MAM
PepsiCo names Ram Krishnan as CEO, international beverages
Mumbai: Global snacks and beverage company PepsiCo has promoted Ram Krishnan, currently serving as chief commercial officer, to the newly created role of CEO, international beverages and chief commercial officer.
The company also appointed Jane Wakely as executive vice president (EVP), chief consumer and marketing officer and chief growth officer (CGO), international foods.
Both executives will report to PepsiCo chairman and CEO Ramon Laguarta.
Krishnan, a 15-year PepsiCo veteran, will focus on driving accelerated growth for the international beverages business, including the company’s international franchise bottlers, with an end-to-end focus on brand-building, innovation, supply chain, digitalisation, talent, and sustainability. He will also be charged with leading faster growth for the SodaStream and Beyond the Bottle businesses, as well as the Pepsi Lipton partnership, the company’s joint venture with Unilever.
This move, effective January 1, 2022, will bring PepsiCo’s critical beverage expertise and commercial capabilities into one group, with an eye toward optimising the end-to-end operating model, capital allocations and building new capabilities. Krishnan will continue to oversee the company’s e-commerce business and global commercial capabilities, said the statement.
“Ram has been an incredibly effective leader for our commercial agenda,” said Laguarta. “With this newly created role, he will bring focus and a proven formula for success to drive faster growth for our International Beverages business.”
Wakely brings to the company an intense focus on consumers, insights and building best-in-class brand and category growth strategies.
In this new role, she will focus on driving accelerated growth by elevating PepsiCo’s consumer-centricity, innovation, brand, and marketing capabilities. As CGO – international foods, Wakely will be responsible for accelerating the Positive Choices pillar of pep+ (PepsiCo Positive), which includes evolving the company’s portfolio into new spaces that are better for the planet and people by developing products with more diverse ingredients, such as plant-based proteins, nuts and seeds, and whole grains.
“Jane is a creative and commercially-oriented marketer who is passionate about purpose and innovation as critical growth levers,” said Ramon Laguarta. “She has a proven track record of success, and I am confident that with her leadership, we will take our consumer-centricity, innovation, brand, and marketing strategies and capabilities, and International Foods growth to a new level.”
Wakely joins PepsiCo with 28 years of marketing experience at Procter & Gamble and at Mars, where since 2019 she served as lead CMO and CMO of Pet Nutrition, one of the largest divisions of Mars’ $40 billion portfolio. She was previously global CMO of its chocolate division. She has operated globally and in highly complex product categories, brands, and businesses across a variety of growth, turnaround, and transformation challenges.
“PepsiCo is a marketing powerhouse known for its commitment to innovation and world-class, consumer-focused brands,” said Wakely. “I look forward to working with my future colleagues to delight consumers with new propositions and purpose-driven brands that bring pep+ to life.”
Digital
Content India 2026 opens with a copro pitch, a spice evangelist and a £10,000 prize for Indian storytelling
Dish TV and C21Media’s three-day summit puts seven ambitious projects before an international jury, and two walk away with serious development money
MUMBAI: India’s content industry gathered in Mumbai this March for Content India 2026, a three-day summit organised by Dish TV in partnership with C21Media, and it wasted no time making a statement. The event opened with a Copro Pitch that put seven scripted and unscripted television concepts before an international panel of judges, and by the end of it, two projects had walked away with £10,000 each in marketing prize money from C21Media to support development and international promotion.
The jury, comprising Frank Spotnitz, Fiona Campbell, Rashmi Bajpai, Bal Samra and Rachel Glaister, evaluated a shortlist that ranged from a dark Mumbai comedy-drama about mental health (Dirty Minds, created by Sundar Aaron) to a Delhi coming-of-age mystery (Djinn Patrol, by Neha Sharma and Kilian Irwin), a techno-thriller about a teenage gaming prodigy (Kanpur X Satori, by Suchita Bhatia), an investigative crime drama blending mythology and modern thriller (The Age of Kali, by Shivani Bhatija), a documentary on India’s spice heritage (The Masala Quest, hosted by Sarina Kamini), a documentary on competitive gaming (Respawn: India’s Esports Revolution, by George Mangala Thomas and Sangram Mawari), and a reality-horror competition merging gaming and immersive fear (Scary Goose, by Samar Iqbal).
The session was hosted by Mayank Shekhar.
The two winners were Djinn Patrol, backed by Miura Kite, formerly of Participant Media and known for Chinatown and Keep Sweet: Pray & Obey, with Jaya Entertainment, producers of Real Kashmir Football Club, also attached; and The Masala Quest, created and hosted by Sarina Kamini, an Indian-Australian cook, author and self-described “spice evangelist.”
The summit also unveiled the Content India Trends Report, whose findings made for bracing reading. Daoud Jackson, senior analyst at OMDIA, set the tone: “By 2030, online video in India will nearly double the revenue of traditional TV, becoming the main driver of growth.” He noted that in 2025, India produced a quarter of all YouTube videos globally, overtaking the United States, while Indians collectively spend 117 years daily on YouTube and 72 years on Instagram. Traditional subscription TV is declining as free TV and connected TV gain ground, forcing broadcasters to innovate. “AI-generated content is just 2 per cent of engagement,” Jackson added, “highlighting the dominance of high-quality human content. The key for Indian media companies is scaling while monetising effectively from day one.”
Hannah Walsh, principal analyst at Ampere Analysis, added hard numbers to the picture. India produced over 24,000 titles in January 2026 alone, with 19,000 available internationally. The country now accounts for 12 per cent of Asia-Pacific content spend, up from 8 per cent in 2021, outpacing both Japan and China. Key exporters include JioStar, Zee Entertainment, Sony India, Amazon and Netflix, delivering over 7,500 Indian-produced titles abroad each year. The top importing markets are Saudi Arabia, the UAE, Egypt, the United States and the Philippines. Scripted content dominates globally at 88 per cent, with crime dramas and children’s and family titles performing particularly strongly.
Manoj Dobhal, chief executive and executive director of Dish TV India, framed the summit’s ambition squarely. “Stories don’t need translation. They need a platform, discovery, and reach, local or global,” he said. “India produces more movies than any country, our streaming platforms compete globally, and our tech and creators win international awards. Yet fragmentation slows growth. Producers, platforms, and tech move in different lanes. We need shared spaces, collaboration, and an ecosystem where ideas, technology, and people meet. That is why we built Content India.”
The data, the pitches and the prize money all pointed to the same conclusion: India is not waiting for the world to discover its stories. It is building the infrastructure to sell them.
