iWorld
Kantar’s OTT audience measurement aims to be industry currency
MUMBAI: Kantar, in association with VTION, has launched OTT Audience Measurement Insights for audio streaming platforms at a time when a unified third-party measurement is need of the hour. While the video measurement will come up in Q2, both the companies, on the back of the collaboration, aim to fill the need gap.
“The idea here is that we hope to provide a third party independent measurement, which tells platforms about what the consumers are listening, at what time which platforms, what kind of content is being consumed. We don't have any stake, either of the parties in any of the platform. The idea is that we want to be the currency for the OTT industry to make decisions about content, marketing and communication,” Kantar South Asia Insights Division managing director and chief strategy officer Hemant Mehta said.
Mehta added that VTION’s expertise in technologies is the core strength of the partnership, while Kantar brings in the knowledge of using that data to understand from a media planning or market insights perspective. Despite challenges, both the parties are now confident that what they are measuring and reporting to the market is reliable.
He added that having one standard metric is not possible, it would vary. “What we are giving is our standard variables by which you can evaluate like in any other medium. We've got reach, rating, time spent, share – the four variables which every medium has, we are also releasing those to the industry. And we hope that industry will take a consensus about what should be the measure,” Mehta said.
He also added that the in-depth measurement data will be subscription-based. As shared by him, along with platforms, advertisers are also showing interest in the data. The recent study is based on a robust sample size of 9000+ stretching across top 9 cities (Delhi, Mumbai, Kolkata, Chennai, Bangalore, Hyderabad, Pune, Ahmedabad & Lucknow/Kanpur) among male and female of age group of 18+ and across SEC A, B & CDE.
iWorld
Tata Play Binge adds Pocket Films to micro drama platform Shots
Over 210 micro dramas and 220 hours of content strengthen short form play
MUMBAI: Short stories are getting shorter and sharper. Tata Play Binge is doubling down on snackable storytelling, adding Pocket Films to its micro-drama hub Shots as it looks to capture India’s fast-growing appetite for quick-consumption content. The move expands Shots into a deeper, more diverse catalogue, now featuring over 210 micro-dramas and 220 hours of short-format programming across genres such as action, drama and thriller. The content spans Hindi and key regional languages, reflecting the increasingly local yet mobile-first nature of viewing habits.
Pocket Films brings with it a library of emotionally driven, culturally rooted narratives, including micro-dramas like Chaturanga, Vidushi, Maasa, Silent Cycle and Pilibhit, alongside short films such as Lock-up, Dubki and The Disguise. The addition builds on existing partnerships with Bullet and Stage, strengthening Shots as a one-stop destination for bite-sized storytelling.
Designed for vertical viewing, the platform leans into scroll-friendly interfaces, auto-play sequencing and seamless discovery mirroring the habits of always-on, digital-first audiences. The content remains ad-supported and is available within the Tata Play Binge app at no additional cost.
The integration also sits within a broader aggregation strategy. Tata Play Binge currently offers access to 30 plus OTT services including Prime Video, JioHotstar, Zee5 and Apple TV+ through a single subscription and interface, aiming to simplify fragmented streaming consumption.
As platforms race to keep up with shrinking attention spans, Tata Play Binge’s bet is straightforward: when stories get shorter, the catalogue needs to get bigger and faster.
