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Guest column: ‘Digital Drive,’ not ‘Cover Drive’, is the best shot for the future of cricket
Mumbai: Let’s face it – globally cricket is not the most popular sport. The ICC, cricket’s global governing body of cricket was founded in 1909 in Lords. In its 110+ years of existence, it has managed to create only 12 full-time member countries competing in Test cricket. Currently, cricket suffers from three major problems.
First, the massive difference in skill level between the 92 associate members and the full-time members curtails the game’s popularity in the associate member countries. Second, at least four of the 12 full-time members, such as Ireland, Afghanistan, Zimbabwe, and even Bangladesh, cannot compete against India, England, or Australia, which creates unengaging matches. And third, the low viewership of cricket outside the 12 full-time member countries.
Fans’ engagement suffers when their national teams can’t compete against the more powerful teams. Thus, we find the powerful cricket teams only playing against each other to ensure business sustainability for the game. In the last 10 years, India has played 50 per cent of their test matches against England and Australia. There is no real incentive for an Indian or Bangladeshi fan to watch a bland India-Bangladesh match unless the games are competitive enough to drive the narrative.
There is no doubt that Test cricket is dying, and the T20 format can help associate and full-time members produce competitive cricket. However, T20 cricket has been around since 2003, when the England and Wales Cricket Board (ECB) first introduced this format for their inter-county competition. Thus in the last 18 years, this format has failed to popularise cricket in ICC associate member countries, not even in major sporting nations such as Argentina and Germany. It is not that Germans only love soccer, as they also play handball, basketball, tennis, among other sports.
They just do not play cricket, as there is no interest at the ground level. It is a catch-22 situation as citizens won’t play the game unless they find their national teams competing well with the stronger teams. But, countries won’t have strong national teams unless more citizens play the game.
Building strong national cricket teams in associate member countries is an almost impossible task, especially if it didn’t happen in 110 years. Thus, only franchise cricket can popularise cricket and make it a truly global sport. Franchise cricket can help erase the massive difference in quality between national teams and make cricket more democratic and popular. The launch of the IPL was a decisive first step for taking cricket outside of the rigid competition between national teams.
After that, the rapid spread of franchise cricket leagues in almost every cricketing country and the recent launch of Major League Cricket in the US produced a reliable preview of the future of global cricket. But, franchise cricket leagues alone can’t drive the growth of cricket beyond a point. They will need digital platforms to generate and retain interest at the grassroots level in both playing and non-playing countries.
According to a study done by Havas Sports and Entertainment, during the IPL, viewers in the age group of 31-44 years make for the most engaged group with the game, not only in terms of viewership but also in terms of social media chatter, participating in contests and creating their fantasy leagues based on IPL players. This trend is bad news for both advertisers and cricket administrators. India is a very young country with a median age of 28 and more than 50 per cent of its population below 25. In such a backdrop, only digital technologies can create a 360-degree ecosystem to drive fan engagement and popularise cricket among the young generation – the most important demographic for all stakeholders.
The use of match-ups for driving match strategy is only a tiny part of the already rampant use of Digital Technologies in the IPL. The unprecedented growth of fantasy cricket apps and their mainstream status in the cricket narrative shows how the wind is blowing. Every day before the IPL matches, diverse cricket-related websites and apps announce their fantasy cricket predictions, including the IPL broadcaster Disney+ Hotstar and independent platforms such as Cricinfo, CricTracker, SportsKeeda, etc. Thus fantasy cricket has become mainstream and is not considered a critical part of the cricket ecosystem and fan engagement. Almost every prominent cricketer in India is advertising for some fantasy cricket platform or the other on primetime television, which shows the massive investment in such ventures.
In the future, we will see a convergence of digital for enabling every aspect of the game as digital-driven fan engagement is the key to driving cricket. Broadcasting, Start Interacting is now the new mantra of sports coverage. Instead of fans following sports, the new paradigm will be ‘sports that follow fans’ through VR-driven in-stadium experiences and the thrill of watching the game with millions of online friends.
Recently Amazon introduced an innovative feature where viewers can choose the announcer/commentator of their choice for NFL games. Another innovation is flexible subscription models where fans can pay to see only a part of the game at meagre costs.
