iWorld
The Night Manager returns with new secrets, new spies and old scars
MUMBAI: The night is getting darker, and Jonathan Pine is back to face the ghosts he thought he’d buried. Prime Video has announced that the highly anticipated Season Two of The Night Manager will premiere on Sunday, 11 January 2026, with the first three episodes dropping together, followed by a weekly rollout until 1 February 2026. The six-part series will stream exclusively on Prime Video worldwide (excluding the UK) and on BBC and BBC iPlayer in the UK.
Eight years after its explosive Season One finale, the Emmy, Golden Globe and BAFTA-winning spy drama returns more dangerous, more deceptive, and just as addictive. Tom Hiddleston reprises his Golden Globe-winning role as the enigmatic former spy Jonathan Pine, who now lives under the alias Alex Goodwin. But when the past comes knocking in the form of a rogue mercenary and a global conspiracy, Pine is pulled back into the shadowy world he once escaped.
This time, he’s not alone. Olivia Colman returns as the steadfast intelligence officer Angela Burr, while Diego Calva (Babylon, Narcos: Mexico) and Camila Morrone (Daisy Jones & The Six) join the cast as new players in Pine’s perilous new mission. The cast also includes Indira Varma, Paul Chahidi, and Hayley Squires, alongside returning favourites Alistair Petrie, Douglas Hodge, Michael Nardone, and Noah Jupe.
Filmed across the UK, Spain, Colombia, and France, the new season raises the stakes with a global plot that spans continents and conspiracies. Pine, now a low-level MI6 officer running a quiet surveillance unit, is thrust into action after a fateful encounter with Colombian businessman Teddy Dos Santos (Calva) unravels a deadly arms network. Partnering with businesswoman Roxana Bolaños (Morrone), Pine must navigate treacherous alliances and buried betrayals to expose a plot designed to destabilise an entire nation.
Created and executive produced by David Farr, and directed by BAFTA-winner Georgi Banks-Davies (I Hate Suzie, Paper Girls), the second season is once again based on the characters from John le Carré’s novel. It’s produced by The Ink Factory, in association with Character 7, Demarest Films, 127 Wall, and Spanish co-producer Nostromo Pictures.
Executive producers include Stephen Garrett, Simon and Stephen Cornwell, Michele Wolkoff, Adrián Guerra, Hugh Laurie, and Tom Hiddleston himself. With such a powerhouse creative team, The Night Manager promises another elegant blend of espionage, emotion, and edge-of-your-seat tension.
Season One, which premiered in 2016, was lauded for its razor-sharp writing, lush cinematography, and powerhouse performances bagging 11 BAFTA nominations, three Golden Globes, and critical acclaim worldwide. Season Two now picks up the story eight years later, delving deeper into Pine’s fractured psyche and the blurred lines between loyalty, deception, and survival.
With betrayal lurking in every shadow and old enemies reborn, The Night Manager returns not just as a spy thriller, but as a study in reinvention of both its hero and the genre itself. After all, in the world of espionage, the night never truly ends; it only gets darker.
iWorld
YouTube rolls out 30-second unskippable ads on smart TVs worldwide
New connected TV format and pause ads push viewers towards longer ad breaks
MUMBAI: Your trusty skip ad button may soon become a rare sight, at least when you are watching YouTube on the big screen. As of March 2026, the platform has completed the global rollout of 30-second non-skippable advertisements for connected TV apps.
The move affects viewers watching YouTube on smart TVs, gaming consoles and streaming devices such as Roku or Apple TV. Instead of seeing two separate 15-second ads that could sometimes be skipped after a few seconds, users are increasingly being served a single uninterrupted 30-second advertising block.
The change is primarily tied to YouTube Select, the company’s premium advertising inventory that features the top 5 per cent of most-watched content on the platform. For advertisers, it offers a more predictable and television-like experience. For viewers, it means settling in for the full half-minute.
Behind the scenes, artificial intelligence is also taking on a larger role. Google’s ad systems now dynamically decide which format works best for each viewer. The rotation may include quick 6-second bumper ads, traditional 15-second spots, or the new 30-second connected TV format depending on the content and audience.
Even pressing pause is no longer an escape from advertising. YouTube has started rolling out so-called pause ads, where the video shrinks on the screen and a static or interactive advertisement appears alongside it when a viewer stops playback.
The strategy reflects how YouTube’s viewing habits are changing. Television screens have become the platform’s fastest-growing viewing surface, and in the United States it now ranks as the leading streaming service by watch time, ahead of major subscription platforms.
There is also a practical reason. Ad-blocking software is far less common on smart TVs than on browsers or mobile devices. By shifting more advertising to the living room screen, YouTube is protecting a crucial source of revenue.
At the same time, the company appears keen to nudge more viewers towards its paid offerings. Longer unskippable ads on the free tier make services such as YouTube Premium and the lower-priced Premium Lite subscription more appealing.
For now, mobile and desktop viewers can breathe a small sigh of relief. The 30-second unskippable format is currently limited to connected TVs, while phones and computers still mostly cap non-skippable ads at around 15 seconds.
So the next time you lean back on the sofa to watch a video on YouTube, be prepared. The ads might just be settling in for the full half-minute as well.
