and when they move on, be happy that you’ve sent the right kind of talent into the world,” he says.
One can criticise millennials for being fickle job-hoppers who show little interest in their work, but they actually care more about professional development than the previous generations which will only lead to more young executives in the industry going forward.
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Digital
Content India 2026 opens with a copro pitch, a spice evangelist and a £10,000 prize for Indian storytelling
Dish TV and C21Media’s three-day summit puts seven ambitious projects before an international jury, and two walk away with serious development money
MUMBAI: India’s content industry gathered in Mumbai this March for Content India 2026, a three-day summit organised by Dish TV in partnership with C21Media, and it wasted no time making a statement. The event opened with a Copro Pitch that put seven scripted and unscripted television concepts before an international panel of judges, and by the end of it, two projects had walked away with £10,000 each in marketing prize money from C21Media to support development and international promotion.
The jury, comprising Frank Spotnitz, Fiona Campbell, Rashmi Bajpai, Bal Samra and Rachel Glaister, evaluated a shortlist that ranged from a dark Mumbai comedy-drama about mental health (Dirty Minds, created by Sundar Aaron) to a Delhi coming-of-age mystery (Djinn Patrol, by Neha Sharma and Kilian Irwin), a techno-thriller about a teenage gaming prodigy (Kanpur X Satori, by Suchita Bhatia), an investigative crime drama blending mythology and modern thriller (The Age of Kali, by Shivani Bhatija), a documentary on India’s spice heritage (The Masala Quest, hosted by Sarina Kamini), a documentary on competitive gaming (Respawn: India’s Esports Revolution, by George Mangala Thomas and Sangram Mawari), and a reality-horror competition merging gaming and immersive fear (Scary Goose, by Samar Iqbal).
The session was hosted by Mayank Shekhar.
The two winners were Djinn Patrol, backed by Miura Kite, formerly of Participant Media and known for Chinatown and Keep Sweet: Pray & Obey, with Jaya Entertainment, producers of Real Kashmir Football Club, also attached; and The Masala Quest, created and hosted by Sarina Kamini, an Indian-Australian cook, author and self-described “spice evangelist.”
The summit also unveiled the Content India Trends Report, whose findings made for bracing reading. Daoud Jackson, senior analyst at OMDIA, set the tone: “By 2030, online video in India will nearly double the revenue of traditional TV, becoming the main driver of growth.” He noted that in 2025, India produced a quarter of all YouTube videos globally, overtaking the United States, while Indians collectively spend 117 years daily on YouTube and 72 years on Instagram. Traditional subscription TV is declining as free TV and connected TV gain ground, forcing broadcasters to innovate. “AI-generated content is just 2 per cent of engagement,” Jackson added, “highlighting the dominance of high-quality human content. The key for Indian media companies is scaling while monetising effectively from day one.”
Hannah Walsh, principal analyst at Ampere Analysis, added hard numbers to the picture. India produced over 24,000 titles in January 2026 alone, with 19,000 available internationally. The country now accounts for 12 per cent of Asia-Pacific content spend, up from 8 per cent in 2021, outpacing both Japan and China. Key exporters include JioStar, Zee Entertainment, Sony India, Amazon and Netflix, delivering over 7,500 Indian-produced titles abroad each year. The top importing markets are Saudi Arabia, the UAE, Egypt, the United States and the Philippines. Scripted content dominates globally at 88 per cent, with crime dramas and children’s and family titles performing particularly strongly.
Manoj Dobhal, chief executive and executive director of Dish TV India, framed the summit’s ambition squarely. “Stories don’t need translation. They need a platform, discovery, and reach, local or global,” he said. “India produces more movies than any country, our streaming platforms compete globally, and our tech and creators win international awards. Yet fragmentation slows growth. Producers, platforms, and tech move in different lanes. We need shared spaces, collaboration, and an ecosystem where ideas, technology, and people meet. That is why we built Content India.”
The data, the pitches and the prize money all pointed to the same conclusion: India is not waiting for the world to discover its stories. It is building the infrastructure to sell them.