Digital convergence in cricket has already produced tremendous advantages for brands. As per industry reports, IPL 2020 helped PhonePe enjoy an uplift of 59 per cent in top of mind awareness. Spotify saw a 29 per cent growth in daily downloads, and Josh, a short-video app by Dailyhunt saw a 2.3X increase in advertisement awareness 20 million new downloads for the app during the IPL. Additionally, the daily downloads of the CRED app increased by over 8 times compared to the data recorded during the pre-IPL period.
This is just the beginning of the Digital revolution in cricket. Augmented 3D and 360-Degree live cricket viewing experience would be a win-win situation for both the viewers and advertisers. Sharper demographic and interest targeting coupled with non-intrusive and immersive in-game advertising opportunities which seamlessly integrate the brand with the gameplay will help anchor brands on top of the customer’s mind.
At its core, cricket or any sport is a source of entertainment for fans. If cricket can’t match up to other entertainment sources, it will die off. Thus, digital technologies are not just value-add partners for cricket. When harnessed correctly, they can be the vital life force that will grow cricket to become the global phenomenon it deserves to be.
(Suman Dubey is the author of the best-selling novel ‘The Fixer’ – a thriller based on match-fixing in cricket. He has studied at Cornell University and worked in Silicon Valley. In his 20-year long career, he has experimented with five different career paths across nine industries in 12 global cities. The views expressed in the column are personal and Indiantelevision.com may not subscribe to them.)
NEW DELHI: Hamdard Laboratories gathered a cross-section of India’s achievers in New Delhi on Friday, handing out the Hakeem Abdul Hameed Excellence Awards to figures who have left their mark across healthcare, education, sport, public service and the arts.
The ceremony, attended by minister of state for defence Sanjay Seth and senior officials from the ministry of Ayush, celebrated individuals whose work blends professional success with a sense of public purpose. It was as much a roll call of achievement as it was a reminder that influence is not measured only in profits or podiums, but in people reached and lives improved.
Among the headline awardees was Alakh Pandey, founder and chief executive of PhysicsWallah, recognised for turning affordable digital learning into a mass movement. On the sporting front, Arjuna Awardee and kabaddi player Sakshi Puniya was honoured for her contribution to the game and for pushing women’s participation onto bigger stages.
The cultural spotlight fell on veteran lyricist and poet Santosh Anand, whose songs have echoed across generations of Hindi cinema. At 97, Anand accepted the honour with characteristic humility, reflecting on a life shaped by perseverance and hope.
Healthcare honours spanned both modern and traditional systems. Manoj N. Nesari was recognised for strengthening Ayurveda’s place in national and global health frameworks. Padma shri Mohammed Abdul Waheed was honoured for his research-backed work in Unani medicine, while padma shri Mohsin Wali received recognition for his long-standing contribution to patient-centred care.
Education and social development also featured prominently. Padma shri Zahir Ishaq Kazi was honoured for decades of work in education, while former Meghalaya superintendent of Police T. C. Chacko was recognised for public service. Goonj founder Anshu Gupta received an award for his dignity-centred rural development initiatives, and the Hunar Shakti Foundation was honoured for empowering women and young girls through skill development.
The Lifetime Achievement Award went to former IAS officer Shailaja Chandra for her long career in public healthcare and governance, particularly in the traditional systems under Ayush.
Speaking at the event, Hamdard chairman Abdul Majeed said the awards were a tribute to those who combine excellence with empathy. “These awardees reflect Hakeem Sahib’s belief that healthcare, education and public service must ultimately serve humanity,” he said.
Minister Seth struck a forward-looking note, saying India’s young population gives the country a unique opportunity to become a global destination for learning, health and wellness by 2047.
The ceremony also featured the trailer launch of Unani Ki Kahaani, an upcoming documentary starring actor Jim Sarbh, set to premiere on Discovery on 11 February.
Instituted in memory of Unani scholar and educationist Hakeem Abdul Hameed, the awards have grown into a national platform that celebrates those building a more inclusive and resilient India. For one evening at least, the spotlight was not just on success, but on service with substance.
