I&B Ministry
Waves anti-piracy challenge sparks digital security revolution
MUMBAI: Piracy is the digital equivalent of sneaky pickpocketing—except here, it’s entire films, shows, and creative works vanishing into the dark web. But India has decided to put an end to this digital thievery with the Waves anti-piracy challenge, an ambitious initiative aimed at safeguarding digital content in an era where technology evolves faster than your favourite streaming algorithms. Organised as part of the Create in India Challenges, this competition has drawn a staggering 1,296 registrations, proving that fighting piracy is not just a noble cause—it’s an urgent one.
The challenge, backed by the ministry of information and broadcasting in partnership with the Confederation of Indian Industry (CII), zeroes in on fingerprinting and watermarking technologies to combat unauthorised distribution, piracy, and content manipulation. And it’s not just a contest; it’s a digital battleground where individuals, research teams, startups, and established organisations are vying to create the ultimate piracy-proof tech.
A core segment of the World Audio Visual and Entertainment Summit (Waves), this anti-piracy initiative is set to unfold in Mumbai from 1-4 May 2025, where the global media & entertainment (M&E) industry will converge to witness the next wave of content protection. With four key pillars—Broadcasting and infotainment, AVGC XR (Animation, Visual Effects, Gaming, Comics, Extended Reality), digital media and innovation, and films—this summit is India’s bold declaration that it’s ready to lead the fight against digital piracy.
Why does it matter? Because piracy is no longer just about grainy bootleg DVDs or sketchy torrent sites—it’s an evolving beast that threatens content creators and industries alike. The Waves Anti-Piracy Challenge is a clarion call to India’s brightest minds, encouraging them to develop indigenous solutions that will protect digital content integrity.
The create in India challenges have already attracted over 73,000 registrations, a testament to the country’s booming interest in media security. With a clear focus on fingerprinting and watermarking, this initiative aims to:
. Provide a launchpad for homegrown companies to showcase their security solutions.
. Foster novel techniques that improve digital content traceability and protection.
. Ensure seamless integration of anti-piracy technologies into media workflows.
. Support the development of cutting-edge solutions addressing both current and future piracy challenges.
Piracy has evolved from sneaky DVD sellers at traffic signals to sophisticated cyber operations threatening billion-dollar industries. India’s response? Unleashing an army of innovators through Waves. This initiative ensures that content creators—from Hindi cinema studios to indie game developers—can secure their intellectual property with robust, state-of-the-art technologies.
As the Waves summit approaches, anticipation builds for the groundbreaking ideas that will emerge. Supported by industry leaders, policymakers, and tech pioneers, this challenge doesn’t just showcase innovation—it paves the way for real-world applications that will safeguard India’s digital future.
I&B Ministry
India turns up the heat on piracy, orders Telegram to axe 3,142 channels and blocks 800 websites
New legal teeth, nodal officers and notices to intermediaries signal that the government is done playing nice with copyright thieves
NEW DELHI: India’s war on film piracy just got significantly more aggressive. The government has ordered Telegram to remove 3,142 channels distributing pirated content, blocked access to around 800 websites through internet service providers, and put the full weight of freshly sharpened legislation behind the crackdown. The message from New Delhi is unambiguous: the free ride for copyright thieves is over.
Minister of state for information and broadcasting L. Murugan spelled out the legal architecture to the Lok Sabha on Wednesday. The Cinematograph (Amendment) Act, 2023, he said, now contains specific provisions designed to make piracy a genuinely painful proposition. Sections 6AA and 6AB prohibit unauthorised recording and transmission of films, with violations attracting a minimum of three months’ imprisonment and a fine of Rs 3 lakh. At the upper end, offenders face three years behind bars and fines of up to 5 per cent of a film’s audited gross production cost — a figure that, for a big-budget production, could run into crores.
The legislation also gives the government powers to act against intermediaries hosting infringing content, by notifying them under Section 79(3) of the Information Technology Act, 2000, and compelling takedowns and blocking actions. Under Section 79(3)(b), intermediaries are legally required to remove or disable access to unlawful content upon receiving government notice or court orders. The Information Technology (Intermediary Guidelines and Digital Media Ethics Code) Rules, 2021, add a further layer of obligation, requiring platforms to ensure their services are not used to host or distribute content that violates copyright or proprietary rights.
To put enforcement into practice, the Ministry of Information and Broadcasting has established a dedicated institutional mechanism, complete with nodal officers to receive complaints. Copyright holders, authorised representatives or individuals can report piracy through a prescribed format, after which the government issues notices to intermediaries to disable access to infringing links.
The most headline-grabbing action came on 11 March 2026, when Telegram was formally notified under Section 79(3)(b) of the IT Act and directed to remove and disable 3,142 channels found to be distributing unauthorised content belonging to OTT platforms, content owners and producers. The complaints that triggered the action came from OTT platforms including JioCinema and Amazon Prime Video, which alleged that copyrighted films, web series and other material were being shared on the platform on a massive scale. Telegram’s architecture, with its large file-sharing limits and capacity for user anonymity, has made it a favoured vehicle for exactly this kind of large-scale piracy.
The Telegram action sits within a broader pattern of escalating enforcement. Just days before the Lok Sabha statement, the ministry banned five OTT platforms for streaming obscene content: MoodXVIP, Koyal Playpro, Digi Movieplex, Feel and Jugnu. In July 2025, the Centre ordered the blocking of 25 OTT platforms accused of streaming obscene, vulgar or pornographic material, a list that included ALTT, ULLU, Big Shots App, Desiflix, Boomex, Navarasa Lite, Gulab App, Kangan App, Bull App, Jalva App, ShowHit, Wow Entertainment, Look Entertainment, Hitprime, Feneo, ShowX, Sol Talkies, Adda TV, HotX VIP, Hulchul App, MoodX, NeonX VIP, Fugi, Mojflix and Triflicks.
Rule 3(1)(b) of the IT (Intermediary Guidelines and Digital Media Ethics Code) Rules, 2021, provides the regulatory hook for those actions, prohibiting platforms from hosting content that is obscene, pornographic, invasive of privacy, gender-harassing, racially or ethnically objectionable, or that promotes hatred and violence.
For an industry that loses billions of rupees annually to piracy, the direction of travel is welcome. The question, as always, is not whether the laws exist, but whether the enforcement machinery can keep pace with the ingenuity of those determined to circumvent it. Three thousand channels down, and the pirates are already busy opening three thousand more.
