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West Bengal TV successfully resumes shooting with strict compliance norms

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MUMBAI: The Bengali TV industry is one of the first to have resumed shooting and successfully started off with compliance protocols. The single most confidence-building step was to make sure that every artist and technicians participating in shoot have been provided with an insurance cover. 

Despite reeling under the impact of Covid2019, and having witnessed one of the worst cyclones ever, a major part of Tollywood industry returned to the sets on 11 June 2020. The Bengali television industry has been working collaboratively towards the best possible solutions to make the age-old habit of television experience a fantastic one for the audience. The immense love towards the return of their favourite shows reflects the success of the shows in the very first week itself.

SVF  co-founder and director Mahendra Soni  said, “Initially, we too like everyone, were sceptical on starting the shoot, but I must congratulate everyone and especially leaders at federation,  artist forum and broadcaster for working together and setting detailed guidelines and also assuring everyone that we will stand by everyone affected by the crisis. I think it's a great example on how to fight back in scary times like this by staying together and resuming life in ‘new normal’.”

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The state government announced earlier this month that shoots can be resumed indoors with a maximum of 35 people in TV and film shoots, respectively, following all health and safety protocols. While most of the filmmakers are waiting for further easing of restrictions, the shoots of the popular TV serials resumed from 11 June. From regularising the shoot timings to following sanitation guidelines, the producers and channels have undertaken several safety measures to run the show smoothly. The Federation of Cine Technicians & workers of Eastern India had been very supportive to extend every possible support to run the shoots adhering to safety protocols.

 Actor turned director and writer Parambrata Chatterjee said, “I think it’s been a success, the resumption of the shoot at least so far. I know many had reservations. All of us were apprehensive, to begin with but I think getting back to work was necessary for a lot of people and we realised that. A lot of deliberations were done about SOPs and other verticals. Managing the insurance for artistes and technicians wasn’t an easy task, especially for a so-called regional industry.  Films and web will start soon, fingers crossed. I would like to thank the efforts of everyone, from the administration to the respective guilds and the individual artists and technicians.”

While it was slow to start with, as everyone was learning to operate in the new normal, artistes and technicians in two weeks have adapted to the new pace of shooting. There are specific timelines within which the shoots are wrapped up each day. Everybody on the set is cognizant of the fact that safety measures need to be followed strictly, social distancing norms are to be maintained and so on. 

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President of Cine Technicians and workers association Swarup Biswas said, “We are living in the ‘new normal’ world now, hence, we have to keep that in mind when we step out for our daily chores. It’s essential for us to ensure the safety of our artistes and technicians on resuming the shoots of TV shows. Thanks to all the producers, channels and partners for their collaborative efforts. With the new insurance scheme in place, we can build on this new normal to deliver the best of content as we always do. It’s my pleasure to reveal that our TV shows are performing well and audiences are appreciating the effort being put behind the making of them. It's been 15 days now that the TV show shoots have been going on successfully through these hard days of Covid2019 pandemic looming fiercely on our society, yet the hard struggle, determination and commitment of all manpower involved in the team-of producers, channels, artists, technicians, and FCTWEI, that we have overcome the hurdles and presented good teamwork in the face of the formidable challenge and presented to the audience some good productions. We hope this resilience and tenacity to overcome the obstacles, to face the challenge as a team is the essence of a sphinx and that we would be able to bring back that old ‘normal world’ once again and hope that those days are not far off.”

Producer Saibal Banerjee said, “Everybody was sceptical in the beginning but as days passed by we gained confidence. We have tried to sketch a foolproof SOP and everyone is strictly adhering to it. We have a strong monitoring cell keeping vigil on day to day activity. Artists are feeling safe with the new arrangements in the make-up rooms and the safety standards maintained by the make-up artists. We are using fumigation techniques to sanitize costumes and makeup materials. New techniques are adapted for master shots to give an illusion of more artists in the set. Mannequins are used for giving a feel of proximity. In other words, we are innovating new ways and not compromising with the storyline. Technicians too are feeling safe with the adequate safety arrangements.”

Meanwhile, exhibitors in India are hopeful that the government will soon permit the reopening of cinemas halls in the next few months. Even though movie theatres are shut and the film industry at a standstill, the producers, distributors and exhibitors have been putting guidelines in place to ensure that they are ready to start functioning, in full compliance with health and safety norms.

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Banijay merges with All3Media in $6.65 billion deal

Marco Bassetti will lead the combined company as CEO

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PARIS: Six years after acquiring Endemol Shine at the height of the pandemic, Banijay has struck again. The European production heavyweight is merging with All3Media in a deal that will create a television titan with $6.65 billion in revenue and redraw the contours of a fast-consolidating market.

The combined company will trade under the Banijay name and be owned 50 per cent each by Banijay Group and RedBird IMI, which acquired All3Media in 2024. The transaction is expected to close by autumn, subject to regulatory approvals.

Banijay Entertainment CEO Marco Bassetti, will take the top job at the enlarged group. All3Media CEO Jane Turton becomes deputy CEO. RedBird IMI CEO Jeff Zucker will serve as chairman.

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The logic is scale. Broadcasters are commissioning less, streamers are tightening budgets and global buyers are fewer but bigger. Against that backdrop, heft matters. The merged entity will generate roughly $6.65 billion in revenues based on 2024 figures, giving it sharper elbows in rights negotiations and deeper pockets for franchise-building.

“Entrepreneurialism, ambition and creativity” remain core to Banijay’s DNA, Bassetti said, flagging plans to invest more heavily in new intellectual property, live events and emerging platforms. Turton struck a similarly bullish note, pointing to All3Media’s journey from a 2003 start-up to a global supplier of hit formats and high-end drama.

Between them, the two groups control a formidable slate. Banijay’s catalogue spans MasterChef, Big Brother, Survivor, Black Mirror, Peaky Blinders and Deal or No Deal. All3Media’s labels include Studio Lambert, producer of The Traitors and Squid Game: The Challenge; Two Brothers, behind The Tourist; and Neal Street, currently producing the forthcoming Beatles biopics directed by Sam Mendes for Sony.

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The back catalogue is equally muscular. Banijay Rights holds some 220,000 hours, while All3Media International adds around 35,000 hours, forming one of the industry’s largest libraries.

Banijay, controlled by French entrepreneur Stéphane Courbit and listed in Amsterdam, counts more than 130 production companies across 25 territories. All3Media operates over 40 labels, with strong positions in the UK, US and Germany. The enlarged group will also lean into live entertainment, building on Banijay’s Balich Wonder Studio, which produced the opening ceremony of the Milan-Cortina Winter Olympics, and the Independents.

The deal marks a shift in tone. As recently as October, Bassetti suggested that mergers and acquisitions were not a priority. But the drumbeat of consolidation has grown louder. Mediawan has moved for Peter Chernin’s North Road. David Ellison’s Paramount has agreed to a $110 billion takeover of Warner Bros, with plans to combine HBO Max and Paramount plus. ITV has explored selling its media and entertainment arm to Comcast-owned Sky, though talks have reportedly slowed.

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