Digital
India’s Leading Digital PR Agency Teamology Is Setting New Benchmarks in Ad Campaigns
As everyone acknowledges, Digitalization and Technology are amongst the most significant inventions and development of the human race. It has made our lives comfortable and provided us with more time for other things we want to pursue in our lives. However, the importance of the digital space has also put on us the pressure to have a clean and successful online reputation for the audience and clients to trust us. But, it is not an easy task. This is when the Digital Marketing Agencies come to our aid to help us build and grow our brands and businesses in the digital space without any black marks. Teamology Softech and Media Services is one of the well-known and successful Digital Agencies that focus entirely on the client’s growth and development rather than just gaining profit.
Teamology was established by Gulrez Alam and Md Badshah Ansari, Directors and Founders of this Digital Marketing Agency. Teamology help their clients establish their brands by disseminating their messages through various channels of communication in multiple Indian languages. As a result, the brand reaches far and wide and contributes in the economic growth and adoption of goods, services, opinions and ideas. Our strategic brand promotion results in brand reputation, search engine optimization, and global outreach.
The strategies and ad campaigns created by them have set new standards for the other digital marketing agencies competing with them. After their intervention and contribution, the companies have seen immense growth in their businesses and tremendous response from their clientele and audiences. The team working behind the scenes is full of professionals and experts. Once the client has given them the task, they have nothing to worry about as it is in the best hands.
Teamology has worked with numerous individuals and organizations to help them reach new heights in their businesses and up their social game. They have run some of the major and noteworthy adcampaigns for RD Electronics, Recruitment Mantra, USA based Donor Box, RVCJ originals series Khatta Meetha, Talk ESport and many more. On the 9th of February 2022, they received a prestigious award from the governor of Maharashtra in Maharashtra Gaurav Awards held at the Raj Bhavan. From solving problems to creating strategies, they have expertise and experience in every aspect of Digital Marketing. The positive feedbacks and high praises from their clients prove their excellent work. Their goal is to make the process of growth and the path to victory a little easier. Teamology is one of the very few companies operating solely for your benefit and success.
Digital
Content India 2026 opens with a copro pitch, a spice evangelist and a £10,000 prize for Indian storytelling
Dish TV and C21Media’s three-day summit puts seven ambitious projects before an international jury, and two walk away with serious development money
MUMBAI: India’s content industry gathered in Mumbai this March for Content India 2026, a three-day summit organised by Dish TV in partnership with C21Media, and it wasted no time making a statement. The event opened with a Copro Pitch that put seven scripted and unscripted television concepts before an international panel of judges, and by the end of it, two projects had walked away with £10,000 each in marketing prize money from C21Media to support development and international promotion.
The jury, comprising Frank Spotnitz, Fiona Campbell, Rashmi Bajpai, Bal Samra and Rachel Glaister, evaluated a shortlist that ranged from a dark Mumbai comedy-drama about mental health (Dirty Minds, created by Sundar Aaron) to a Delhi coming-of-age mystery (Djinn Patrol, by Neha Sharma and Kilian Irwin), a techno-thriller about a teenage gaming prodigy (Kanpur X Satori, by Suchita Bhatia), an investigative crime drama blending mythology and modern thriller (The Age of Kali, by Shivani Bhatija), a documentary on India’s spice heritage (The Masala Quest, hosted by Sarina Kamini), a documentary on competitive gaming (Respawn: India’s Esports Revolution, by George Mangala Thomas and Sangram Mawari), and a reality-horror competition merging gaming and immersive fear (Scary Goose, by Samar Iqbal).
The session was hosted by Mayank Shekhar.
The two winners were Djinn Patrol, backed by Miura Kite, formerly of Participant Media and known for Chinatown and Keep Sweet: Pray & Obey, with Jaya Entertainment, producers of Real Kashmir Football Club, also attached; and The Masala Quest, created and hosted by Sarina Kamini, an Indian-Australian cook, author and self-described “spice evangelist.”
The summit also unveiled the Content India Trends Report, whose findings made for bracing reading. Daoud Jackson, senior analyst at OMDIA, set the tone: “By 2030, online video in India will nearly double the revenue of traditional TV, becoming the main driver of growth.” He noted that in 2025, India produced a quarter of all YouTube videos globally, overtaking the United States, while Indians collectively spend 117 years daily on YouTube and 72 years on Instagram. Traditional subscription TV is declining as free TV and connected TV gain ground, forcing broadcasters to innovate. “AI-generated content is just 2 per cent of engagement,” Jackson added, “highlighting the dominance of high-quality human content. The key for Indian media companies is scaling while monetising effectively from day one.”
Hannah Walsh, principal analyst at Ampere Analysis, added hard numbers to the picture. India produced over 24,000 titles in January 2026 alone, with 19,000 available internationally. The country now accounts for 12 per cent of Asia-Pacific content spend, up from 8 per cent in 2021, outpacing both Japan and China. Key exporters include JioStar, Zee Entertainment, Sony India, Amazon and Netflix, delivering over 7,500 Indian-produced titles abroad each year. The top importing markets are Saudi Arabia, the UAE, Egypt, the United States and the Philippines. Scripted content dominates globally at 88 per cent, with crime dramas and children’s and family titles performing particularly strongly.
Manoj Dobhal, chief executive and executive director of Dish TV India, framed the summit’s ambition squarely. “Stories don’t need translation. They need a platform, discovery, and reach, local or global,” he said. “India produces more movies than any country, our streaming platforms compete globally, and our tech and creators win international awards. Yet fragmentation slows growth. Producers, platforms, and tech move in different lanes. We need shared spaces, collaboration, and an ecosystem where ideas, technology, and people meet. That is why we built Content India.”
The data, the pitches and the prize money all pointed to the same conclusion: India is not waiting for the world to discover its stories. It is building the infrastructure to sell them.
