iWorld
Viu to produce 70 originals in 2018
MUMBAI: The pan-Asian OTT platform Viu will see 70 titles and over 900 episodes of locally produced content by the end of this year. Produced in Indian, Chinese, Indonesian and Arabic languages, Viu Original spans the full spectrum of TV content genres and has extended its production scope to movies. Since the beginning of 2018, OTT platforms in India are boosting their original content.
“With the evolution of OTT streaming service and consumers adoption, quality content with strong relevance is the key to our continued high engagement with viewers. Viu aims to introduce the refreshing local productions in various markets, including Spotlight 2 produced by Bollywood director Vikram Bhatt, and Kenapa Harus Bule? by award-winning Indonesian director Andri Cune. Our latest Viu Original series development of The Bridge, a popular international TV series, will be remade with Asia context and filmed in Singapore and Malaysia. By working with top tier local talents and production houses, we fulfil our brand promise to provide Viu-ers with compelling localised entertainment,” PCCW Media Group managing director Janice Lee said.
Viu not only works with top award-winning directors and production talent in the markets, but also employs highly innovative ways to come up with new ideas for its originals. Viu ‘crowd sources’ Viu Original ideas in an event called Viu Pitching Forum in Indonesia, where young filmmakers are encouraged to pitch their ideas before a team of renowned experts, including award- winning producers, directors and scriptwriters. Viu will fund shortlisted ideas and collaborate with professional filmmakers to produce them for airing.
“We are encouraged by the overwhelming positive response from viewers for Viu Original and we will continue to create many more fresh and engaging originals tailored to ourmillennial Viu-ers. We are especially proud to provide a platform for young talent in local markets to showcase their creativity and gain popularity among our viewers,” Lee added.
Viu Original has recently launched a foray of full feature movies. High Jack, which is co-produced with award-winning Phantom Films in India, is scheduled to be screened in 450 Indian theatres followed by viewing on the Viu platform. Working alongside its broadcast partners, Viu aims to bring Original to free-to-air and pay-TV audience around the world. Viu has collaborated with Zoom TV – a Bollywood pay-TV channel and Gemini TV – a pay-TV channel owned by Sun Network, to deliver its original content in India.
Also Read :
Viu announces the launch of its latest Original, ‘Love, Lust and Confusion’
Viu and Phantom films join hands for its upcoming movie ‘High Jack’
Gaming
MTG gaming chief Benninghoff joins NODWIN board as esports firm primes for IPO
The Gurugram-based esports firm is pursuing a public listing, has returned to profitability and is growing revenues by 42 per cent
GURUGRAM: NODWIN Gaming is moving fast. The Gurugram-based gaming and esports company has launched a pre-IPO fundraising round, appointed UBS as lead adviser for both the round and a subsequent public listing, and landed a heavyweight board director, all in one go.
The new board member is Arnd Benninghoff, executive vice president of gaming at Stockholm-listed Modern Times Group (MTG), who has overseen the group’s strategic investments and portfolio growth since 2014. He is no stranger to building things: Benninghoff has founded and built fifteen companies, served as chief digital officer at ProSiebenSat.1 Media AG, managing director of SevenVentures, and chief executive of Holtzbrinck eLAB. He began his career as a journalist at Deutsche Presse Agentur and various TV networks, holds a Diplom-Kaufmann in business and administration from the University of Münster, and previously sat on the board of Edgeware AB.
The numbers back the ambition
NODWIN is not pitching a story without substance. The company has returned to EBITDA profitability and posted a 42 per cent year-on-year revenue surge, reaching $58.5m in the first nine months of FY2026. The pre-IPO round will combine a primary issuance to fund global expansion through organic growth and acquisitions, alongside a secondary sale to give existing shareholders some liquidity.
Akshat Rathee, co-founder and managing director of NODWIN Gaming, said Benninghoff understands “the entire lifecycle of the gaming and media ecosystem, from the boots-on-the-ground reality of building startups to the strategic complexity of managing multi-billion dollar global portfolios.”
Benninghoff, for his part, said the company “sits at the intersection of sports, entertainment, and technology, making it one of the most exciting players in the global gaming landscape today.”
A portfolio built for the global south
Founded in 2014 by Rathee and Gautam Virk, NODWIN has quietly assembled one of the more compelling esports portfolios outside the Western hemisphere. Its properties include DreamHack India and Comic Con India, and it recently acquired StarLadder, the Ukraine-based tournament organiser behind premier events in CS:GO and Dota 2. The company also serves as a long-term strategic marketing partner for the Evolution Championship Series (EVO), the world’s most prominent fighting game tournament, helping push it into new geographies.
Its geographic focus spans South Asia, Central Asia, Southeast Asia, the Middle East and Africa. Backers include Nazara Technologies, KRAFTON, Sony Group Corporation, JetSynthesys, and the founders’ investment vehicle Good Game Investments.
What comes next
With UBS running the books, a board freshly reinforced with European media and gaming expertise, and revenue heading in the right direction, NODWIN is laying the groundwork deliberately. The esports industry has burned investors before with big promises and thin margins. NODWIN’s return to profitability, combined with a real portfolio of owned intellectual properties across gaming, music and youth culture, gives it a more credible runway than most. The IPO clock is now ticking.
