MAM
One Take Media Co acquires 3D Animation Show Nori-Roller Coaster Boy
MUMBAI: One Take Media Co(OTMC), pioneer in Movies, OTT, VAS, kids contents expands its catalogue with the acquisition of sought after Nori–Roller Coaster Boy from Xrisp, South Korea. OTMC has more than 2000 hours of kid’s content which includes most Popular Kids series like Jungle Book, Simba the Lion, Kids Animated Movies. The acquired rights includes for broadcast, OTT and Value Added Services. OTMC has other services likeHollywood Movies, Bhojpuri films, Bengali, Marathi, Tamil, Telugumovies and Celebrity Chef based cooking shows. Other unique services also includes Hollywood and South Indian movies dubbed in Hindi.
The 3D animated series has done well worldwide and we look forward to giving new and existing adventures opportunity to kids.
It’s a story of a shy and brave boy, Nori, lives in the famous amusement park, Nori Park. Nori wants to be the star of rollercoasters and a hero, like his father Dragon Rider, who is the king of racing and looks great on the track rollercoaster in Nori Park. Until one day, the evil villain Vegas appears, who threatens to destroy Nori park and turn it into his own park, Vega Land.
Mr Anil Khera, Founder & CEO, said “We are delighted to have one more feather in our cape by adding world class 3D animation show to our catalogue which is going to be very thrilling viewing experience for kids.”
We have 52 Episodes full of entertainment. The series is filled with adventure, emotions, love and happiness set in the fictional world of Nori Park.
Let’s enjoy with our friend Nori –Roller Coaster Boy.
AD Agencies
WPP and Ogilvy top the global charts as India joins the creative elite: Warc rankings
A record five-year streak for Ogilvy while India secures a top five global spot
MUMBAI: The global advertising world has a familiar king, but a new powerhouse is gatecrashing the palace. In the latest Warc Creative 100 rankings, the industry’s definitive audit of excellence, WPP has once again been crowned the top holding company. Not to be outdone, its crown jewel, Ogilvy, has secured the top network spot for a staggering fifth consecutive year.
It is a “five-peat” that proves Ogilvy’s creative engine is not just running but purring. While many networks rely on one or two superstar offices to carry the load, Ogilvy’s dominance is a team effort across the globe. Hot on their heels is sister agency VML, which took the silver medal for networks, ensuring a WPP clean sweep at the very top of the podium.
The biggest noise, however, is coming from the East. India has officially vaulted into the top five most creative nations on Earth. Once viewed primarily as a back-office for production, the country is now a front-row leader in imagination. Driven by the brilliance of agencies like Ogilvy Mumbai and Leo Burnett India, the nation is proving that its work does more than just look good on a trophy shelf. In a market where every rupee must work twice as hard, Indian campaigns are blending high-concept artistry with ruthless commercial effectiveness.
The individual accolades saw Heineken toast to success as the top brand, finally knocking Apple off its perch. Unilever remains the world’s most awarded advertiser, proving that big business can still have a big heart through its work for Dove and Vaseline.
The title of the world’s most creative campaign went to Publicis Conseil Paris for their AXA “Three Words” initiative. By subtly adding “and domestic violence” to insurance policies to provide immediate relocation cover, the agency proved that the best advertising doesn’t just sell a service, it provides one.
The 2026 rankings also signal a shift in the industry’s DNA. The era of boring business-to-business marketing is dead, with B2B campaigns cracking the top ten for the first time. Meanwhile, artificial intelligence has moved past the gimmick stage. The winners this year used tech not for the sake of a trend, but to drive genuine human emotion.
Whether it is Paris providing a safety net for the vulnerable or India redefining the global creative order, the message from this year’s Warc rankings is clear. The best work in the world is no longer just about catching the eye, it is about changing the world.
