I&B Ministry
Indian govt presents Waves 2025 to 100 ambassadors and high commissioners
MUMBAI: In a glitzy push to make India the hotbed of global media action, the government rolled out the red carpet for its ambitious World Audio Visual & Entertainment Summit (Waves) 2025 today at Sushma Swaraj Bhawan in New Delhi in the presence of 100 ambassadors and high commissioners. MIB officials made a hard sales pitch to prod them and make them realise that the Indian government is extremely serious about Waves 2025 and they in turn should carry this message back to their national governments and ensure robust participation from their respective countries.
Waves 2025—set to make a splash in Mumbai from 1 to 4 May 2025—promises to be a star-studded affair that will see the worlds of tech, media and entertainment collide in spectacular fashion.
Union minister for external affairs S. Jaishankar didn’t mince words about the summit’s significance: “Economic and political rebalancing is moving towards cultural balancing. We are not truly global if we are not truly local. Waves 2025 captures the spirit of this endeavour.”
He urged the ambassadors and high commissioners to familiarise their governments regarding the opportunities of global collaborations courtesy the Waves 2025 initiative.
Meanwhile, information & broadcasting minister Ashwini Vaishnaw turned up the heat, declaring that “the intersection of creativity, media and technology is transforming the media landscape of the world and reaching a new level of convergence.” He teased that “some of the biggest names” in the industry would be gracing the Mumbai bash.
Not to be outdone, Maharashtra chief minister Devendra Fadnavis jumped into the fray, drumming up Mumbai’s credentials as the “financial and entertainment capital of India” that serves as the “perfect backdrop” for the summit.
“Waves 2025 is a movement,” Fadnavis proclaimed, while welcoming the establishment of the Indian Institute of Creative Technology which the government has committed to set up in Mumbai with Rs 391 crore being allocated for it. He expressed hope that “media will continue to be a force for good,” in a world where technology and creativity are increasingly getting into bed together.
Minister of state for information & broadcasting, L. Murugan effusively stepped up to say that Waves 2025 will open the door “to joint ventures, co-productions, and business expansion, enabling global media companies to engage with India’s creative sector. We remain steadfast in creating a conducive environment for the M&E industry, supporting ease of doing business, content localisation, and infrastructure development.”
Information & broadcasting secretary Sanjay Jaju revealed that the four-day extravaganza will feature multiple tracks designed to make waves across the industry:
* A global media dialogue featuring ministers and policymakers
* Thought leaders Track with knowledge-sharing sessions
* Waves exhibition showcasing storytelling innovations
* Bharat pavilion highlighting India’s media heritage
* Waves Bazaar to facilitate business networking
* WaveXcelerator to back media startups with mentorship and moolah
* Waves Culturals featuring performances that blend Indian and international talent
Also present was Maharashtra government chief secretary Sujata Sauni who exchanged a memorandum of understanding relating to Waves 2025 with Jaju.
The organisers are also playing up Waves 2025’s integration with the orange economy, positioning the summit as a catalyst for economic growth and job creation through creative industries.
With Mumbai ready to throw open its doors to thought leaders grappling with issues from AI to streaming revolutions, intellectual property rights, misinformation, and media sustainability, Waves 2025 is gearing up to be the first summit of its kind to tackle these hot-button issues by promoting cultural diversity, innovation, and equitable access to media platforms.
As the countdown begins, all eyes are now on whether this media matrimony can truly deliver on its lofty promise of becoming “the biggest unifying factor between country to country, people to people and culture to culture in the digital age.”
I&B Ministry
India turns up the heat on piracy, orders Telegram to axe 3,142 channels and blocks 800 websites
New legal teeth, nodal officers and notices to intermediaries signal that the government is done playing nice with copyright thieves
NEW DELHI: India’s war on film piracy just got significantly more aggressive. The government has ordered Telegram to remove 3,142 channels distributing pirated content, blocked access to around 800 websites through internet service providers, and put the full weight of freshly sharpened legislation behind the crackdown. The message from New Delhi is unambiguous: the free ride for copyright thieves is over.
Minister of state for information and broadcasting L. Murugan spelled out the legal architecture to the Lok Sabha on Wednesday. The Cinematograph (Amendment) Act, 2023, he said, now contains specific provisions designed to make piracy a genuinely painful proposition. Sections 6AA and 6AB prohibit unauthorised recording and transmission of films, with violations attracting a minimum of three months’ imprisonment and a fine of Rs 3 lakh. At the upper end, offenders face three years behind bars and fines of up to 5 per cent of a film’s audited gross production cost — a figure that, for a big-budget production, could run into crores.
The legislation also gives the government powers to act against intermediaries hosting infringing content, by notifying them under Section 79(3) of the Information Technology Act, 2000, and compelling takedowns and blocking actions. Under Section 79(3)(b), intermediaries are legally required to remove or disable access to unlawful content upon receiving government notice or court orders. The Information Technology (Intermediary Guidelines and Digital Media Ethics Code) Rules, 2021, add a further layer of obligation, requiring platforms to ensure their services are not used to host or distribute content that violates copyright or proprietary rights.
To put enforcement into practice, the Ministry of Information and Broadcasting has established a dedicated institutional mechanism, complete with nodal officers to receive complaints. Copyright holders, authorised representatives or individuals can report piracy through a prescribed format, after which the government issues notices to intermediaries to disable access to infringing links.
The most headline-grabbing action came on 11 March 2026, when Telegram was formally notified under Section 79(3)(b) of the IT Act and directed to remove and disable 3,142 channels found to be distributing unauthorised content belonging to OTT platforms, content owners and producers. The complaints that triggered the action came from OTT platforms including JioCinema and Amazon Prime Video, which alleged that copyrighted films, web series and other material were being shared on the platform on a massive scale. Telegram’s architecture, with its large file-sharing limits and capacity for user anonymity, has made it a favoured vehicle for exactly this kind of large-scale piracy.
The Telegram action sits within a broader pattern of escalating enforcement. Just days before the Lok Sabha statement, the ministry banned five OTT platforms for streaming obscene content: MoodXVIP, Koyal Playpro, Digi Movieplex, Feel and Jugnu. In July 2025, the Centre ordered the blocking of 25 OTT platforms accused of streaming obscene, vulgar or pornographic material, a list that included ALTT, ULLU, Big Shots App, Desiflix, Boomex, Navarasa Lite, Gulab App, Kangan App, Bull App, Jalva App, ShowHit, Wow Entertainment, Look Entertainment, Hitprime, Feneo, ShowX, Sol Talkies, Adda TV, HotX VIP, Hulchul App, MoodX, NeonX VIP, Fugi, Mojflix and Triflicks.
Rule 3(1)(b) of the IT (Intermediary Guidelines and Digital Media Ethics Code) Rules, 2021, provides the regulatory hook for those actions, prohibiting platforms from hosting content that is obscene, pornographic, invasive of privacy, gender-harassing, racially or ethnically objectionable, or that promotes hatred and violence.
For an industry that loses billions of rupees annually to piracy, the direction of travel is welcome. The question, as always, is not whether the laws exist, but whether the enforcement machinery can keep pace with the ingenuity of those determined to circumvent it. Three thousand channels down, and the pirates are already busy opening three thousand more.
