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Adgcraft wins PR mandate for Kalidas Ka Kathaalok storytelling festival

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NEW DELHI: Adgcraft Communications has secured the public relations mandate for the second edition of Kalidas ka Kathaalok, a cultural storytelling festival organised by Samay Yaan in collaboration with the Indira Gandhi National Centre for the Arts (IGNCA).

The two-day event will be held on February 7 and 8, 2026, at Purana Qila in New Delhi, bringing together storytelling, theatre, music and visual art inspired by the works of Sanskrit poet Kalidasa.

As PR partner, Adgcraft will manage the festival’s strategic and creative media communications, amplifying its narrative of reviving ancient Indian thought through contemporary cultural expression.

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The festival is themed around a time journey to Bharat nearly 2,000 years ago, inviting audiences to experience literature as a living tradition rather than a historical relic. Set within the historic fort complex, it will feature immersive experience zones, performances, ancient scripts, traditional attars and curated cultural installations exploring themes of love, nature, power and society.

Adgcraft Communications founder Abhinay Kumar Singh, said the festival offers younger audiences a creative gateway into India’s classical heritage, blending storytelling with performance and art to make tradition accessible and relevant.

Kathaalok project head Bharti Dhingra, said the collaboration aims to create an atmosphere of reflection and dialogue, allowing visitors to engage emotionally and physically with India’s cultural past within a historic setting.

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Founded in 2021, Adgcraft Communications has expanded its presence across Noida, Lucknow, Mumbai, Gujarat and Bengaluru, working with more than 200 brands across sectors. The agency offers services spanning media relations, content strategy, corporate reputation management, crisis communication, public affairs and investor relations.

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MAM

ASCI study uncovers how Gen Alpha navigates ads in endless digital feeds

‘What the Sigma?’ ethnographic report maps blurred boundaries between content and commerce for 7–15-year-olds.

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MUMBAI: Gen Alpha isn’t scrolling through the internet, they’re living rent-free inside its never-ending dopamine drip, and the ads have already moved in next door. The Advertising Standards Council of India (ASCI) Academy, partnering with Futurebrands Consulting, has published ‘What the Sigma?’, an immersive ethnographic study that maps how Indian children aged 7–15 (Generation Alpha) consume, interpret and live alongside media and commercial messaging in a hyper-digital environment.

The research draws on in-home interviews, sibling and peer conversations, and discussions with parents, teachers, counsellors, psychologists, marketers and kidfluencers across six cities. It examines not only what children watch but how algorithms, content creators, peers and parents shape their relationship with the constant stream of shorts, vlogs, gameplay, memes, sponsored posts and ‘kid-ified’ adult material.

Five core themes emerged:

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  1. Discontinuous Generation, Gen Alpha is not growing up alongside the internet, they are growing up inside it. Cultural references, humour, aesthetics and language sync globally in real time, often leaving adults functionally illiterate in their children’s world. A reference that lands instantly for a 10-year-old in Mumbai or Visakhapatnam feels opaque or disjointed to most parents.
  2. Authority Vacuum, Parents and teachers frequently lose cultural fluency in digital spaces. The algorithm responsive, inexhaustible and perfectly attuned to preferences becomes the most attentive presence in many children’s daily lives. Rules around screen time feel increasingly difficult to enforce when adults cannot fully see or understand the content landscape.
  3. Digital as Society, Online and offline no longer exist as separate realms, they form one continuous reality. The phone is not a tool children pick up; it is the primary social environment they inhabit.
  4. Great Media Mukbang, Content flows as an ambient, boundary-less, multi-sensorial stream. Entertainment, advertising, commerce, gameplay, memes and vlogs merge into one undifferentiated feed. The line between active choice and passive absorption has largely collapsed.
  5. Blurred Ad Recognition, Children aged 7–12 typically recognise only the most overt advertising formats. Influencer promotions, gaming integrations and vlog sponsorships often register as organic entertainment. Children aged 13–15 show greater ad literacy but remain highly susceptible to narrative-integrated, passion-driven and emotionally resonant brand messaging. Discernment remains low across the board in a non-stop stream.

ASCI CEO and secretary general Manisha Kapoor said, “ASCI Academy’s study is an investigation into the content life of Generation Alpha not to judge them but to understand them. Their cultural reference points seem disjointed from those of earlier generations. Insights on how they perceive advertising is the first step towards building more responsible engagement frameworks, given that they are the youngest media consumers in our country right now.”

Futurebrands Consulting founder and director Santosh Desai added, “While earlier generations have been exposed to digital media, for this generation it is the world they inhabit. This report explores not only what they watch but how they are being shaped by algorithms, content and advertising.”

The study proposes four adaptive, principles-led pathways:

  • Universal signposting of commercial intent using design principles that make advertising recognisable even to young audiences.
  • Ecosystem-wide responsibility shared among advertisers, platforms, creators, schools and parents.
  • Future-ready safeguards built directly into children’s content experiences rather than as optional background settings.
  • Formal media and advertising literacy embedded in school curricula to teach age-appropriate understanding of persuasion and commercial intent.

In a feed that never pauses, Gen Alpha isn’t merely watching content, they’re swimming in an ocean where entertainment, commerce and identity swirl together. The real question isn’t whether they can spot an ad; it’s whether the adults building the ocean can agree on where the lifeguards should stand.

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