MAM
NDTV India gets its Suhail signal as prime-time champ joins the network
MUMBAI: The 9 pm battlefield has a new warrior, and he’s carrying numbers sharper than any sword. Syed Suhail, Hindi television’s undisputed prime-time champion for over 100 weeks, has joined NDTV India as senior executive editor and prime-time anchor. In a fiercely fought time band where star anchors jostle for dominance, Suhail carved his legacy with sheer consistency and clarity. His previous show not only ruled the 9 pm slot week after week but also became Hindi prime time’s most-watched broadcast, drawing nearly 19 million viewers on average. Even more telling audiences stuck with him longer than with any other face on screen at that hour, turning his dominance into a ritual for three straight years.
Suhail’s rise is no overnight story. From his early days at Jain TV and a regional channel where he learnt humility, to P7 News and News Nation where he sharpened his storytelling, each stop added grit and finesse. At News24, he mastered viewer connect, and by the time he reached Republic Bharat, he had rewritten the rules of the 9 pm battleground. His 100-day trek across 45 districts of Uttar Pradesh meeting everyone from ministers to security guards and children in orphanages cemented his India-first philosophy of journalism.
What separates him from the pack is not just ratings. Suhail personally reviews every show, swears by the power of visuals, and insists the story itself should be the star. For him, journalism is less about noise and more about keeping the ordinary citizen at the centre while putting the nation’s interests above all.
On his move to NDTV India, Suhail said, “From the start of my career, I have admired NDTV for its credibility and ‘viewer-first’ approach. To be part of this network is not just a professional honour, it is a responsibility to remain true to the common man and to tell their stories simply, honestly, and with commitment.”
Welcoming him, NDTV CEO & editor-in-chief Rahul Kanwal, said: “Suhail is one of Hindi television’s most trusted prime-time voices. He brings not just ratings leadership but also credibility and an instinctive connection with viewers. We are delighted to welcome him to NDTV India as we strengthen our promise of meaningful, people-first journalism for a new India.”
For viewers, the message is clear: at 9 pm, Suhail will now set the tone for NDTV India. For rivals, the battle just got that much harder.
Digital
Content India 2026 opens with a copro pitch, a spice evangelist and a £10,000 prize for Indian storytelling
Dish TV and C21Media’s three-day summit puts seven ambitious projects before an international jury, and two walk away with serious development money
MUMBAI: India’s content industry gathered in Mumbai this March for Content India 2026, a three-day summit organised by Dish TV in partnership with C21Media, and it wasted no time making a statement. The event opened with a Copro Pitch that put seven scripted and unscripted television concepts before an international panel of judges, and by the end of it, two projects had walked away with £10,000 each in marketing prize money from C21Media to support development and international promotion.
The jury, comprising Frank Spotnitz, Fiona Campbell, Rashmi Bajpai, Bal Samra and Rachel Glaister, evaluated a shortlist that ranged from a dark Mumbai comedy-drama about mental health (Dirty Minds, created by Sundar Aaron) to a Delhi coming-of-age mystery (Djinn Patrol, by Neha Sharma and Kilian Irwin), a techno-thriller about a teenage gaming prodigy (Kanpur X Satori, by Suchita Bhatia), an investigative crime drama blending mythology and modern thriller (The Age of Kali, by Shivani Bhatija), a documentary on India’s spice heritage (The Masala Quest, hosted by Sarina Kamini), a documentary on competitive gaming (Respawn: India’s Esports Revolution, by George Mangala Thomas and Sangram Mawari), and a reality-horror competition merging gaming and immersive fear (Scary Goose, by Samar Iqbal).
The session was hosted by Mayank Shekhar.
The two winners were Djinn Patrol, backed by Miura Kite, formerly of Participant Media and known for Chinatown and Keep Sweet: Pray & Obey, with Jaya Entertainment, producers of Real Kashmir Football Club, also attached; and The Masala Quest, created and hosted by Sarina Kamini, an Indian-Australian cook, author and self-described “spice evangelist.”
The summit also unveiled the Content India Trends Report, whose findings made for bracing reading. Daoud Jackson, senior analyst at OMDIA, set the tone: “By 2030, online video in India will nearly double the revenue of traditional TV, becoming the main driver of growth.” He noted that in 2025, India produced a quarter of all YouTube videos globally, overtaking the United States, while Indians collectively spend 117 years daily on YouTube and 72 years on Instagram. Traditional subscription TV is declining as free TV and connected TV gain ground, forcing broadcasters to innovate. “AI-generated content is just 2 per cent of engagement,” Jackson added, “highlighting the dominance of high-quality human content. The key for Indian media companies is scaling while monetising effectively from day one.”
Hannah Walsh, principal analyst at Ampere Analysis, added hard numbers to the picture. India produced over 24,000 titles in January 2026 alone, with 19,000 available internationally. The country now accounts for 12 per cent of Asia-Pacific content spend, up from 8 per cent in 2021, outpacing both Japan and China. Key exporters include JioStar, Zee Entertainment, Sony India, Amazon and Netflix, delivering over 7,500 Indian-produced titles abroad each year. The top importing markets are Saudi Arabia, the UAE, Egypt, the United States and the Philippines. Scripted content dominates globally at 88 per cent, with crime dramas and children’s and family titles performing particularly strongly.
Manoj Dobhal, chief executive and executive director of Dish TV India, framed the summit’s ambition squarely. “Stories don’t need translation. They need a platform, discovery, and reach, local or global,” he said. “India produces more movies than any country, our streaming platforms compete globally, and our tech and creators win international awards. Yet fragmentation slows growth. Producers, platforms, and tech move in different lanes. We need shared spaces, collaboration, and an ecosystem where ideas, technology, and people meet. That is why we built Content India.”
The data, the pitches and the prize money all pointed to the same conclusion: India is not waiting for the world to discover its stories. It is building the infrastructure to sell them.
