iWorld
FanCode to exclusively live-stream Ireland tour of the USA in Indian subcontinent
Mumbai: Digital sports platform FanCode will exclusively live-stream the Ireland tour of the USA in the Indian subcontinent. The series will feature two T20Is followed by three ODI matches starting 23 December.
Ireland men’s cricket team is set to become the first Full ICC Member nation to tour the United States to play against the USA men’s senior national team. The tour will be across the Christmas period and is the first-ever multi-format white-ball series between the two sides.
It will be exclusively live-streamed on the FanCode app and website to provide a comprehensive match experience through interactive live streaming, fastest live scores, as well as match highlights.
Monank Patel will lead the hosts in both formats. Former India U19 player Saurabh Netravalkar will also feature in the American team. For Ireland, Andrew Balbirnie will captain across both formats.
The five-match series will be played at the Central Broward Regional Park Stadium in Florida. The two sides last met in 2015 in Belfast, Dublin, for the ICC World Twenty20 Qualifier where the Irish side won by 46 runs. This series precedes Ireland’s scheduled World Cup Super League Series with the West Indies in January in the Caribbean.
iWorld
JioHotstar’s Tadka explained: India’s big new bet on bite-sized drama
The streaming giant goes short with vertical micro-dramas timed to ride the IPL’s massive reach
MUMBAI: India’s biggest streaming platform has a new trick up its sleeve. JioHotstar has launched Tadka, a vertical micro-content offering that serves up episodic dramas in 60-second to two-minute bursts, built not for the binge-watcher sprawled on the sofa but for the thumb-scroller on the bus. The name, borrowed from the Hindi culinary term for a flavour-charged tempering of spices, signals intent: quick, punchy, unmissable. And the timing is no accident. Tadka’s launch coincides with the Indian Premier League, one of JioHotstar’s biggest audience moments of the year, giving the new format an instant audience of tens of millions.
What exactly is Tadka?
At its core, Tadka is JioHotstar’s answer to the global micro-drama boom, a format that has quietly become a multi-billion-dollar category in China and is fast gaining ground elsewhere. Content is shot vertically, native to the mobile screen, and runs in episodes of 60 seconds to two minutes. Crucially, nothing is edited down from longer cuts: every story is conceived and produced specifically for the short form.
The genres span romance, drama, thriller, comedy and youth-oriented stories, all anchored in contemporary Indian life. Titles already in the library include Mitti Ka Sher, Section F Ka Only Boy, Undercover Boss: Scam Smash and Punch Dialogue Prince Ki Oka Chinna Love Story. Content is available in Hindi, Tamil and Telugu, with more languages to follow.
At launch, the platform has more than 100 original titles on offer. By year-end, JioHotstar plans to have 1,000-plus titles in the catalogue.
Production beyond Mumbai
One of the more striking aspects of Tadka is where it is being made. JioHotstar is deliberately breaking with the Mumbai-centric logic of Indian entertainment, shifting shoots to smaller cities. Game Over Gold Digger and Billionaires vs. Middle Class Mom were shot in Indore; Mitti Ka Sher and Startup Junoon: Rinki Bani Bazigar in Lucknow.
The platform has partnered with more than 50 production houses, ranging from established players such as M5 Entertainment, Salt Media and Tamasha Studios to digital-native outfits such as Incnut, Fourth Wall and Kaijuhouse Productions, many of them new to the long-form ecosystem altogether. The content and production team was built entirely from scratch, drawing talent deliberately from outside the traditional long-form world. Television production veterans, it turns out, are rather well suited to the high-volume, fast-turnaround demands of micro-content.
How the money might flow
Monetisation is still early-stage, but the roadmap is taking shape. Advertising is the primary near-term opportunity: several brands have already approached JioHotstar about integrated content formats, and ad revenues are expected to scale with viewership. Further down the road, the platform may explore subscription packs and coin-based unlock models, a path already well-trodden in global micro-drama markets, where 65 to 70 per cent of revenue has shifted over time from pay-per-episode unlocks to recurring subscriptions.
Fully AI-generated content, story and visuals alike, is also in the pipeline for specific genres, including animated and fantastical formats.
Partners are enthusiastic
Those building content for the platform are bullish. Firdaus, owner and partner at Salt Media, says Tadka “lowers traditional barriers, allowing storytellers across sizes to participate without being constrained by large budgets or legacy structures.” Sonya V. Kapoor, owner and partner at M5 Entertainment, calls micro-content “where the next generation of IP is going to be built and tested.” Anish Surana, founder of Ananta Productions, says Tadka is “formalising micro-content as a serious entertainment category within the mainstream ecosystem.”
Jehangir Irroni, assistant vice president of video divisions at Incnut Digital, puts it bluntly: “When a platform at JioHotstar’s scale backs a format, it has the ability to expand the category itself.”
The bigger picture
Within days of its launch, Tadka has already pulled in a share of JioHotstar’s active user base that, the company claims, is comparable in size to the entire user base of several standalone short-form or regional OTT platforms. That is a remarkable early signal, though, as with any new format, the harder test is whether that initial curiosity converts to habit.
If it does, Tadka could do for Indian micro-drama what JioHotstar’s backing of the IPL did for streaming sports: drag a format from the fringes firmly into the mainstream. The spice, as always, is in the timing.
